| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2103 |
| Prevalence of Second Most Common Vertical Interval |
0.1841 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8757 |
| Vertical Unisons |
0.02853 |
| Vertical Minor Seconds |
0.0008833 |
| Vertical Thirds |
0.3194 |
| Vertical Tritones |
0.01062 |
| Vertical Perfect Fourths |
0.07858 |
| Vertical Perfect Fifths |
0.1841 |
| Vertical Sixths |
0.1587 |
| Vertical Sevenths |
0.02512 |
| Vertical Octaves |
0.1817 |
| Perfect Vertical Intervals |
0.473 |
| Vertical Dissonance Ratio |
0.0514 |
| Vertical Minor Third Prevalence |
0.3686 |
| Vertical Major Third Prevalence |
0.39 |
| Chord Duration |
2.537 |
| Partial Chords |
0.5381 |
| Standard Triads |
0.3611 |
| Diminished and Augmented Triads |
0.02543 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01221 |
| Non-Standard Chords |
0.0885 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6136 |
| Average Number of Simultaneous Pitch Classes |
2.328 |
| Variability of Number of Simultaneous Pitch Classes |
0.6905 |
| Average Number of Simultaneous Pitches |
2.832 |
| Variability of Number of Simultaneous Pitches |
0.8893 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.547 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
182.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1911 |
| Stepwise Motion |
0.6685 |
| Melodic Thirds |
0.1868 |
| Melodic Perfect Fourths |
0.06587 |
| Melodic Tritones |
0.00108 |
| Melodic Perfect Fifths |
0.0378 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0054 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.471 |
| Melodic Embellishments |
0.02148 |
| Direction of Melodic Motion |
0.4911 |
| Average Length of Melodic Arcs |
1.851 |
| Average Interval Spanned by Melodic Arcs |
4.642 |
| Melodic Pitch Variety |
5.021 |
| Mean Melodic Interval |
2.447 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4773 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4005 |
| Amount of Arpeggiation |
0.2646 |
| Repeated Notes |
0.03456 |
| Importance of Middle Register |
0.7938 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
59.23 |
| Mean Pitch Class |
5.425 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1031 |
| Prevalence of Most Common Pitch Class |
0.2084 |
| Relative Prevalence of Top Pitches |
0.9583 |
| Relative Prevalence of Top Pitch Classes |
0.7371 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.636 |
| Pitch Class Variability |
3.534 |
| Pitch Class Variability After Folding |
3.261 |
| Pitch Skewness |
-0.1112 |
| Pitch Class Skewness |
0.361 |
| Pitch Class Skewness After Folding |
1.2 |
| Pitch Kurtosis |
5.371 |
| Pitch Class Kurtosis |
4.874 |
| Pitch Class Kurtosis After Folding |
6.956 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2062 |
| Note Density per Quarter Note |
0.8456 |
| Note Density per Quarter Note per Voice |
0.2114 |
| Note Density per Quarter Note Variability |
0.4967 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008593 |
| Prevalence of Medium Rhythmic Values |
0.5081 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8851 |
| Prevalence of Very Long Rhythmic Values |
0.1235 |
| Prevalence of Dotted Notes |
0.1149 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.354 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3931 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8115 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.273 |
| Rhythmic Value Skewness |
1.787 |
| Rhythmic Value Kurtosis |
10.23 |
| Mean Rhythmic Value Run Length |
1.625 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.183 |
| Mean Rhythmic Value Offset |
0.1037 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.061 |
| Complete Rests Fraction |
0.0009757 |
| Partial Rests Fraction |
0.6752 |
| Average Rest Fraction Across Voices |
0.2695 |
| Longest Complete Rest |
1.074 |
| Longest Partial Rest |
255.5 |
| Mean Complete Rest Duration |
1.074 |
| Mean Partial Rest Duration |
21.19 |
| Median Complete Rest Duration |
1.074 |
| Median Partial Rest Duration |
2.167 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
54.9 |
| Variability Across Voices of Combined Rests |
298.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6758 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1639 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.124 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8397 |
| Rhythmic Variability - Tempo Standardized |
0.05585 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
931.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.872 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
6.154 |
| Average Note Duration |
0.7612 |
| Variability of Note Durations |
0.6264 |
| Amount of Staccato |
0.002148 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
276.0 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3251 |
| Strength of Second Strongest Rhythmic Pulse |
0.2851 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.14 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6102 |
| Rhythmic Variability |
0.03989 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.39 |
| Duration in Seconds |
242.0 |
| Note Density |
3.847 |
| Note Density Variability |
1.585 |
| Average Time Between Attacks |
0.4847 |
| Average Time Between Attacks for Each Voice |
1.165 |
| Variability of Time Between Attacks |
0.2879 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.5623 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2836 |
| Relative Note Durations of Lowest Line |
1.16 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.768 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.163 |
| Parallel Motion |
0.04943 |
| Average Number of Independent Voices |
2.918 |
| Similar Motion |
0.1529 |
| Contrary Motion |
0.2161 |
| Oblique Motion |
0.5816 |
| Parallel Fifths |
0.002299 |
| Parallel Octaves |
0.004598 |
| Variability of Number of Independent Voices |
0.8732 |
| Voice Equality - Number of Notes |
122.7 |
| Voice Equality - Note Duration |
65.59 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
15.0 |