| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2233 |
| Prevalence of Second Most Common Vertical Interval |
0.1933 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8656 |
| Vertical Unisons |
0.04065 |
| Vertical Minor Seconds |
0.002451 |
| Vertical Thirds |
0.2994 |
| Vertical Tritones |
0.01204 |
| Vertical Perfect Fourths |
0.103 |
| Vertical Perfect Fifths |
0.1933 |
| Vertical Sixths |
0.1343 |
| Vertical Sevenths |
0.01901 |
| Vertical Octaves |
0.1826 |
| Perfect Vertical Intervals |
0.5196 |
| Vertical Dissonance Ratio |
0.04906 |
| Vertical Minor Third Prevalence |
0.5052 |
| Vertical Major Third Prevalence |
0.5278 |
| Chord Duration |
2.19 |
| Partial Chords |
0.3328 |
| Standard Triads |
0.4887 |
| Diminished and Augmented Triads |
0.05052 |
| Dominant Seventh Chords |
0.001742 |
| Seventh Chords |
0.01742 |
| Non-Standard Chords |
0.1611 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5497 |
| Average Number of Simultaneous Pitch Classes |
2.694 |
| Variability of Number of Simultaneous Pitch Classes |
0.534 |
| Average Number of Simultaneous Pitches |
3.449 |
| Variability of Number of Simultaneous Pitches |
0.6045 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.716 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
26.74 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1987 |
| Stepwise Motion |
0.6111 |
| Melodic Thirds |
0.1835 |
| Melodic Perfect Fourths |
0.07576 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05556 |
| Melodic Sixths |
0.005051 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01684 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.725 |
| Melodic Embellishments |
0.02676 |
| Direction of Melodic Motion |
0.4725 |
| Average Length of Melodic Arcs |
1.955 |
| Average Interval Spanned by Melodic Arcs |
5.417 |
| Melodic Pitch Variety |
5.575 |
| Mean Melodic Interval |
2.653 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4125 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4816 |
| Amount of Arpeggiation |
0.3081 |
| Repeated Notes |
0.05219 |
| Importance of Middle Register |
0.7625 |
| Importance of High Register |
0.008361 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.57 |
| Mean Pitch Class |
5.231 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1187 |
| Prevalence of Most Common Pitch Class |
0.2157 |
| Relative Prevalence of Top Pitches |
0.9437 |
| Relative Prevalence of Top Pitch Classes |
0.7984 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.885 |
| Pitch Class Variability |
3.58 |
| Pitch Class Variability After Folding |
2.986 |
| Pitch Skewness |
0.0306 |
| Pitch Class Skewness |
0.1934 |
| Pitch Class Skewness After Folding |
1.028 |
| Pitch Kurtosis |
5.501 |
| Pitch Class Kurtosis |
4.827 |
| Pitch Class Kurtosis After Folding |
7.77 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2291 |
| Note Density per Quarter Note |
1.036 |
| Note Density per Quarter Note per Voice |
0.2591 |
| Note Density per Quarter Note Variability |
0.444 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01003 |
| Prevalence of Medium Rhythmic Values |
0.495 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8846 |
| Prevalence of Very Long Rhythmic Values |
0.1221 |
| Prevalence of Dotted Notes |
0.1355 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.425 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3796 |
| Relative Prevalence of Most Common Rhythmic Values |
0.859 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.438 |
| Rhythmic Value Skewness |
0.5227 |
| Rhythmic Value Kurtosis |
10.51 |
| Mean Rhythmic Value Run Length |
1.557 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.08 |
| Mean Rhythmic Value Offset |
0.09365 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.005 |
| Complete Rests Fraction |
0.001719 |
| Partial Rests Fraction |
0.3275 |
| Average Rest Fraction Across Voices |
0.08838 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
44.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.513 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.512 |
| Variability Across Voices of Combined Rests |
34.91 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6874 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1559 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.409 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8433 |
| Rhythmic Variability - Tempo Standardized |
0.05668 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
598.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8625 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.8377 |
| Variability of Note Durations |
0.6967 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3201 |
| Strength of Second Strongest Rhythmic Pulse |
0.2895 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.106 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6096 |
| Rhythmic Variability |
0.04009 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003144 |
| Duration in Seconds |
137.4 |
| Note Density |
4.353 |
| Note Density Variability |
1.542 |
| Average Time Between Attacks |
0.4759 |
| Average Time Between Attacks for Each Voice |
0.9116 |
| Variability of Time Between Attacks |
0.2897 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.3408 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.4415 |
| Relative Note Durations of Lowest Line |
1.167 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8579 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.0416 |
| Average Number of Independent Voices |
3.653 |
| Similar Motion |
0.1352 |
| Contrary Motion |
0.208 |
| Oblique Motion |
0.6152 |
| Parallel Fifths |
0.004458 |
| Parallel Octaves |
0.001486 |
| Variability of Number of Independent Voices |
0.518 |
| Voice Equality - Number of Notes |
26.74 |
| Voice Equality - Note Duration |
8.312 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
11.67 |