Distance Between Two Most Common Vertical Intervals |
4.0 |
Prevalence of Most Common Vertical Interval |
0.1959 |
Prevalence of Second Most Common Vertical Interval |
0.1907 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9732 |
Vertical Unisons |
0.02002 |
Vertical Minor Seconds |
0.001907 |
Vertical Thirds |
0.3383 |
Vertical Tritones |
0.008103 |
Vertical Perfect Fourths |
0.123 |
Vertical Perfect Fifths |
0.1786 |
Vertical Sixths |
0.1266 |
Vertical Sevenths |
0.01843 |
Vertical Octaves |
0.1706 |
Perfect Vertical Intervals |
0.4922 |
Vertical Dissonance Ratio |
0.04482 |
Vertical Minor Third Prevalence |
0.5933 |
Vertical Major Third Prevalence |
0.7029 |
Chord Duration |
2.243 |
Partial Chords |
0.135 |
Standard Triads |
0.7181 |
Diminished and Augmented Triads |
0.007299 |
Dominant Seventh Chords |
0.005474 |
Seventh Chords |
0.01642 |
Non-Standard Chords |
0.1305 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.388 |
Average Number of Simultaneous Pitch Classes |
2.893 |
Variability of Number of Simultaneous Pitch Classes |
0.4396 |
Average Number of Simultaneous Pitches |
3.819 |
Variability of Number of Simultaneous Pitches |
0.4296 |
Most Common Vertical Interval |
4.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.145 |
Stepwise Motion |
0.5393 |
Melodic Thirds |
0.1204 |
Melodic Perfect Fourths |
0.06511 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.0344 |
Melodic Sixths |
0.0086 |
Melodic Sevenths |
0.002457 |
Melodic Octaves |
0.007371 |
Melodic Large Intervals |
0.001229 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.769 |
Melodic Embellishments |
0.02934 |
Direction of Melodic Motion |
0.4543 |
Average Length of Melodic Arcs |
1.915 |
Average Interval Spanned by Melodic Arcs |
5.121 |
Melodic Pitch Variety |
4.016 |
Mean Melodic Interval |
2.096 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.3943 |
Relative Prevalence of Most Common Melodic Intervals |
0.5607 |
Amount of Arpeggiation |
0.387 |
Repeated Notes |
0.2211 |
Importance of Middle Register |
0.6504 |
Importance of High Register |
0.0 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
55.0 |
Mean Pitch Class |
4.835 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.1394 |
Prevalence of Most Common Pitch Class |
0.2323 |
Relative Prevalence of Top Pitches |
0.9035 |
Relative Prevalence of Top Pitch Classes |
0.9105 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.492 |
Pitch Class Variability |
3.644 |
Pitch Class Variability After Folding |
2.969 |
Pitch Skewness |
-0.5689 |
Pitch Class Skewness |
-0.1359 |
Pitch Class Skewness After Folding |
0.7523 |
Pitch Kurtosis |
5.332 |
Pitch Class Kurtosis |
4.806 |
Pitch Class Kurtosis After Folding |
8.227 |
Major or Minor |
0.0 |
First Pitch |
48.0 |
First Pitch Class |
0.0 |
Last Pitch |
48.0 |
Last Pitch Class |
0.0 |
Glissando Prevalence |
0.00489 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
18.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.00489 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
2.0 |
Range |
28.0 |
Importance of Bass Register |
0.3496 |
Note Density per Quarter Note |
1.418 |
Note Density per Quarter Note per Voice |
1.418 |
Note Density per Quarter Note Variability |
0.6203 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.007335 |
Prevalence of Medium Rhythmic Values |
0.6895 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8692 |
Prevalence of Very Long Rhythmic Values |
0.0379 |
Prevalence of Dotted Notes |
0.0599 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.616 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5587 |
Relative Prevalence of Most Common Rhythmic Values |
0.4179 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.583 |
Rhythmic Value Skewness |
1.167 |
Rhythmic Value Kurtosis |
18.03 |
Mean Rhythmic Value Run Length |
2.427 |
Median Rhythmic Value Run Length |
2.0 |
Variability in Rhythmic Value Run Lengths |
2.598 |
Mean Rhythmic Value Offset |
0.03912 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.3939 |
Complete Rests Fraction |
0.04333 |
Partial Rests Fraction |
0.04333 |
Average Rest Fraction Across Voices |
0.04333 |
Longest Complete Rest |
4.0 |
Longest Partial Rest |
4.0 |
Mean Complete Rest Duration |
2.083 |
Mean Partial Rest Duration |
2.083 |
Median Complete Rest Duration |
2.0 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.6686 |
Variability of Partial Rest Durations |
0.6686 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7349 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1379 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.331 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8728 |
Rhythmic Variability - Tempo Standardized |
0.05959 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
818.0 |
Initial Tempo |
320.0 |
Average Variability of Time Between Attacks for Each Voice |
0.2835 |
Minimum Note Duration |
0.09375 |
Maximum Note Duration |
3.0 |
Average Note Duration |
0.4979 |
Variability of Note Durations |
0.3456 |
Amount of Staccato |
0.007335 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
7.0 |
Number of Relatively Strong Rhythmic Pulses |
4.0 |
Mean Tempo |
320.0 |
Strongest Rhythmic Pulse |
80.0 |
Second Strongest Rhythmic Pulse |
160.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.2291 |
Strength of Second Strongest Rhythmic Pulse |
0.2189 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.047 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.448 |
Rhythmic Variability |
0.03432 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.75 |
Tempo Variability |
0.0 |
Duration in Seconds |
108.2 |
Note Density |
7.561 |
Note Density Variability |
2.004 |
Average Time Between Attacks |
0.3873 |
Average Time Between Attacks for Each Voice |
0.3873 |
Variability of Time Between Attacks |
0.2835 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.06724 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.09001 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.247 |
Contrary Motion |
0.1877 |
Oblique Motion |
0.4753 |
Parallel Fifths |
0.005488 |
Parallel Octaves |
0.004391 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |