| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2106 |
| Prevalence of Second Most Common Vertical Interval |
0.2 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.95 |
| Vertical Unisons |
0.06296 |
| Vertical Minor Seconds |
0.001327 |
| Vertical Thirds |
0.3059 |
| Vertical Tritones |
0.01178 |
| Vertical Perfect Fourths |
0.09941 |
| Vertical Perfect Fifths |
0.2 |
| Vertical Sixths |
0.1312 |
| Vertical Sevenths |
0.01646 |
| Vertical Octaves |
0.1476 |
| Perfect Vertical Intervals |
0.51 |
| Vertical Dissonance Ratio |
0.05585 |
| Vertical Minor Third Prevalence |
0.386 |
| Vertical Major Third Prevalence |
0.4559 |
| Chord Duration |
2.294 |
| Partial Chords |
0.5005 |
| Standard Triads |
0.3714 |
| Diminished and Augmented Triads |
0.02759 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01182 |
| Non-Standard Chords |
0.1163 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4612 |
| Average Number of Simultaneous Pitch Classes |
2.419 |
| Variability of Number of Simultaneous Pitch Classes |
0.6466 |
| Average Number of Simultaneous Pitches |
2.869 |
| Variability of Number of Simultaneous Pitches |
0.7821 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.825 |
| Variation of Dynamics In Each Voice |
1.817 |
| Average Note to Note Change in Dynamics |
2.069 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1915 |
| Stepwise Motion |
0.6188 |
| Melodic Thirds |
0.08103 |
| Melodic Perfect Fourths |
0.06814 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04788 |
| Melodic Sixths |
0.005525 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01657 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.588 |
| Melodic Embellishments |
0.007313 |
| Direction of Melodic Motion |
0.4418 |
| Average Length of Melodic Arcs |
1.75 |
| Average Interval Spanned by Melodic Arcs |
4.638 |
| Melodic Pitch Variety |
4.638 |
| Mean Melodic Interval |
2.243 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4273 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4483 |
| Amount of Arpeggiation |
0.3076 |
| Repeated Notes |
0.1621 |
| Importance of Middle Register |
0.7093 |
| Importance of High Register |
0.1956 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
65.79 |
| Mean Pitch Class |
4.598 |
| Most Common Pitch |
72.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.128 |
| Prevalence of Most Common Pitch Class |
0.2285 |
| Relative Prevalence of Top Pitches |
0.8571 |
| Relative Prevalence of Top Pitch Classes |
0.784 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.857 |
| Pitch Class Variability |
3.574 |
| Pitch Class Variability After Folding |
3.336 |
| Pitch Skewness |
-0.2471 |
| Pitch Class Skewness |
0.5018 |
| Pitch Class Skewness After Folding |
0.9651 |
| Pitch Kurtosis |
5.716 |
| Pitch Class Kurtosis |
4.933 |
| Pitch Class Kurtosis After Folding |
7.096 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.09506 |
| Note Density per Quarter Note |
0.9945 |
| Note Density per Quarter Note per Voice |
0.2486 |
| Note Density per Quarter Note Variability |
0.5512 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01828 |
| Prevalence of Medium Rhythmic Values |
0.6325 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8885 |
| Prevalence of Very Long Rhythmic Values |
0.08592 |
| Prevalence of Dotted Notes |
0.08775 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.921 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.521 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4421 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.964 |
| Rhythmic Value Skewness |
1.408 |
| Rhythmic Value Kurtosis |
12.33 |
| Mean Rhythmic Value Run Length |
2.104 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.124 |
| Mean Rhythmic Value Offset |
0.1463 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.273 |
| Complete Rests Fraction |
0.01091 |
| Partial Rests Fraction |
0.6327 |
| Average Rest Fraction Across Voices |
0.2373 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
68.0 |
| Mean Complete Rest Duration |
3.0 |
| Mean Partial Rest Duration |
14.11 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.414 |
| Variability of Partial Rest Durations |
18.38 |
| Variability Across Voices of Combined Rests |
83.27 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7521 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1238 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.075 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.876 |
| Rhythmic Variability - Tempo Standardized |
0.06061 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
547.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.168 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
5.25 |
| Average Note Duration |
0.5752 |
| Variability of Note Durations |
0.5348 |
| Amount of Staccato |
0.01828 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2313 |
| Strength of Second Strongest Rhythmic Pulse |
0.2308 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.002 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4621 |
| Rhythmic Variability |
0.03476 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
103.1 |
| Note Density |
5.304 |
| Note Density Variability |
1.911 |
| Average Time Between Attacks |
0.3926 |
| Average Time Between Attacks for Each Voice |
0.7261 |
| Variability of Time Between Attacks |
0.3 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.5265 |
| Relative Note Durations of Lowest Line |
1.155 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.7952 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
5.0 |
| Parallel Motion |
0.06127 |
| Average Number of Independent Voices |
3.085 |
| Similar Motion |
0.2108 |
| Contrary Motion |
0.1716 |
| Oblique Motion |
0.5564 |
| Parallel Fifths |
0.01961 |
| Parallel Octaves |
0.002451 |
| Variability of Number of Independent Voices |
0.8425 |
| Voice Equality - Number of Notes |
22.65 |
| Voice Equality - Note Duration |
15.61 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.9574 |
| Voice Equality - Range |
2.16 |
| Importance of Loudest Voice |
0.3333 |