Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2117 |
Prevalence of Second Most Common Vertical Interval |
0.2011 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.95 |
Vertical Unisons |
0.03812 |
Vertical Minor Seconds |
0.002488 |
Vertical Thirds |
0.3467 |
Vertical Tritones |
0.001261 |
Vertical Perfect Fourths |
0.03399 |
Vertical Perfect Fifths |
0.1967 |
Vertical Sixths |
0.1802 |
Vertical Sevenths |
0.01712 |
Vertical Octaves |
0.1735 |
Perfect Vertical Intervals |
0.4424 |
Vertical Dissonance Ratio |
0.03163 |
Vertical Minor Third Prevalence |
0.4662 |
Vertical Major Third Prevalence |
0.3497 |
Chord Duration |
2.269 |
Partial Chords |
0.5607 |
Standard Triads |
0.3585 |
Diminished and Augmented Triads |
0.003676 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.0 |
Non-Standard Chords |
0.08088 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
2.9 |
Average Number of Simultaneous Pitch Classes |
2.323 |
Variability of Number of Simultaneous Pitch Classes |
0.617 |
Average Number of Simultaneous Pitches |
2.736 |
Variability of Number of Simultaneous Pitches |
0.4556 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
3.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
8.309 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
7.506 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
3.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2471 |
Stepwise Motion |
0.6464 |
Melodic Thirds |
0.1521 |
Melodic Perfect Fourths |
0.04943 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.06844 |
Melodic Sixths |
0.007605 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.007605 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.857 |
Melodic Embellishments |
0.03759 |
Direction of Melodic Motion |
0.4571 |
Average Length of Melodic Arcs |
1.976 |
Average Interval Spanned by Melodic Arcs |
5.032 |
Melodic Pitch Variety |
5.479 |
Mean Melodic Interval |
2.433 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3992 |
Relative Prevalence of Most Common Melodic Intervals |
0.619 |
Amount of Arpeggiation |
0.2966 |
Repeated Notes |
0.06844 |
Importance of Middle Register |
0.7594 |
Importance of High Register |
0.003759 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
58.65 |
Mean Pitch Class |
5.496 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1203 |
Prevalence of Most Common Pitch Class |
0.203 |
Relative Prevalence of Top Pitches |
0.8125 |
Relative Prevalence of Top Pitch Classes |
0.8519 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.819 |
Pitch Class Variability |
3.389 |
Pitch Class Variability After Folding |
3.878 |
Pitch Skewness |
0.4995 |
Pitch Class Skewness |
0.4392 |
Pitch Class Skewness After Folding |
0.9539 |
Pitch Kurtosis |
5.405 |
Pitch Class Kurtosis |
4.741 |
Pitch Class Kurtosis After Folding |
5.106 |
Major or Minor |
0.0 |
First Pitch |
50.0 |
First Pitch Class |
2.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
27.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
12.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
31.0 |
Importance of Bass Register |
0.2368 |
Note Density per Quarter Note |
0.8956 |
Note Density per Quarter Note per Voice |
0.2985 |
Note Density per Quarter Note Variability |
0.447 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.03008 |
Prevalence of Medium Rhythmic Values |
0.4925 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8534 |
Prevalence of Very Long Rhythmic Values |
0.07895 |
Prevalence of Dotted Notes |
0.07519 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.113 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.3571 |
Relative Prevalence of Most Common Rhythmic Values |
0.9684 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.882 |
Rhythmic Value Skewness |
0.1798 |
Rhythmic Value Kurtosis |
8.831 |
Mean Rhythmic Value Run Length |
1.705 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.235 |
Mean Rhythmic Value Offset |
0.04511 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.7358 |
Complete Rests Fraction |
0.003339 |
Partial Rests Fraction |
0.1582 |
Average Rest Fraction Across Voices |
0.05721 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
16.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
3.641 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
4.013 |
Variability Across Voices of Combined Rests |
9.165 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5583 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2289 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.439 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7872 |
Rhythmic Variability - Tempo Standardized |
0.04949 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
266.0 |
Initial Tempo |
312.0 |
Average Variability of Time Between Attacks for Each Voice |
0.5112 |
Minimum Note Duration |
0.09615 |
Maximum Note Duration |
4.615 |
Average Note Duration |
0.6073 |
Variability of Note Durations |
0.4252 |
Amount of Staccato |
0.03008 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
312.0 |
Strongest Rhythmic Pulse |
78.0 |
Second Strongest Rhythmic Pulse |
52.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.2938 |
Strength of Second Strongest Rhythmic Pulse |
0.2188 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.343 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5126 |
Rhythmic Variability |
0.03431 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.0000000001747 |
Duration in Seconds |
57.11 |
Note Density |
4.657 |
Note Density Variability |
1.842 |
Average Time Between Attacks |
0.4087 |
Average Time Between Attacks for Each Voice |
0.6334 |
Variability of Time Between Attacks |
0.283 |
Maximum Number of Independent Voices |
3.0 |
Relative Range of Loudest Voice |
0.6129 |
Relative Range Isolation of Loudest Voice |
0.3763 |
Relative Range of Highest Line |
0.6129 |
Relative Note Density of Highest Line |
0.7331 |
Relative Note Durations of Lowest Line |
0.9832 |
Relative Size of Melodic Intervals in Lowest Line |
0.6 |
Voice Overlap |
0.812 |
Voice Separation |
6.5 |
Variability of Voice Separation |
0.7071 |
Parallel Motion |
0.02791 |
Average Number of Independent Voices |
2.838 |
Similar Motion |
0.2 |
Contrary Motion |
0.2744 |
Oblique Motion |
0.4977 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.3865 |
Voice Equality - Number of Notes |
7.506 |
Voice Equality - Note Duration |
1.763 |
Voice Equality - Dynamics |
10.41 |
Voice Equality - Melodic Leaps |
0.5774 |
Voice Equality - Range |
1.155 |
Importance of Loudest Voice |
12.5 |