| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1881 |
| Prevalence of Second Most Common Vertical Interval |
0.188 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9999 |
| Vertical Unisons |
0.03368 |
| Vertical Minor Seconds |
0.002826 |
| Vertical Thirds |
0.3527 |
| Vertical Tritones |
0.0126 |
| Vertical Perfect Fourths |
0.07323 |
| Vertical Perfect Fifths |
0.188 |
| Vertical Sixths |
0.1557 |
| Vertical Sevenths |
0.01992 |
| Vertical Octaves |
0.1482 |
| Perfect Vertical Intervals |
0.4432 |
| Vertical Dissonance Ratio |
0.05089 |
| Vertical Minor Third Prevalence |
0.324 |
| Vertical Major Third Prevalence |
0.2861 |
| Chord Duration |
3.003 |
| Partial Chords |
0.754 |
| Standard Triads |
0.191 |
| Diminished and Augmented Triads |
0.01621 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.006345 |
| Non-Standard Chords |
0.04864 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.297 |
| Average Number of Simultaneous Pitch Classes |
2.046 |
| Variability of Number of Simultaneous Pitch Classes |
0.6495 |
| Average Number of Simultaneous Pitches |
2.348 |
| Variability of Number of Simultaneous Pitches |
0.8865 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.851 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
173.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1831 |
| Stepwise Motion |
0.5212 |
| Melodic Thirds |
0.2134 |
| Melodic Perfect Fourths |
0.06954 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02318 |
| Melodic Sixths |
0.009592 |
| Melodic Sevenths |
0.001599 |
| Melodic Octaves |
0.008793 |
| Melodic Large Intervals |
0.0007994 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.781 |
| Melodic Embellishments |
0.01673 |
| Direction of Melodic Motion |
0.4703 |
| Average Length of Melodic Arcs |
1.829 |
| Average Interval Spanned by Melodic Arcs |
4.91 |
| Melodic Pitch Variety |
5.022 |
| Mean Melodic Interval |
2.295 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3381 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5414 |
| Amount of Arpeggiation |
0.3989 |
| Repeated Notes |
0.1519 |
| Importance of Middle Register |
0.6606 |
| Importance of High Register |
0.001594 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.13 |
| Mean Pitch Class |
5.194 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09084 |
| Prevalence of Most Common Pitch Class |
0.1849 |
| Relative Prevalence of Top Pitches |
0.9211 |
| Relative Prevalence of Top Pitch Classes |
0.8578 |
| Interval Between Most Prevalent Pitches |
14.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.479 |
| Pitch Class Variability |
3.358 |
| Pitch Class Variability After Folding |
3.596 |
| Pitch Skewness |
-0.1544 |
| Pitch Class Skewness |
0.173 |
| Pitch Class Skewness After Folding |
0.7852 |
| Pitch Kurtosis |
4.89 |
| Pitch Class Kurtosis |
4.899 |
| Pitch Class Kurtosis After Folding |
5.851 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3378 |
| Note Density per Quarter Note |
0.7292 |
| Note Density per Quarter Note per Voice |
0.1823 |
| Note Density per Quarter Note Variability |
0.4503 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001594 |
| Prevalence of Medium Rhythmic Values |
0.4359 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9131 |
| Prevalence of Very Long Rhythmic Values |
0.08287 |
| Prevalence of Dotted Notes |
0.09084 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.278 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4271 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8172 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.714 |
| Rhythmic Value Skewness |
-1.263 |
| Rhythmic Value Kurtosis |
10.04 |
| Mean Rhythmic Value Run Length |
1.76 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.475 |
| Mean Rhythmic Value Offset |
0.02869 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4365 |
| Complete Rests Fraction |
0.00264 |
| Partial Rests Fraction |
0.8026 |
| Average Rest Fraction Across Voices |
0.3959 |
| Longest Complete Rest |
3.641 |
| Longest Partial Rest |
167.5 |
| Mean Complete Rest Duration |
2.272 |
| Mean Partial Rest Duration |
28.68 |
| Median Complete Rest Duration |
3.641 |
| Median Partial Rest Duration |
14.57 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.936 |
| Variability of Partial Rest Durations |
32.79 |
| Variability Across Voices of Combined Rests |
56.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6686 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1816 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.682 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8502 |
| Rhythmic Variability - Tempo Standardized |
0.05567 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1255.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.574 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
4.762 |
| Average Note Duration |
0.7001 |
| Variability of Note Durations |
0.3971 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
287.2 |
| Strongest Rhythmic Pulse |
71.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.479 |
| Strength of Strongest Rhythmic Pulse |
0.345 |
| Strength of Second Strongest Rhythmic Pulse |
0.2524 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.367 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5974 |
| Rhythmic Variability |
0.03859 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.55 |
| Duration in Seconds |
363.6 |
| Note Density |
3.452 |
| Note Density Variability |
1.523 |
| Average Time Between Attacks |
0.4973 |
| Average Time Between Attacks for Each Voice |
1.138 |
| Variability of Time Between Attacks |
0.238 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.1678 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2135 |
| Relative Note Durations of Lowest Line |
1.078 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9602 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.05128 |
| Average Number of Independent Voices |
2.418 |
| Similar Motion |
0.1605 |
| Contrary Motion |
0.1996 |
| Oblique Motion |
0.5886 |
| Parallel Fifths |
0.003344 |
| Parallel Octaves |
0.00223 |
| Variability of Number of Independent Voices |
0.8696 |
| Voice Equality - Number of Notes |
19.47 |
| Voice Equality - Note Duration |
12.02 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.633 |
| Importance of Loudest Voice |
15.0 |