| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2549 |
| Prevalence of Second Most Common Vertical Interval |
0.1873 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7347 |
| Vertical Unisons |
0.02364 |
| Vertical Minor Seconds |
0.004015 |
| Vertical Thirds |
0.4034 |
| Vertical Tritones |
0.01209 |
| Vertical Perfect Fourths |
0.02946 |
| Vertical Perfect Fifths |
0.1826 |
| Vertical Sixths |
0.1501 |
| Vertical Sevenths |
0.0184 |
| Vertical Octaves |
0.1636 |
| Perfect Vertical Intervals |
0.3993 |
| Vertical Dissonance Ratio |
0.04951 |
| Vertical Minor Third Prevalence |
0.3466 |
| Vertical Major Third Prevalence |
0.554 |
| Chord Duration |
2.323 |
| Partial Chords |
0.4693 |
| Standard Triads |
0.4202 |
| Diminished and Augmented Triads |
0.02147 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1104 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3301 |
| Average Number of Simultaneous Pitch Classes |
2.418 |
| Variability of Number of Simultaneous Pitch Classes |
0.6253 |
| Average Number of Simultaneous Pitches |
2.835 |
| Variability of Number of Simultaneous Pitches |
0.4004 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.645 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
6.245 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2083 |
| Stepwise Motion |
0.6603 |
| Melodic Thirds |
0.1314 |
| Melodic Perfect Fourths |
0.0609 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0609 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02244 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.8636 |
| Melodic Embellishments |
0.0127 |
| Direction of Melodic Motion |
0.5171 |
| Average Length of Melodic Arcs |
1.921 |
| Average Interval Spanned by Melodic Arcs |
5.191 |
| Melodic Pitch Variety |
5.779 |
| Mean Melodic Interval |
2.577 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4519 |
| Relative Prevalence of Most Common Melodic Intervals |
0.461 |
| Amount of Arpeggiation |
0.2788 |
| Repeated Notes |
0.0641 |
| Importance of Middle Register |
0.5968 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.04 |
| Mean Pitch Class |
5.343 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1111 |
| Prevalence of Most Common Pitch Class |
0.2095 |
| Relative Prevalence of Top Pitches |
0.9143 |
| Relative Prevalence of Top Pitch Classes |
0.8939 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.105 |
| Pitch Class Variability |
3.393 |
| Pitch Class Variability After Folding |
4.431 |
| Pitch Skewness |
-0.193 |
| Pitch Class Skewness |
0.3031 |
| Pitch Class Skewness After Folding |
1.232 |
| Pitch Kurtosis |
5.295 |
| Pitch Class Kurtosis |
4.798 |
| Pitch Class Kurtosis After Folding |
4.239 |
| Major or Minor |
0.0 |
| First Pitch |
46.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.4032 |
| Note Density per Quarter Note |
0.8924 |
| Note Density per Quarter Note per Voice |
0.2975 |
| Note Density per Quarter Note Variability |
0.4036 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0254 |
| Prevalence of Medium Rhythmic Values |
0.4571 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8698 |
| Prevalence of Very Long Rhythmic Values |
0.08571 |
| Prevalence of Dotted Notes |
0.06984 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.244 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3968 |
| Relative Prevalence of Most Common Rhythmic Values |
0.824 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.924 |
| Rhythmic Value Skewness |
0.3812 |
| Rhythmic Value Kurtosis |
9.111 |
| Mean Rhythmic Value Run Length |
1.78 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.47 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002809 |
| Partial Rests Fraction |
0.09346 |
| Average Rest Fraction Across Voices |
0.03492 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
2.311 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.08 |
| Variability Across Voices of Combined Rests |
4.163 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6343 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1807 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.511 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.815 |
| Rhythmic Variability - Tempo Standardized |
0.05341 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
315.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4003 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
2.308 |
| Average Note Duration |
0.6239 |
| Variability of Note Durations |
0.37 |
| Amount of Staccato |
0.0254 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3282 |
| Strength of Second Strongest Rhythmic Pulse |
0.2312 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.42 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5594 |
| Rhythmic Variability |
0.03674 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002858 |
| Duration in Seconds |
67.88 |
| Note Density |
4.64 |
| Note Density Variability |
1.31 |
| Average Time Between Attacks |
0.4171 |
| Average Time Between Attacks for Each Voice |
0.636 |
| Variability of Time Between Attacks |
0.2698 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.6796 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.6095 |
| Relative Note Durations of Lowest Line |
1.034 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.7365 |
| Voice Separation |
7.5 |
| Variability of Voice Separation |
2.121 |
| Parallel Motion |
0.06122 |
| Average Number of Independent Voices |
2.903 |
| Similar Motion |
0.1667 |
| Contrary Motion |
0.2687 |
| Oblique Motion |
0.5034 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.003401 |
| Variability of Number of Independent Voices |
0.314 |
| Voice Equality - Number of Notes |
6.245 |
| Voice Equality - Note Duration |
0.8006 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
12.5 |