| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2255 |
| Prevalence of Second Most Common Vertical Interval |
0.1869 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8289 |
| Vertical Unisons |
0.04764 |
| Vertical Minor Seconds |
0.003612 |
| Vertical Thirds |
0.3108 |
| Vertical Tritones |
0.01042 |
| Vertical Perfect Fourths |
0.07195 |
| Vertical Perfect Fifths |
0.1869 |
| Vertical Sixths |
0.1553 |
| Vertical Sevenths |
0.02275 |
| Vertical Octaves |
0.1778 |
| Perfect Vertical Intervals |
0.4843 |
| Vertical Dissonance Ratio |
0.05213 |
| Vertical Minor Third Prevalence |
0.2608 |
| Vertical Major Third Prevalence |
0.2596 |
| Chord Duration |
2.085 |
| Partial Chords |
0.7662 |
| Standard Triads |
0.1732 |
| Diminished and Augmented Triads |
0.01439 |
| Dominant Seventh Chords |
0.002055 |
| Seventh Chords |
0.01131 |
| Non-Standard Chords |
0.04933 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4589 |
| Average Number of Simultaneous Pitch Classes |
2.016 |
| Variability of Number of Simultaneous Pitch Classes |
0.6517 |
| Average Number of Simultaneous Pitches |
2.376 |
| Variability of Number of Simultaneous Pitches |
0.8905 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
5.0 |
| Variation of Dynamics |
2.451 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
146.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1998 |
| Stepwise Motion |
0.6712 |
| Melodic Thirds |
0.1775 |
| Melodic Perfect Fourths |
0.06499 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02619 |
| Melodic Sixths |
0.0009699 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00679 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.507 |
| Melodic Embellishments |
0.006763 |
| Direction of Melodic Motion |
0.4585 |
| Average Length of Melodic Arcs |
1.85 |
| Average Interval Spanned by Melodic Arcs |
4.561 |
| Melodic Pitch Variety |
5.184 |
| Mean Melodic Interval |
2.343 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4714 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4239 |
| Amount of Arpeggiation |
0.2629 |
| Repeated Notes |
0.05238 |
| Importance of Middle Register |
0.7884 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.97 |
| Mean Pitch Class |
5.081 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1343 |
| Prevalence of Most Common Pitch Class |
0.1913 |
| Relative Prevalence of Top Pitches |
0.6691 |
| Relative Prevalence of Top Pitch Classes |
0.8535 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.221 |
| Pitch Class Variability |
3.51 |
| Pitch Class Variability After Folding |
4.01 |
| Pitch Skewness |
-0.2055 |
| Pitch Class Skewness |
0.06936 |
| Pitch Class Skewness After Folding |
0.824 |
| Pitch Kurtosis |
5.402 |
| Pitch Class Kurtosis |
4.779 |
| Pitch Class Kurtosis After Folding |
5.117 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2116 |
| Note Density per Quarter Note |
0.8618 |
| Note Density per Quarter Note per Voice |
0.2154 |
| Note Density per Quarter Note Variability |
0.5017 |
| Range of Rhythmic Values |
10.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.003865 |
| Prevalence of Short Rhythmic Values |
0.04638 |
| Prevalence of Medium Rhythmic Values |
0.6048 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8329 |
| Prevalence of Very Long Rhythmic Values |
0.0657 |
| Prevalence of Dotted Notes |
0.1111 |
| Shortest Rhythmic Value |
0.25 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.855 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4415 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5821 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.053 |
| Rhythmic Value Skewness |
1.249 |
| Rhythmic Value Kurtosis |
13.93 |
| Mean Rhythmic Value Run Length |
1.645 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.145 |
| Mean Rhythmic Value Offset |
0.02126 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3456 |
| Complete Rests Fraction |
0.0007226 |
| Partial Rests Fraction |
0.742 |
| Average Rest Fraction Across Voices |
0.3692 |
| Longest Complete Rest |
0.8678 |
| Longest Partial Rest |
234.0 |
| Mean Complete Rest Duration |
0.8678 |
| Mean Partial Rest Duration |
29.08 |
| Median Complete Rest Duration |
0.8678 |
| Median Partial Rest Duration |
2.167 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
61.3 |
| Variability Across Voices of Combined Rests |
136.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.59 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2019 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.923 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7918 |
| Rhythmic Variability - Tempo Standardized |
0.05067 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1035.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.176 |
| Minimum Note Duration |
0.04808 |
| Maximum Note Duration |
4.286 |
| Average Note Duration |
0.6434 |
| Variability of Note Durations |
0.5144 |
| Amount of Staccato |
0.02512 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
276.0 |
| Strongest Rhythmic Pulse |
46.0 |
| Second Strongest Rhythmic Pulse |
69.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2667 |
| Strength of Second Strongest Rhythmic Pulse |
0.2655 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.005 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5322 |
| Rhythmic Variability |
0.03624 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
29.4 |
| Duration in Seconds |
263.9 |
| Note Density |
3.922 |
| Note Density Variability |
1.574 |
| Average Time Between Attacks |
0.4079 |
| Average Time Between Attacks for Each Voice |
0.9346 |
| Variability of Time Between Attacks |
0.2863 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.3212 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.2512 |
| Relative Note Durations of Lowest Line |
1.173 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8947 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.05328 |
| Average Number of Independent Voices |
2.481 |
| Similar Motion |
0.1413 |
| Contrary Motion |
0.202 |
| Oblique Motion |
0.6035 |
| Parallel Fifths |
0.004957 |
| Parallel Octaves |
0.001239 |
| Variability of Number of Independent Voices |
0.9172 |
| Voice Equality - Number of Notes |
64.17 |
| Voice Equality - Note Duration |
30.02 |
| Voice Equality - Dynamics |
2.887 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
3.333 |