| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2072 |
| Prevalence of Second Most Common Vertical Interval |
0.2056 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9926 |
| Vertical Unisons |
0.04295 |
| Vertical Minor Seconds |
0.002291 |
| Vertical Thirds |
0.326 |
| Vertical Tritones |
0.01292 |
| Vertical Perfect Fourths |
0.09107 |
| Vertical Perfect Fifths |
0.1942 |
| Vertical Sixths |
0.1336 |
| Vertical Sevenths |
0.02026 |
| Vertical Octaves |
0.1627 |
| Perfect Vertical Intervals |
0.4909 |
| Vertical Dissonance Ratio |
0.05215 |
| Vertical Minor Third Prevalence |
0.543 |
| Vertical Major Third Prevalence |
0.3614 |
| Chord Duration |
3.51 |
| Partial Chords |
0.4462 |
| Standard Triads |
0.4229 |
| Diminished and Augmented Triads |
0.03499 |
| Dominant Seventh Chords |
0.001521 |
| Seventh Chords |
0.01318 |
| Non-Standard Chords |
0.1176 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.101 |
| Average Number of Simultaneous Pitch Classes |
2.489 |
| Variability of Number of Simultaneous Pitch Classes |
0.6429 |
| Average Number of Simultaneous Pitches |
3.083 |
| Variability of Number of Simultaneous Pitches |
0.8654 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.369 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
335.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1451 |
| Stepwise Motion |
0.5781 |
| Melodic Thirds |
0.2198 |
| Melodic Perfect Fourths |
0.08364 |
| Melodic Tritones |
0.0007402 |
| Melodic Perfect Fifths |
0.03923 |
| Melodic Sixths |
0.00148 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007402 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.194 |
| Melodic Embellishments |
0.02362 |
| Direction of Melodic Motion |
0.4733 |
| Average Length of Melodic Arcs |
1.793 |
| Average Interval Spanned by Melodic Arcs |
4.869 |
| Melodic Pitch Variety |
5.235 |
| Mean Melodic Interval |
2.538 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.433 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3487 |
| Amount of Arpeggiation |
0.336 |
| Repeated Notes |
0.06958 |
| Importance of Middle Register |
0.7919 |
| Importance of High Register |
0.00738 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.46 |
| Mean Pitch Class |
5.207 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1461 |
| Prevalence of Most Common Pitch Class |
0.2177 |
| Relative Prevalence of Top Pitches |
0.5909 |
| Relative Prevalence of Top Pitch Classes |
0.7356 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.715 |
| Pitch Class Variability |
3.552 |
| Pitch Class Variability After Folding |
3.053 |
| Pitch Skewness |
-0.02011 |
| Pitch Class Skewness |
0.1745 |
| Pitch Class Skewness After Folding |
0.3539 |
| Pitch Kurtosis |
5.528 |
| Pitch Class Kurtosis |
4.788 |
| Pitch Class Kurtosis After Folding |
7.422 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2007 |
| Note Density per Quarter Note |
0.6474 |
| Note Density per Quarter Note per Voice |
0.1618 |
| Note Density per Quarter Note Variability |
0.3366 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2517 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9439 |
| Prevalence of Very Long Rhythmic Values |
0.3225 |
| Prevalence of Dotted Notes |
0.1402 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.818 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4037 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5064 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.801 |
| Rhythmic Value Skewness |
0.8759 |
| Rhythmic Value Kurtosis |
6.257 |
| Mean Rhythmic Value Run Length |
1.491 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9984 |
| Mean Rhythmic Value Offset |
0.2037 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.32 |
| Complete Rests Fraction |
0.0004204 |
| Partial Rests Fraction |
0.5129 |
| Average Rest Fraction Across Voices |
0.1883 |
| Longest Complete Rest |
0.88 |
| Longest Partial Rest |
210.9 |
| Mean Complete Rest Duration |
0.88 |
| Mean Partial Rest Duration |
15.45 |
| Median Complete Rest Duration |
0.88 |
| Median Partial Rest Duration |
4.394 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
39.16 |
| Variability Across Voices of Combined Rests |
214.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7398 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1419 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.215 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8816 |
| Rhythmic Variability - Tempo Standardized |
0.05996 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1355.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.108 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
1.087 |
| Variability of Note Durations |
0.7927 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
280.0 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.4683 |
| Strength of Second Strongest Rhythmic Pulse |
0.2366 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.979 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7048 |
| Rhythmic Variability |
0.04414 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.93 |
| Duration in Seconds |
453.6 |
| Note Density |
2.987 |
| Note Density Variability |
0.9647 |
| Average Time Between Attacks |
0.6284 |
| Average Time Between Attacks for Each Voice |
1.379 |
| Variability of Time Between Attacks |
0.3453 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.1545 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.1948 |
| Relative Note Durations of Lowest Line |
1.506 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9055 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.06503 |
| Average Number of Independent Voices |
3.252 |
| Similar Motion |
0.1229 |
| Contrary Motion |
0.1681 |
| Oblique Motion |
0.6439 |
| Parallel Fifths |
0.006344 |
| Parallel Octaves |
0.003172 |
| Variability of Number of Independent Voices |
0.827 |
| Voice Equality - Number of Notes |
113.3 |
| Voice Equality - Note Duration |
46.47 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.304 |
| Importance of Loudest Voice |
20.0 |