Distance Between Two Most Common Vertical Intervals |
4.0 |
Prevalence of Most Common Vertical Interval |
0.2258 |
Prevalence of Second Most Common Vertical Interval |
0.1983 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8779 |
Vertical Unisons |
0.03032 |
Vertical Minor Seconds |
0.001223 |
Vertical Thirds |
0.4064 |
Vertical Tritones |
0.009293 |
Vertical Perfect Fourths |
0.02903 |
Vertical Perfect Fifths |
0.1831 |
Vertical Sixths |
0.1433 |
Vertical Sevenths |
0.01576 |
Vertical Octaves |
0.1679 |
Perfect Vertical Intervals |
0.4104 |
Vertical Dissonance Ratio |
0.04161 |
Vertical Minor Third Prevalence |
0.3324 |
Vertical Major Third Prevalence |
0.4088 |
Chord Duration |
2.177 |
Partial Chords |
0.6803 |
Standard Triads |
0.2585 |
Diminished and Augmented Triads |
0.01321 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.0 |
Non-Standard Chords |
0.06119 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.6544 |
Average Number of Simultaneous Pitch Classes |
2.186 |
Variability of Number of Simultaneous Pitch Classes |
0.5947 |
Average Number of Simultaneous Pitches |
2.538 |
Variability of Number of Simultaneous Pitches |
0.5365 |
Most Common Vertical Interval |
4.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
9.615 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
333.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
2.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1608 |
Stepwise Motion |
0.527 |
Melodic Thirds |
0.2025 |
Melodic Perfect Fourths |
0.07101 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05282 |
Melodic Sixths |
0.007042 |
Melodic Sevenths |
0.001174 |
Melodic Octaves |
0.01056 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.413 |
Melodic Embellishments |
0.02226 |
Direction of Melodic Motion |
0.4657 |
Average Length of Melodic Arcs |
1.748 |
Average Interval Spanned by Melodic Arcs |
5.0 |
Melodic Pitch Variety |
5.148 |
Mean Melodic Interval |
2.507 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3662 |
Relative Prevalence of Most Common Melodic Intervals |
0.4391 |
Amount of Arpeggiation |
0.395 |
Repeated Notes |
0.1279 |
Importance of Middle Register |
0.6971 |
Importance of High Register |
0.0 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
57.31 |
Mean Pitch Class |
5.1 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.1265 |
Prevalence of Most Common Pitch Class |
0.1992 |
Relative Prevalence of Top Pitches |
0.6204 |
Relative Prevalence of Top Pitch Classes |
0.8382 |
Interval Between Most Prevalent Pitches |
3.0 |
Interval Between Most Prevalent Pitch Classes |
9.0 |
Pitch Variability |
7.49 |
Pitch Class Variability |
3.549 |
Pitch Class Variability After Folding |
4.098 |
Pitch Skewness |
-0.3613 |
Pitch Class Skewness |
0.08417 |
Pitch Class Skewness After Folding |
0.8809 |
Pitch Kurtosis |
5.321 |
Pitch Class Kurtosis |
4.706 |
Pitch Class Kurtosis After Folding |
4.956 |
Major or Minor |
0.0 |
First Pitch |
53.0 |
First Pitch Class |
5.0 |
Last Pitch |
41.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
23.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
1.0 |
Number of Common Pitch Classes |
0.0 |
Range |
31.0 |
Importance of Bass Register |
0.3029 |
Note Density per Quarter Note |
0.8813 |
Note Density per Quarter Note per Voice |
0.2938 |
Note Density per Quarter Note Variability |
0.2951 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.008202 |
Prevalence of Medium Rhythmic Values |
0.5302 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8752 |
Prevalence of Very Long Rhythmic Values |
0.05917 |
Prevalence of Dotted Notes |
0.08377 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.949 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4054 |
Relative Prevalence of Most Common Rhythmic Values |
0.8685 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.574 |
Rhythmic Value Skewness |
1.809 |
Rhythmic Value Kurtosis |
9.337 |
Mean Rhythmic Value Run Length |
1.688 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.314 |
Mean Rhythmic Value Offset |
0.004687 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.1369 |
Complete Rests Fraction |
0.000512 |
Partial Rests Fraction |
0.3867 |
Average Rest Fraction Across Voices |
0.1323 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
204.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
8.358 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
28.53 |
Variability Across Voices of Combined Rests |
63.26 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6553 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1793 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.654 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8346 |
Rhythmic Variability - Tempo Standardized |
0.0548 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1707.0 |
Initial Tempo |
252.0 |
Average Variability of Time Between Attacks for Each Voice |
1.69 |
Minimum Note Duration |
0.119 |
Maximum Note Duration |
3.81 |
Average Note Duration |
0.7033 |
Variability of Note Durations |
0.3825 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
5.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
252.0 |
Strongest Rhythmic Pulse |
63.0 |
Second Strongest Rhythmic Pulse |
42.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.3231 |
Strength of Second Strongest Rhythmic Pulse |
0.2789 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.158 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.602 |
Rhythmic Variability |
0.03955 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.0000000006101 |
Duration in Seconds |
461.2 |
Note Density |
3.701 |
Note Density Variability |
0.9353 |
Average Time Between Attacks |
0.4708 |
Average Time Between Attacks for Each Voice |
0.8167 |
Variability of Time Between Attacks |
0.2342 |
Maximum Number of Independent Voices |
3.0 |
Relative Range of Loudest Voice |
0.6129 |
Relative Range Isolation of Loudest Voice |
0.2783 |
Relative Range of Highest Line |
0.6129 |
Relative Note Density of Highest Line |
0.1125 |
Relative Note Durations of Lowest Line |
1.115 |
Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
Voice Overlap |
0.7481 |
Voice Separation |
8.0 |
Variability of Voice Separation |
2.828 |
Parallel Motion |
0.02727 |
Average Number of Independent Voices |
2.604 |
Similar Motion |
0.1485 |
Contrary Motion |
0.2386 |
Oblique Motion |
0.5856 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.0007576 |
Variability of Number of Independent Voices |
0.5077 |
Voice Equality - Number of Notes |
69.86 |
Voice Equality - Note Duration |
15.06 |
Voice Equality - Dynamics |
11.55 |
Voice Equality - Melodic Leaps |
0.5774 |
Voice Equality - Range |
1.528 |
Importance of Loudest Voice |
20.0 |