| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1978 |
| Prevalence of Second Most Common Vertical Interval |
0.1862 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9414 |
| Vertical Unisons |
0.01566 |
| Vertical Minor Seconds |
0.002544 |
| Vertical Thirds |
0.3279 |
| Vertical Tritones |
0.01253 |
| Vertical Perfect Fourths |
0.02355 |
| Vertical Perfect Fifths |
0.1978 |
| Vertical Sixths |
0.2073 |
| Vertical Sevenths |
0.02987 |
| Vertical Octaves |
0.1705 |
| Perfect Vertical Intervals |
0.4075 |
| Vertical Dissonance Ratio |
0.0607 |
| Vertical Minor Third Prevalence |
0.3383 |
| Vertical Major Third Prevalence |
0.3085 |
| Chord Duration |
2.109 |
| Partial Chords |
0.6263 |
| Standard Triads |
0.2805 |
| Diminished and Augmented Triads |
0.02355 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.09315 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7823 |
| Average Number of Simultaneous Pitch Classes |
2.273 |
| Variability of Number of Simultaneous Pitch Classes |
0.5876 |
| Average Number of Simultaneous Pitches |
2.665 |
| Variability of Number of Simultaneous Pitches |
0.4721 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
15.0 |
| Variation of Dynamics |
6.123 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
60.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2251 |
| Stepwise Motion |
0.7299 |
| Melodic Thirds |
0.1232 |
| Melodic Perfect Fourths |
0.04739 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01422 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01185 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.476 |
| Melodic Embellishments |
0.02353 |
| Direction of Melodic Motion |
0.4399 |
| Average Length of Melodic Arcs |
2.125 |
| Average Interval Spanned by Melodic Arcs |
4.837 |
| Melodic Pitch Variety |
5.246 |
| Mean Melodic Interval |
2.133 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5047 |
| Relative Prevalence of Most Common Melodic Intervals |
0.446 |
| Amount of Arpeggiation |
0.2227 |
| Repeated Notes |
0.07346 |
| Importance of Middle Register |
0.7506 |
| Importance of High Register |
0.01412 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
59.93 |
| Mean Pitch Class |
5.645 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.08706 |
| Prevalence of Most Common Pitch Class |
0.1765 |
| Relative Prevalence of Top Pitches |
0.973 |
| Relative Prevalence of Top Pitch Classes |
0.9333 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.588 |
| Pitch Class Variability |
3.429 |
| Pitch Class Variability After Folding |
4.112 |
| Pitch Skewness |
0.08838 |
| Pitch Class Skewness |
-0.3108 |
| Pitch Class Skewness After Folding |
1.116 |
| Pitch Kurtosis |
5.185 |
| Pitch Class Kurtosis |
4.768 |
| Pitch Class Kurtosis After Folding |
4.697 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2353 |
| Note Density per Quarter Note |
0.8416 |
| Note Density per Quarter Note per Voice |
0.2805 |
| Note Density per Quarter Note Variability |
0.3377 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01176 |
| Prevalence of Medium Rhythmic Values |
0.4635 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7976 |
| Prevalence of Very Long Rhythmic Values |
0.1082 |
| Prevalence of Dotted Notes |
0.1318 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.158 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3529 |
| Relative Prevalence of Most Common Rhythmic Values |
0.74 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.944 |
| Rhythmic Value Skewness |
0.2433 |
| Rhythmic Value Kurtosis |
8.812 |
| Mean Rhythmic Value Run Length |
1.66 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.351 |
| Mean Rhythmic Value Offset |
0.04706 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6426 |
| Complete Rests Fraction |
0.001964 |
| Partial Rests Fraction |
0.299 |
| Average Rest Fraction Across Voices |
0.101 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.499 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.925 |
| Variability Across Voices of Combined Rests |
12.17 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5617 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2291 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.451 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7909 |
| Rhythmic Variability - Tempo Standardized |
0.04998 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
425.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7382 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
4.615 |
| Average Note Duration |
0.6163 |
| Variability of Note Durations |
0.4311 |
| Amount of Staccato |
0.01176 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2892 |
| Strength of Second Strongest Rhythmic Pulse |
0.2381 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.215 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5272 |
| Rhythmic Variability |
0.03536 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.000000000463 |
| Duration in Seconds |
97.11 |
| Note Density |
4.376 |
| Note Density Variability |
1.019 |
| Average Time Between Attacks |
0.3877 |
| Average Time Between Attacks for Each Voice |
0.7225 |
| Variability of Time Between Attacks |
0.2503 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.3125 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.48 |
| Relative Note Durations of Lowest Line |
1.43 |
| Relative Size of Melodic Intervals in Lowest Line |
1.2 |
| Voice Overlap |
0.5694 |
| Voice Separation |
9.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.04261 |
| Average Number of Independent Voices |
2.702 |
| Similar Motion |
0.1053 |
| Contrary Motion |
0.2306 |
| Oblique Motion |
0.6216 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4572 |
| Voice Equality - Number of Notes |
39.93 |
| Voice Equality - Note Duration |
2.34 |
| Voice Equality - Dynamics |
7.638 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.517 |
| Importance of Loudest Voice |
10.0 |