| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1939 |
| Prevalence of Second Most Common Vertical Interval |
0.1881 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9703 |
| Vertical Unisons |
0.04436 |
| Vertical Minor Seconds |
0.002792 |
| Vertical Thirds |
0.3371 |
| Vertical Tritones |
0.01481 |
| Vertical Perfect Fourths |
0.09463 |
| Vertical Perfect Fifths |
0.1881 |
| Vertical Sixths |
0.1348 |
| Vertical Sevenths |
0.018 |
| Vertical Octaves |
0.1495 |
| Perfect Vertical Intervals |
0.4766 |
| Vertical Dissonance Ratio |
0.05427 |
| Vertical Minor Third Prevalence |
0.47 |
| Vertical Major Third Prevalence |
0.4739 |
| Chord Duration |
2.769 |
| Partial Chords |
0.3883 |
| Standard Triads |
0.4692 |
| Diminished and Augmented Triads |
0.03949 |
| Dominant Seventh Chords |
0.001321 |
| Seventh Chords |
0.01835 |
| Non-Standard Chords |
0.1241 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6865 |
| Average Number of Simultaneous Pitch Classes |
2.547 |
| Variability of Number of Simultaneous Pitch Classes |
0.6521 |
| Average Number of Simultaneous Pitches |
3.07 |
| Variability of Number of Simultaneous Pitches |
0.7992 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.539 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
120.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.183 |
| Stepwise Motion |
0.585 |
| Melodic Thirds |
0.1649 |
| Melodic Perfect Fourths |
0.07068 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04411 |
| Melodic Sixths |
0.005013 |
| Melodic Sevenths |
0.001003 |
| Melodic Octaves |
0.006516 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.611 |
| Melodic Embellishments |
0.03502 |
| Direction of Melodic Motion |
0.4737 |
| Average Length of Melodic Arcs |
1.84 |
| Average Interval Spanned by Melodic Arcs |
4.89 |
| Melodic Pitch Variety |
5.274 |
| Mean Melodic Interval |
2.337 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.402 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4551 |
| Amount of Arpeggiation |
0.3393 |
| Repeated Notes |
0.1228 |
| Importance of Middle Register |
0.6108 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.35 |
| Mean Pitch Class |
5.011 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1106 |
| Prevalence of Most Common Pitch Class |
0.1846 |
| Relative Prevalence of Top Pitches |
0.9502 |
| Relative Prevalence of Top Pitch Classes |
0.8293 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.385 |
| Pitch Class Variability |
3.539 |
| Pitch Class Variability After Folding |
3.374 |
| Pitch Skewness |
-0.5599 |
| Pitch Class Skewness |
0.009329 |
| Pitch Class Skewness After Folding |
0.371 |
| Pitch Kurtosis |
5.397 |
| Pitch Class Kurtosis |
4.861 |
| Pitch Class Kurtosis After Folding |
6.64 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.3892 |
| Note Density per Quarter Note |
0.8284 |
| Note Density per Quarter Note per Voice |
0.2071 |
| Note Density per Quarter Note Variability |
0.4068 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005003 |
| Prevalence of Medium Rhythmic Values |
0.3722 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8889 |
| Prevalence of Very Long Rhythmic Values |
0.2116 |
| Prevalence of Dotted Notes |
0.1951 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.879 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3502 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7457 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.426 |
| Rhythmic Value Skewness |
-0.1494 |
| Rhythmic Value Kurtosis |
7.913 |
| Mean Rhythmic Value Run Length |
1.445 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9386 |
| Mean Rhythmic Value Offset |
0.0983 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.737 |
| Complete Rests Fraction |
0.0003655 |
| Partial Rests Fraction |
0.5548 |
| Average Rest Fraction Across Voices |
0.195 |
| Longest Complete Rest |
0.882 |
| Longest Partial Rest |
251.1 |
| Mean Complete Rest Duration |
0.882 |
| Mean Partial Rest Duration |
13.54 |
| Median Complete Rest Duration |
0.882 |
| Median Partial Rest Duration |
4.405 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
37.82 |
| Variability Across Voices of Combined Rests |
195.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5749 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1563 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.679 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7311 |
| Rhythmic Variability - Tempo Standardized |
0.04857 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1999.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.392 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.8404 |
| Variability of Note Durations |
0.5791 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
280.7 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3312 |
| Strength of Second Strongest Rhythmic Pulse |
0.233 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.421 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5643 |
| Rhythmic Variability |
0.03604 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.97 |
| Duration in Seconds |
521.7 |
| Note Density |
3.831 |
| Note Density Variability |
1.227 |
| Average Time Between Attacks |
0.508 |
| Average Time Between Attacks for Each Voice |
1.081 |
| Variability of Time Between Attacks |
0.2993 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.1306 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.1241 |
| Relative Note Durations of Lowest Line |
1.173 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.94 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.04532 |
| Average Number of Independent Voices |
3.245 |
| Similar Motion |
0.1464 |
| Contrary Motion |
0.1476 |
| Oblique Motion |
0.6607 |
| Parallel Fifths |
0.005811 |
| Parallel Octaves |
0.002324 |
| Variability of Number of Independent Voices |
0.7965 |
| Voice Equality - Number of Notes |
120.4 |
| Voice Equality - Note Duration |
42.19 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
11.67 |