| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2213 |
| Prevalence of Second Most Common Vertical Interval |
0.2042 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9227 |
| Vertical Unisons |
0.02484 |
| Vertical Minor Seconds |
0.002406 |
| Vertical Thirds |
0.3617 |
| Vertical Tritones |
0.006356 |
| Vertical Perfect Fourths |
0.03267 |
| Vertical Perfect Fifths |
0.1793 |
| Vertical Sixths |
0.1671 |
| Vertical Sevenths |
0.01856 |
| Vertical Octaves |
0.1965 |
| Perfect Vertical Intervals |
0.4333 |
| Vertical Dissonance Ratio |
0.03938 |
| Vertical Minor Third Prevalence |
0.3011 |
| Vertical Major Third Prevalence |
0.3636 |
| Chord Duration |
1.999 |
| Partial Chords |
0.6941 |
| Standard Triads |
0.2468 |
| Diminished and Augmented Triads |
0.006374 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.05914 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7557 |
| Average Number of Simultaneous Pitch Classes |
2.141 |
| Variability of Number of Simultaneous Pitch Classes |
0.6113 |
| Average Number of Simultaneous Pitches |
2.545 |
| Variability of Number of Simultaneous Pitches |
0.5611 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.629 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
286.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1877 |
| Stepwise Motion |
0.6347 |
| Melodic Thirds |
0.195 |
| Melodic Perfect Fourths |
0.07038 |
| Melodic Tritones |
0.00134 |
| Melodic Perfect Fifths |
0.06233 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01273 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.445 |
| Melodic Embellishments |
0.02207 |
| Direction of Melodic Motion |
0.5079 |
| Average Length of Melodic Arcs |
1.755 |
| Average Interval Spanned by Melodic Arcs |
4.834 |
| Melodic Pitch Variety |
5.639 |
| Mean Melodic Interval |
2.696 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4471 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4198 |
| Amount of Arpeggiation |
0.2936 |
| Repeated Notes |
0.02346 |
| Importance of Middle Register |
0.6395 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.83 |
| Mean Pitch Class |
5.102 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.09498 |
| Prevalence of Most Common Pitch Class |
0.1873 |
| Relative Prevalence of Top Pitches |
0.9296 |
| Relative Prevalence of Top Pitch Classes |
0.9821 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.193 |
| Pitch Class Variability |
3.473 |
| Pitch Class Variability After Folding |
4.387 |
| Pitch Skewness |
-0.2652 |
| Pitch Class Skewness |
0.08782 |
| Pitch Class Skewness After Folding |
1.226 |
| Pitch Kurtosis |
5.018 |
| Pitch Class Kurtosis |
4.748 |
| Pitch Class Kurtosis After Folding |
4.424 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3605 |
| Note Density per Quarter Note |
0.9246 |
| Note Density per Quarter Note per Voice |
0.3082 |
| Note Density per Quarter Note Variability |
0.3836 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02007 |
| Prevalence of Medium Rhythmic Values |
0.612 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8595 |
| Prevalence of Very Long Rhythmic Values |
0.06288 |
| Prevalence of Dotted Notes |
0.09097 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.795 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4716 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5376 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.7 |
| Rhythmic Value Skewness |
1.402 |
| Rhythmic Value Kurtosis |
11.38 |
| Mean Rhythmic Value Run Length |
1.734 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.406 |
| Mean Rhythmic Value Offset |
0.01605 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.253 |
| Complete Rests Fraction |
0.0006133 |
| Partial Rests Fraction |
0.3816 |
| Average Rest Fraction Across Voices |
0.1338 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
136.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
10.14 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
26.97 |
| Variability Across Voices of Combined Rests |
74.87 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6386 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1815 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.519 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8201 |
| Rhythmic Variability - Tempo Standardized |
0.05366 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1495.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.441 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
3.81 |
| Average Note Duration |
0.6692 |
| Variability of Note Durations |
0.4293 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2957 |
| Strength of Second Strongest Rhythmic Pulse |
0.2724 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.085 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5681 |
| Rhythmic Variability |
0.03834 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000005853 |
| Duration in Seconds |
385.0 |
| Note Density |
3.883 |
| Note Density Variability |
1.377 |
| Average Time Between Attacks |
0.461 |
| Average Time Between Attacks for Each Voice |
0.7734 |
| Variability of Time Between Attacks |
0.2655 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.2349 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.1304 |
| Relative Note Durations of Lowest Line |
1.044 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7017 |
| Voice Separation |
9.0 |
| Variability of Voice Separation |
2.828 |
| Parallel Motion |
0.04587 |
| Average Number of Independent Voices |
2.6 |
| Similar Motion |
0.1598 |
| Contrary Motion |
0.2752 |
| Oblique Motion |
0.5191 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001529 |
| Variability of Number of Independent Voices |
0.5264 |
| Voice Equality - Number of Notes |
50.93 |
| Voice Equality - Note Duration |
17.83 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
20.0 |