Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1964 |
Prevalence of Second Most Common Vertical Interval |
0.194 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9875 |
Vertical Unisons |
0.03342 |
Vertical Minor Seconds |
0.002467 |
Vertical Thirds |
0.3291 |
Vertical Tritones |
0.01357 |
Vertical Perfect Fourths |
0.0876 |
Vertical Perfect Fifths |
0.1964 |
Vertical Sixths |
0.1437 |
Vertical Sevenths |
0.01737 |
Vertical Octaves |
0.1605 |
Perfect Vertical Intervals |
0.478 |
Vertical Dissonance Ratio |
0.05178 |
Vertical Minor Third Prevalence |
0.3934 |
Vertical Major Third Prevalence |
0.407 |
Chord Duration |
2.564 |
Partial Chords |
0.5282 |
Standard Triads |
0.3644 |
Diminished and Augmented Triads |
0.02786 |
Dominant Seventh Chords |
0.001238 |
Seventh Chords |
0.01176 |
Non-Standard Chords |
0.09567 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.6935 |
Average Number of Simultaneous Pitch Classes |
2.367 |
Variability of Number of Simultaneous Pitch Classes |
0.6704 |
Average Number of Simultaneous Pitches |
2.824 |
Variability of Number of Simultaneous Pitches |
0.8371 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
9.079 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
176.5 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
3.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1866 |
Stepwise Motion |
0.6426 |
Melodic Thirds |
0.1767 |
Melodic Perfect Fourths |
0.06899 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04336 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.007884 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.663 |
Melodic Embellishments |
0.01442 |
Direction of Melodic Motion |
0.4881 |
Average Length of Melodic Arcs |
1.855 |
Average Interval Spanned by Melodic Arcs |
4.795 |
Melodic Pitch Variety |
5.401 |
Mean Melodic Interval |
2.438 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.456 |
Relative Prevalence of Most Common Melodic Intervals |
0.4092 |
Amount of Arpeggiation |
0.2884 |
Repeated Notes |
0.06045 |
Importance of Middle Register |
0.6717 |
Importance of High Register |
0.0 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
56.82 |
Mean Pitch Class |
5.234 |
Most Common Pitch |
55.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1212 |
Prevalence of Most Common Pitch Class |
0.2045 |
Relative Prevalence of Top Pitches |
0.773 |
Relative Prevalence of Top Pitch Classes |
0.7917 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.764 |
Pitch Class Variability |
3.546 |
Pitch Class Variability After Folding |
3.155 |
Pitch Skewness |
0.07354 |
Pitch Class Skewness |
0.1979 |
Pitch Class Skewness After Folding |
1.127 |
Pitch Kurtosis |
5.367 |
Pitch Class Kurtosis |
4.869 |
Pitch Class Kurtosis After Folding |
7.298 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
27.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
31.0 |
Importance of Bass Register |
0.3283 |
Note Density per Quarter Note |
0.8626 |
Note Density per Quarter Note per Voice |
0.2157 |
Note Density per Quarter Note Variability |
0.4701 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.002621 |
Prevalence of Medium Rhythmic Values |
0.4934 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8768 |
Prevalence of Very Long Rhythmic Values |
0.1311 |
Prevalence of Dotted Notes |
0.1173 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.368 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3702 |
Relative Prevalence of Most Common Rhythmic Values |
0.8513 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.23 |
Rhythmic Value Skewness |
0.4954 |
Rhythmic Value Kurtosis |
9.551 |
Mean Rhythmic Value Run Length |
1.681 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.488 |
Mean Rhythmic Value Offset |
0.02621 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.3539 |
Complete Rests Fraction |
0.0005022 |
Partial Rests Fraction |
0.7183 |
Average Rest Fraction Across Voices |
0.2672 |
Longest Complete Rest |
0.8884 |
Longest Partial Rest |
322.5 |
Mean Complete Rest Duration |
0.8884 |
Mean Partial Rest Duration |
21.73 |
Median Complete Rest Duration |
0.8884 |
Median Partial Rest Duration |
3.583 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
56.26 |
Variability Across Voices of Combined Rests |
275.7 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
1.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6443 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1881 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.425 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8324 |
Rhythmic Variability - Tempo Standardized |
0.05426 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
1526.0 |
Initial Tempo |
252.0 |
Average Variability of Time Between Attacks for Each Voice |
2.551 |
Minimum Note Duration |
0.09615 |
Maximum Note Duration |
4.762 |
Average Note Duration |
0.7295 |
Variability of Note Durations |
0.5126 |
Amount of Staccato |
0.001311 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
282.7 |
Strongest Rhythmic Pulse |
70.0 |
Second Strongest Rhythmic Pulse |
47.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
Strength of Strongest Rhythmic Pulse |
0.3069 |
Strength of Second Strongest Rhythmic Pulse |
0.2574 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.192 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5644 |
Rhythmic Variability |
0.03733 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
29.99 |
Duration in Seconds |
379.8 |
Note Density |
4.018 |
Note Density Variability |
1.704 |
Average Time Between Attacks |
0.4655 |
Average Time Between Attacks for Each Voice |
1.001 |
Variability of Time Between Attacks |
0.26 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5484 |
Relative Range Isolation of Loudest Voice |
0.3632 |
Relative Range of Highest Line |
0.5484 |
Relative Note Density of Highest Line |
0.1678 |
Relative Note Durations of Lowest Line |
1.025 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.8585 |
Voice Separation |
5.0 |
Variability of Voice Separation |
4.359 |
Parallel Motion |
0.04745 |
Average Number of Independent Voices |
2.93 |
Similar Motion |
0.1693 |
Contrary Motion |
0.216 |
Oblique Motion |
0.5673 |
Parallel Fifths |
0.002833 |
Parallel Octaves |
0.0007082 |
Variability of Number of Independent Voices |
0.8209 |
Voice Equality - Number of Notes |
127.3 |
Voice Equality - Note Duration |
59.18 |
Voice Equality - Dynamics |
10.31 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
1.893 |
Importance of Loudest Voice |
15.0 |