| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2038 |
| Prevalence of Second Most Common Vertical Interval |
0.1896 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.93 |
| Vertical Unisons |
0.0408 |
| Vertical Minor Seconds |
0.001857 |
| Vertical Thirds |
0.3175 |
| Vertical Tritones |
0.005946 |
| Vertical Perfect Fourths |
0.0809 |
| Vertical Perfect Fifths |
0.1896 |
| Vertical Sixths |
0.164 |
| Vertical Sevenths |
0.01806 |
| Vertical Octaves |
0.163 |
| Perfect Vertical Intervals |
0.4743 |
| Vertical Dissonance Ratio |
0.04623 |
| Vertical Minor Third Prevalence |
0.4755 |
| Vertical Major Third Prevalence |
0.4108 |
| Chord Duration |
2.619 |
| Partial Chords |
0.4197 |
| Standard Triads |
0.4745 |
| Diminished and Augmented Triads |
0.01468 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01123 |
| Non-Standard Chords |
0.09456 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.225 |
| Average Number of Simultaneous Pitch Classes |
2.496 |
| Variability of Number of Simultaneous Pitch Classes |
0.6619 |
| Average Number of Simultaneous Pitches |
3.047 |
| Variability of Number of Simultaneous Pitches |
0.801 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.279 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
82.96 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1892 |
| Stepwise Motion |
0.6245 |
| Melodic Thirds |
0.1911 |
| Melodic Perfect Fourths |
0.07915 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04633 |
| Melodic Sixths |
0.001931 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008687 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.571 |
| Melodic Embellishments |
0.01537 |
| Direction of Melodic Motion |
0.4675 |
| Average Length of Melodic Arcs |
1.773 |
| Average Interval Spanned by Melodic Arcs |
4.71 |
| Melodic Pitch Variety |
5.203 |
| Mean Melodic Interval |
2.548 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4353 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4346 |
| Amount of Arpeggiation |
0.2944 |
| Repeated Notes |
0.04826 |
| Importance of Middle Register |
0.6177 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.07 |
| Mean Pitch Class |
5.496 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.0999 |
| Prevalence of Most Common Pitch Class |
0.1835 |
| Relative Prevalence of Top Pitches |
0.9615 |
| Relative Prevalence of Top Pitch Classes |
0.9005 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.059 |
| Pitch Class Variability |
3.621 |
| Pitch Class Variability After Folding |
2.93 |
| Pitch Skewness |
-0.1959 |
| Pitch Class Skewness |
0.4107 |
| Pitch Class Skewness After Folding |
0.2006 |
| Pitch Kurtosis |
5.373 |
| Pitch Class Kurtosis |
4.801 |
| Pitch Class Kurtosis After Folding |
7.796 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3823 |
| Note Density per Quarter Note |
0.8362 |
| Note Density per Quarter Note per Voice |
0.209 |
| Note Density per Quarter Note Variability |
0.4072 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001921 |
| Prevalence of Medium Rhythmic Values |
0.4198 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9068 |
| Prevalence of Very Long Rhythmic Values |
0.1777 |
| Prevalence of Dotted Notes |
0.1057 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.771 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3698 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8831 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.415 |
| Rhythmic Value Skewness |
-0.284 |
| Rhythmic Value Kurtosis |
8.201 |
| Mean Rhythmic Value Run Length |
1.614 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.112 |
| Mean Rhythmic Value Offset |
0.05764 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6419 |
| Complete Rests Fraction |
0.0006931 |
| Partial Rests Fraction |
0.5742 |
| Average Rest Fraction Across Voices |
0.2127 |
| Longest Complete Rest |
0.8629 |
| Longest Partial Rest |
530.1 |
| Mean Complete Rest Duration |
0.8629 |
| Mean Partial Rest Duration |
22.54 |
| Median Complete Rest Duration |
0.8629 |
| Median Partial Rest Duration |
3.481 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
87.98 |
| Variability Across Voices of Combined Rests |
253.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6899 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1579 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.369 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8478 |
| Rhythmic Variability - Tempo Standardized |
0.05685 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1041.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.906 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
4.615 |
| Average Note Duration |
0.8338 |
| Variability of Note Durations |
0.5394 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
274.4 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.3685 |
| Strength of Second Strongest Rhythmic Pulse |
0.2713 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.358 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6398 |
| Rhythmic Variability |
0.04114 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.02 |
| Duration in Seconds |
275.1 |
| Note Density |
3.784 |
| Note Density Variability |
1.399 |
| Average Time Between Attacks |
0.5082 |
| Average Time Between Attacks for Each Voice |
1.163 |
| Variability of Time Between Attacks |
0.2897 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.5952 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2498 |
| Relative Note Durations of Lowest Line |
0.9878 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.829 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.06563 |
| Average Number of Independent Voices |
3.198 |
| Similar Motion |
0.1437 |
| Contrary Motion |
0.2177 |
| Oblique Motion |
0.5729 |
| Parallel Fifths |
0.003125 |
| Parallel Octaves |
0.002083 |
| Variability of Number of Independent Voices |
0.8263 |
| Voice Equality - Number of Notes |
82.96 |
| Voice Equality - Note Duration |
56.09 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.8165 |
| Importance of Loudest Voice |
11.67 |