| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2067 |
| Prevalence of Second Most Common Vertical Interval |
0.1944 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9405 |
| Vertical Unisons |
0.04375 |
| Vertical Minor Seconds |
0.003658 |
| Vertical Thirds |
0.3154 |
| Vertical Tritones |
0.01116 |
| Vertical Perfect Fourths |
0.1092 |
| Vertical Perfect Fifths |
0.1944 |
| Vertical Sixths |
0.1323 |
| Vertical Sevenths |
0.01782 |
| Vertical Octaves |
0.1629 |
| Perfect Vertical Intervals |
0.5102 |
| Vertical Dissonance Ratio |
0.04386 |
| Vertical Minor Third Prevalence |
0.5469 |
| Vertical Major Third Prevalence |
0.4727 |
| Chord Duration |
3.016 |
| Partial Chords |
0.3145 |
| Standard Triads |
0.5585 |
| Diminished and Augmented Triads |
0.02621 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01008 |
| Non-Standard Chords |
0.1169 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.083 |
| Average Number of Simultaneous Pitch Classes |
2.654 |
| Variability of Number of Simultaneous Pitch Classes |
0.5759 |
| Average Number of Simultaneous Pitches |
3.318 |
| Variability of Number of Simultaneous Pitches |
0.6601 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.233 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
25.13 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1545 |
| Stepwise Motion |
0.5705 |
| Melodic Thirds |
0.2091 |
| Melodic Perfect Fourths |
0.07273 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.002273 |
| Melodic Octaves |
0.01136 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.788 |
| Melodic Embellishments |
0.02477 |
| Direction of Melodic Motion |
0.4566 |
| Average Length of Melodic Arcs |
1.752 |
| Average Interval Spanned by Melodic Arcs |
4.857 |
| Melodic Pitch Variety |
5.183 |
| Mean Melodic Interval |
2.561 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4159 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3716 |
| Amount of Arpeggiation |
0.3568 |
| Repeated Notes |
0.08409 |
| Importance of Middle Register |
0.7342 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.16 |
| Mean Pitch Class |
5.079 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1126 |
| Prevalence of Most Common Pitch Class |
0.1779 |
| Relative Prevalence of Top Pitches |
0.96 |
| Relative Prevalence of Top Pitch Classes |
0.8987 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.083 |
| Pitch Class Variability |
3.479 |
| Pitch Class Variability After Folding |
2.994 |
| Pitch Skewness |
-0.5609 |
| Pitch Class Skewness |
0.06797 |
| Pitch Class Skewness After Folding |
0.1467 |
| Pitch Kurtosis |
5.311 |
| Pitch Class Kurtosis |
4.924 |
| Pitch Class Kurtosis After Folding |
7.769 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.2658 |
| Note Density per Quarter Note |
0.8655 |
| Note Density per Quarter Note per Voice |
0.2164 |
| Note Density per Quarter Note Variability |
0.4272 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3559 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9369 |
| Prevalence of Very Long Rhythmic Values |
0.2162 |
| Prevalence of Dotted Notes |
0.1126 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.023 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3919 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7471 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.354 |
| Rhythmic Value Skewness |
0.0287 |
| Rhythmic Value Kurtosis |
7.256 |
| Mean Rhythmic Value Run Length |
1.521 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9894 |
| Mean Rhythmic Value Offset |
0.03604 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3784 |
| Complete Rests Fraction |
0.00209 |
| Partial Rests Fraction |
0.4116 |
| Average Rest Fraction Across Voices |
0.1224 |
| Longest Complete Rest |
1.072 |
| Longest Partial Rest |
47.57 |
| Mean Complete Rest Duration |
1.072 |
| Mean Partial Rest Duration |
8.659 |
| Median Complete Rest Duration |
1.072 |
| Median Partial Rest Duration |
4.324 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.03 |
| Variability Across Voices of Combined Rests |
45.35 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7282 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1418 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.135 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.87 |
| Rhythmic Variability - Tempo Standardized |
0.05922 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
444.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9457 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.81 |
| Average Note Duration |
0.8933 |
| Variability of Note Durations |
0.5388 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
275.4 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.3711 |
| Strength of Second Strongest Rhythmic Pulse |
0.2959 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.254 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.667 |
| Rhythmic Variability |
0.04202 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.26 |
| Duration in Seconds |
113.0 |
| Note Density |
3.93 |
| Note Density Variability |
1.305 |
| Average Time Between Attacks |
0.5449 |
| Average Time Between Attacks for Each Voice |
1.037 |
| Variability of Time Between Attacks |
0.3027 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4615 |
| Relative Range Isolation of Loudest Voice |
0.4599 |
| Relative Range of Highest Line |
0.4615 |
| Relative Note Density of Highest Line |
0.5766 |
| Relative Note Durations of Lowest Line |
1.14 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8131 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.07598 |
| Average Number of Independent Voices |
3.52 |
| Similar Motion |
0.1348 |
| Contrary Motion |
0.2475 |
| Oblique Motion |
0.5417 |
| Parallel Fifths |
0.009804 |
| Parallel Octaves |
0.009804 |
| Variability of Number of Independent Voices |
0.6184 |
| Voice Equality - Number of Notes |
25.13 |
| Voice Equality - Note Duration |
9.987 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.63 |
| Importance of Loudest Voice |
11.67 |