| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2581 |
| Prevalence of Second Most Common Vertical Interval |
0.2105 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8156 |
| Vertical Unisons |
0.03865 |
| Vertical Minor Seconds |
0.00196 |
| Vertical Thirds |
0.3776 |
| Vertical Tritones |
0.01143 |
| Vertical Perfect Fourths |
0.03969 |
| Vertical Perfect Fifths |
0.1502 |
| Vertical Sixths |
0.1209 |
| Vertical Sevenths |
0.02069 |
| Vertical Octaves |
0.2194 |
| Perfect Vertical Intervals |
0.448 |
| Vertical Dissonance Ratio |
0.0566 |
| Vertical Minor Third Prevalence |
0.3699 |
| Vertical Major Third Prevalence |
0.4311 |
| Chord Duration |
1.913 |
| Partial Chords |
0.566 |
| Standard Triads |
0.3299 |
| Diminished and Augmented Triads |
0.008798 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1041 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3804 |
| Average Number of Simultaneous Pitch Classes |
2.247 |
| Variability of Number of Simultaneous Pitch Classes |
0.6682 |
| Average Number of Simultaneous Pitches |
2.768 |
| Variability of Number of Simultaneous Pitches |
0.4514 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.629 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
80.61 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2082 |
| Stepwise Motion |
0.6295 |
| Melodic Thirds |
0.1961 |
| Melodic Perfect Fourths |
0.1017 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04116 |
| Melodic Sixths |
0.002421 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004843 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.9756 |
| Melodic Embellishments |
0.02404 |
| Direction of Melodic Motion |
0.4715 |
| Average Length of Melodic Arcs |
1.708 |
| Average Interval Spanned by Melodic Arcs |
4.504 |
| Melodic Pitch Variety |
5.162 |
| Mean Melodic Interval |
2.615 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4213 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4943 |
| Amount of Arpeggiation |
0.2663 |
| Repeated Notes |
0.02421 |
| Importance of Middle Register |
0.6298 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.63 |
| Mean Pitch Class |
5.123 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1058 |
| Prevalence of Most Common Pitch Class |
0.2043 |
| Relative Prevalence of Top Pitches |
0.8409 |
| Relative Prevalence of Top Pitch Classes |
0.8941 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.809 |
| Pitch Class Variability |
3.535 |
| Pitch Class Variability After Folding |
4.451 |
| Pitch Skewness |
-0.3445 |
| Pitch Class Skewness |
0.104 |
| Pitch Class Skewness After Folding |
1.44 |
| Pitch Kurtosis |
5.147 |
| Pitch Class Kurtosis |
4.758 |
| Pitch Class Kurtosis After Folding |
4.344 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3702 |
| Note Density per Quarter Note |
1.059 |
| Note Density per Quarter Note per Voice |
0.3528 |
| Note Density per Quarter Note Variability |
0.4136 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.009615 |
| Prevalence of Medium Rhythmic Values |
0.601 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8606 |
| Prevalence of Very Long Rhythmic Values |
0.03365 |
| Prevalence of Dotted Notes |
0.07692 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.707 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4615 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6354 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.42 |
| Rhythmic Value Skewness |
1.493 |
| Rhythmic Value Kurtosis |
9.388 |
| Mean Rhythmic Value Run Length |
1.644 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.175 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002523 |
| Partial Rests Fraction |
0.1247 |
| Average Rest Fraction Across Voices |
0.04493 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
2.119 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.27 |
| Variability Across Voices of Combined Rests |
11.55 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6313 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1917 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.293 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.823 |
| Rhythmic Variability - Tempo Standardized |
0.05341 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
416.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3793 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
1.905 |
| Average Note Duration |
0.6445 |
| Variability of Note Durations |
0.3382 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2864 |
| Strength of Second Strongest Rhythmic Pulse |
0.2762 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.037 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5626 |
| Rhythmic Variability |
0.03842 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001172 |
| Duration in Seconds |
93.57 |
| Note Density |
4.446 |
| Note Density Variability |
1.097 |
| Average Time Between Attacks |
0.4293 |
| Average Time Between Attacks for Each Voice |
0.6648 |
| Variability of Time Between Attacks |
0.2187 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.2185 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.4615 |
| Relative Note Durations of Lowest Line |
1.004 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.6514 |
| Voice Separation |
8.5 |
| Variability of Voice Separation |
3.536 |
| Parallel Motion |
0.03448 |
| Average Number of Independent Voices |
2.872 |
| Similar Motion |
0.183 |
| Contrary Motion |
0.252 |
| Oblique Motion |
0.5305 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3486 |
| Voice Equality - Number of Notes |
10.79 |
| Voice Equality - Note Duration |
2.749 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.646 |
| Importance of Loudest Voice |
20.0 |