| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2439 |
| Prevalence of Second Most Common Vertical Interval |
0.1753 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7188 |
| Vertical Unisons |
0.09963 |
| Vertical Minor Seconds |
0.00433 |
| Vertical Thirds |
0.3183 |
| Vertical Tritones |
0.005686 |
| Vertical Perfect Fourths |
0.07116 |
| Vertical Perfect Fifths |
0.1472 |
| Vertical Sixths |
0.1506 |
| Vertical Sevenths |
0.02826 |
| Vertical Octaves |
0.1443 |
| Perfect Vertical Intervals |
0.4622 |
| Vertical Dissonance Ratio |
0.07395 |
| Vertical Minor Third Prevalence |
0.2251 |
| Vertical Major Third Prevalence |
0.1748 |
| Chord Duration |
2.425 |
| Partial Chords |
0.886 |
| Standard Triads |
0.07754 |
| Diminished and Augmented Triads |
0.006706 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.007544 |
| Non-Standard Chords |
0.02892 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8137 |
| Average Number of Simultaneous Pitch Classes |
1.805 |
| Variability of Number of Simultaneous Pitch Classes |
0.5929 |
| Average Number of Simultaneous Pitches |
2.001 |
| Variability of Number of Simultaneous Pitches |
0.699 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.09 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
137.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.227 |
| Stepwise Motion |
0.6629 |
| Melodic Thirds |
0.156 |
| Melodic Perfect Fourths |
0.05979 |
| Melodic Tritones |
0.0008666 |
| Melodic Perfect Fifths |
0.02253 |
| Melodic Sixths |
0.004333 |
| Melodic Sevenths |
0.001733 |
| Melodic Octaves |
0.005199 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.535 |
| Melodic Embellishments |
0.0233 |
| Direction of Melodic Motion |
0.4905 |
| Average Length of Melodic Arcs |
1.849 |
| Average Interval Spanned by Melodic Arcs |
4.437 |
| Melodic Pitch Variety |
4.803 |
| Mean Melodic Interval |
2.206 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4359 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5209 |
| Amount of Arpeggiation |
0.2721 |
| Repeated Notes |
0.08666 |
| Importance of Middle Register |
0.7541 |
| Importance of High Register |
0.01381 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.04 |
| Mean Pitch Class |
5.466 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.113 |
| Prevalence of Most Common Pitch Class |
0.2105 |
| Relative Prevalence of Top Pitches |
0.8015 |
| Relative Prevalence of Top Pitch Classes |
0.8484 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.624 |
| Pitch Class Variability |
3.519 |
| Pitch Class Variability After Folding |
3.657 |
| Pitch Skewness |
0.2767 |
| Pitch Class Skewness |
-0.4553 |
| Pitch Class Skewness After Folding |
0.4898 |
| Pitch Kurtosis |
4.96 |
| Pitch Class Kurtosis |
4.879 |
| Pitch Class Kurtosis After Folding |
5.871 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2321 |
| Note Density per Quarter Note |
0.6944 |
| Note Density per Quarter Note per Voice |
0.1389 |
| Note Density per Quarter Note Variability |
0.3119 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008628 |
| Prevalence of Medium Rhythmic Values |
0.5186 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8827 |
| Prevalence of Very Long Rhythmic Values |
0.08197 |
| Prevalence of Dotted Notes |
0.09922 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.066 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4012 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8473 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.754 |
| Rhythmic Value Skewness |
1.824 |
| Rhythmic Value Kurtosis |
10.35 |
| Mean Rhythmic Value Run Length |
1.665 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.344 |
| Mean Rhythmic Value Offset |
0.01035 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2033 |
| Complete Rests Fraction |
0.0006329 |
| Partial Rests Fraction |
1.0 |
| Average Rest Fraction Across Voices |
0.5729 |
| Longest Complete Rest |
1.056 |
| Longest Partial Rest |
1502.0 |
| Mean Complete Rest Duration |
1.056 |
| Mean Partial Rest Duration |
58.31 |
| Median Complete Rest Duration |
1.056 |
| Median Partial Rest Duration |
3.254 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
209.1 |
| Variability Across Voices of Combined Rests |
333.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6879 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1585 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.341 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8463 |
| Rhythmic Variability - Tempo Standardized |
0.05663 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1159.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.288 |
| Minimum Note Duration |
0.09091 |
| Maximum Note Duration |
3.81 |
| Average Note Duration |
0.6873 |
| Variability of Note Durations |
0.4182 |
| Amount of Staccato |
0.003451 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
272.2 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3153 |
| Strength of Second Strongest Rhythmic Pulse |
0.288 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.095 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6033 |
| Rhythmic Variability |
0.04 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
34.16 |
| Duration in Seconds |
373.1 |
| Note Density |
3.107 |
| Note Density Variability |
0.9968 |
| Average Time Between Attacks |
0.4731 |
| Average Time Between Attacks for Each Voice |
1.079 |
| Variability of Time Between Attacks |
0.268 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.01064 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.2934 |
| Relative Note Durations of Lowest Line |
0.9248 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
| Voice Overlap |
0.9707 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
1.708 |
| Parallel Motion |
0.06638 |
| Average Number of Independent Voices |
2.138 |
| Similar Motion |
0.1703 |
| Contrary Motion |
0.1717 |
| Oblique Motion |
0.5916 |
| Parallel Fifths |
0.002886 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6377 |
| Voice Equality - Number of Notes |
109.0 |
| Voice Equality - Note Duration |
74.47 |
| Voice Equality - Dynamics |
8.216 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
1.924 |
| Importance of Loudest Voice |
7.5 |