| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1963 |
| Prevalence of Second Most Common Vertical Interval |
0.1915 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9756 |
| Vertical Unisons |
0.02015 |
| Vertical Minor Seconds |
0.001885 |
| Vertical Thirds |
0.3386 |
| Vertical Tritones |
0.007995 |
| Vertical Perfect Fourths |
0.1227 |
| Vertical Perfect Fifths |
0.1784 |
| Vertical Sixths |
0.1262 |
| Vertical Sevenths |
0.01827 |
| Vertical Octaves |
0.1713 |
| Perfect Vertical Intervals |
0.4927 |
| Vertical Dissonance Ratio |
0.04437 |
| Vertical Minor Third Prevalence |
0.5933 |
| Vertical Major Third Prevalence |
0.7029 |
| Chord Duration |
2.243 |
| Partial Chords |
0.135 |
| Standard Triads |
0.7181 |
| Diminished and Augmented Triads |
0.007299 |
| Dominant Seventh Chords |
0.005474 |
| Seventh Chords |
0.01642 |
| Non-Standard Chords |
0.1305 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.388 |
| Average Number of Simultaneous Pitch Classes |
2.893 |
| Variability of Number of Simultaneous Pitch Classes |
0.4396 |
| Average Number of Simultaneous Pitches |
3.819 |
| Variability of Number of Simultaneous Pitches |
0.4296 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.804 |
| Variation of Dynamics In Each Voice |
1.806 |
| Average Note to Note Change in Dynamics |
2.044 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.145 |
| Stepwise Motion |
0.5393 |
| Melodic Thirds |
0.1204 |
| Melodic Perfect Fourths |
0.06511 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0344 |
| Melodic Sixths |
0.0086 |
| Melodic Sevenths |
0.002457 |
| Melodic Octaves |
0.007371 |
| Melodic Large Intervals |
0.001229 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.769 |
| Melodic Embellishments |
0.01711 |
| Direction of Melodic Motion |
0.4543 |
| Average Length of Melodic Arcs |
1.915 |
| Average Interval Spanned by Melodic Arcs |
5.121 |
| Melodic Pitch Variety |
4.672 |
| Mean Melodic Interval |
2.096 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3943 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5607 |
| Amount of Arpeggiation |
0.387 |
| Repeated Notes |
0.2211 |
| Importance of Middle Register |
0.6504 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.34 |
| Mean Pitch Class |
4.835 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1394 |
| Prevalence of Most Common Pitch Class |
0.2323 |
| Relative Prevalence of Top Pitches |
0.9035 |
| Relative Prevalence of Top Pitch Classes |
0.9105 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.492 |
| Pitch Class Variability |
3.644 |
| Pitch Class Variability After Folding |
2.969 |
| Pitch Skewness |
-0.5689 |
| Pitch Class Skewness |
-0.1359 |
| Pitch Class Skewness After Folding |
0.7523 |
| Pitch Kurtosis |
5.332 |
| Pitch Class Kurtosis |
4.806 |
| Pitch Class Kurtosis After Folding |
8.227 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.3496 |
| Note Density per Quarter Note |
1.42 |
| Note Density per Quarter Note per Voice |
0.355 |
| Note Density per Quarter Note Variability |
0.6203 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007335 |
| Prevalence of Medium Rhythmic Values |
0.6895 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8692 |
| Prevalence of Very Long Rhythmic Values |
0.0379 |
| Prevalence of Dotted Notes |
0.0599 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.616 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5587 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4179 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.583 |
| Rhythmic Value Skewness |
1.167 |
| Rhythmic Value Kurtosis |
18.03 |
| Mean Rhythmic Value Run Length |
2.427 |
| Median Rhythmic Value Run Length |
2.0 |
| Variability in Rhythmic Value Run Lengths |
2.598 |
| Mean Rhythmic Value Offset |
0.03912 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3939 |
| Complete Rests Fraction |
0.04167 |
| Partial Rests Fraction |
0.09375 |
| Average Rest Fraction Across Voices |
0.05729 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
2.182 |
| Mean Partial Rest Duration |
2.164 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.603 |
| Variability of Partial Rest Durations |
0.5532 |
| Variability Across Voices of Combined Rests |
4.761 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7374 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1363 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.412 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8737 |
| Rhythmic Variability - Tempo Standardized |
0.05975 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
818.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3373 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.4979 |
| Variability of Note Durations |
0.3456 |
| Amount of Staccato |
0.007335 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
160.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2303 |
| Strength of Second Strongest Rhythmic Pulse |
0.2179 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.057 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4482 |
| Rhythmic Variability |
0.03439 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
108.0 |
| Note Density |
7.574 |
| Note Density Variability |
1.991 |
| Average Time Between Attacks |
0.3873 |
| Average Time Between Attacks for Each Voice |
0.5181 |
| Variability of Time Between Attacks |
0.2835 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5714 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.3032 |
| Relative Note Durations of Lowest Line |
1.126 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8313 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
5.033 |
| Parallel Motion |
0.09001 |
| Average Number of Independent Voices |
3.935 |
| Similar Motion |
0.247 |
| Contrary Motion |
0.1877 |
| Oblique Motion |
0.4753 |
| Parallel Fifths |
0.005488 |
| Parallel Octaves |
0.004391 |
| Variability of Number of Independent Voices |
0.2999 |
| Voice Equality - Number of Notes |
15.33 |
| Voice Equality - Note Duration |
0.8927 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
0.3333 |