| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2192 |
| Prevalence of Second Most Common Vertical Interval |
0.1834 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.837 |
| Vertical Unisons |
0.02249 |
| Vertical Minor Seconds |
0.004702 |
| Vertical Thirds |
0.337 |
| Vertical Tritones |
0.01602 |
| Vertical Perfect Fourths |
0.08185 |
| Vertical Perfect Fifths |
0.1802 |
| Vertical Sixths |
0.163 |
| Vertical Sevenths |
0.02292 |
| Vertical Octaves |
0.161 |
| Perfect Vertical Intervals |
0.4455 |
| Vertical Dissonance Ratio |
0.05761 |
| Vertical Minor Third Prevalence |
0.6255 |
| Vertical Major Third Prevalence |
0.4097 |
| Chord Duration |
3.053 |
| Partial Chords |
0.3241 |
| Standard Triads |
0.5072 |
| Diminished and Augmented Triads |
0.04404 |
| Dominant Seventh Chords |
0.0034 |
| Seventh Chords |
0.01747 |
| Non-Standard Chords |
0.1513 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.2 |
| Average Number of Simultaneous Pitch Classes |
2.672 |
| Variability of Number of Simultaneous Pitch Classes |
0.5878 |
| Average Number of Simultaneous Pitches |
3.337 |
| Variability of Number of Simultaneous Pitches |
0.7248 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.52 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
97.96 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1932 |
| Stepwise Motion |
0.6618 |
| Melodic Thirds |
0.1895 |
| Melodic Perfect Fourths |
0.04875 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03717 |
| Melodic Sixths |
0.002438 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006703 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.38 |
| Melodic Embellishments |
0.02126 |
| Direction of Melodic Motion |
0.463 |
| Average Length of Melodic Arcs |
1.988 |
| Average Interval Spanned by Melodic Arcs |
4.946 |
| Melodic Pitch Variety |
5.401 |
| Mean Melodic Interval |
2.361 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4686 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4122 |
| Amount of Arpeggiation |
0.287 |
| Repeated Notes |
0.05363 |
| Importance of Middle Register |
0.7503 |
| Importance of High Register |
0.006683 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.37 |
| Mean Pitch Class |
5.434 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09356 |
| Prevalence of Most Common Pitch Class |
0.1902 |
| Relative Prevalence of Top Pitches |
0.974 |
| Relative Prevalence of Top Pitch Classes |
0.8083 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.442 |
| Pitch Class Variability |
3.582 |
| Pitch Class Variability After Folding |
3.056 |
| Pitch Skewness |
-0.1545 |
| Pitch Class Skewness |
0.3638 |
| Pitch Class Skewness After Folding |
0.3823 |
| Pitch Kurtosis |
5.25 |
| Pitch Class Kurtosis |
4.782 |
| Pitch Class Kurtosis After Folding |
7.334 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.243 |
| Note Density per Quarter Note |
0.7438 |
| Note Density per Quarter Note per Voice |
0.1859 |
| Note Density per Quarter Note Variability |
0.4001 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001215 |
| Prevalence of Medium Rhythmic Values |
0.3001 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.932 |
| Prevalence of Very Long Rhythmic Values |
0.288 |
| Prevalence of Dotted Notes |
0.1312 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.5 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3748 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6191 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.688 |
| Rhythmic Value Skewness |
0.5577 |
| Rhythmic Value Kurtosis |
6.389 |
| Mean Rhythmic Value Run Length |
1.598 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.18 |
| Mean Rhythmic Value Offset |
0.1279 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.173 |
| Complete Rests Fraction |
0.0004838 |
| Partial Rests Fraction |
0.4376 |
| Average Rest Fraction Across Voices |
0.1398 |
| Longest Complete Rest |
1.071 |
| Longest Partial Rest |
118.6 |
| Mean Complete Rest Duration |
1.071 |
| Mean Partial Rest Duration |
10.48 |
| Median Complete Rest Duration |
1.071 |
| Median Partial Rest Duration |
4.318 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
20.65 |
| Variability Across Voices of Combined Rests |
108.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7096 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1407 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.044 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8503 |
| Rhythmic Variability - Tempo Standardized |
0.05776 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1646.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.37 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
7.619 |
| Average Note Duration |
1.021 |
| Variability of Note Durations |
0.7114 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
275.0 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.4184 |
| Strength of Second Strongest Rhythmic Pulse |
0.2563 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.632 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6747 |
| Rhythmic Variability |
0.04254 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.17 |
| Duration in Seconds |
488.1 |
| Note Density |
3.372 |
| Note Density Variability |
1.154 |
| Average Time Between Attacks |
0.5929 |
| Average Time Between Attacks for Each Voice |
1.211 |
| Variability of Time Between Attacks |
0.3313 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.1118 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.1628 |
| Relative Note Durations of Lowest Line |
1.406 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9563 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.05031 |
| Average Number of Independent Voices |
3.434 |
| Similar Motion |
0.1458 |
| Contrary Motion |
0.186 |
| Oblique Motion |
0.6179 |
| Parallel Fifths |
0.007914 |
| Parallel Octaves |
0.002261 |
| Variability of Number of Independent Voices |
0.7011 |
| Voice Equality - Number of Notes |
97.96 |
| Voice Equality - Note Duration |
23.99 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
11.67 |