| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2164 |
| Prevalence of Second Most Common Vertical Interval |
0.187 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8644 |
| Vertical Unisons |
0.01926 |
| Vertical Minor Seconds |
0.004271 |
| Vertical Thirds |
0.3694 |
| Vertical Tritones |
0.01514 |
| Vertical Perfect Fourths |
0.06773 |
| Vertical Perfect Fifths |
0.187 |
| Vertical Sixths |
0.1496 |
| Vertical Sevenths |
0.03127 |
| Vertical Octaves |
0.1394 |
| Perfect Vertical Intervals |
0.4134 |
| Vertical Dissonance Ratio |
0.07249 |
| Vertical Minor Third Prevalence |
0.5404 |
| Vertical Major Third Prevalence |
0.3712 |
| Chord Duration |
3.934 |
| Partial Chords |
0.5089 |
| Standard Triads |
0.359 |
| Diminished and Augmented Triads |
0.02367 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1321 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.193 |
| Average Number of Simultaneous Pitch Classes |
2.454 |
| Variability of Number of Simultaneous Pitch Classes |
0.5458 |
| Average Number of Simultaneous Pitches |
2.823 |
| Variability of Number of Simultaneous Pitches |
0.3816 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.322 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
11.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2185 |
| Stepwise Motion |
0.6722 |
| Melodic Thirds |
0.1159 |
| Melodic Perfect Fourths |
0.03642 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03974 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006623 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.375 |
| Melodic Embellishments |
0.01967 |
| Direction of Melodic Motion |
0.5057 |
| Average Length of Melodic Arcs |
2.711 |
| Average Interval Spanned by Melodic Arcs |
6.144 |
| Melodic Pitch Variety |
4.919 |
| Mean Melodic Interval |
2.04 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4536 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4818 |
| Amount of Arpeggiation |
0.2914 |
| Repeated Notes |
0.1291 |
| Importance of Middle Register |
0.7934 |
| Importance of High Register |
0.01311 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.96 |
| Mean Pitch Class |
5.246 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1213 |
| Prevalence of Most Common Pitch Class |
0.1934 |
| Relative Prevalence of Top Pitches |
0.8378 |
| Relative Prevalence of Top Pitch Classes |
0.9153 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.334 |
| Pitch Class Variability |
3.348 |
| Pitch Class Variability After Folding |
3.493 |
| Pitch Skewness |
0.09939 |
| Pitch Class Skewness |
0.2204 |
| Pitch Class Skewness After Folding |
0.78 |
| Pitch Kurtosis |
5.296 |
| Pitch Class Kurtosis |
4.905 |
| Pitch Class Kurtosis After Folding |
6.094 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1934 |
| Note Density per Quarter Note |
0.5854 |
| Note Density per Quarter Note per Voice |
0.1951 |
| Note Density per Quarter Note Variability |
0.2513 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.1902 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9344 |
| Prevalence of Very Long Rhythmic Values |
0.341 |
| Prevalence of Dotted Notes |
0.1213 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.813 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4689 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4685 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.413 |
| Rhythmic Value Skewness |
1.011 |
| Rhythmic Value Kurtosis |
6.227 |
| Mean Rhythmic Value Run Length |
1.658 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.186 |
| Mean Rhythmic Value Offset |
0.0918 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6 |
| Complete Rests Fraction |
0.001655 |
| Partial Rests Fraction |
0.1276 |
| Average Rest Fraction Across Voices |
0.04362 |
| Longest Complete Rest |
0.8624 |
| Longest Partial Rest |
8.614 |
| Mean Complete Rest Duration |
0.8624 |
| Mean Partial Rest Duration |
4.011 |
| Median Complete Rest Duration |
0.8624 |
| Median Partial Rest Duration |
4.307 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.15 |
| Variability Across Voices of Combined Rests |
4.752 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7463 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2155 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.464 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9617 |
| Rhythmic Variability - Tempo Standardized |
0.06117 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
305.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7174 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.81 |
| Average Note Duration |
1.084 |
| Variability of Note Durations |
0.6204 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
274.2 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.5416 |
| Strength of Second Strongest Rhythmic Pulse |
0.2391 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.265 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7807 |
| Rhythmic Variability |
0.04857 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
28.98 |
| Duration in Seconds |
115.2 |
| Note Density |
2.647 |
| Note Density Variability |
1.001 |
| Average Time Between Attacks |
0.7398 |
| Average Time Between Attacks for Each Voice |
1.131 |
| Variability of Time Between Attacks |
0.3909 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5172 |
| Relative Range Isolation of Loudest Voice |
0.4956 |
| Relative Range of Highest Line |
0.5172 |
| Relative Note Density of Highest Line |
0.6492 |
| Relative Note Durations of Lowest Line |
1.009 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.8131 |
| Voice Separation |
5.5 |
| Variability of Voice Separation |
3.536 |
| Parallel Motion |
0.075 |
| Average Number of Independent Voices |
2.877 |
| Similar Motion |
0.1607 |
| Contrary Motion |
0.2393 |
| Oblique Motion |
0.525 |
| Parallel Fifths |
0.003571 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3285 |
| Voice Equality - Number of Notes |
11.5 |
| Voice Equality - Note Duration |
1.051 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.0 |
| Importance of Loudest Voice |
12.5 |