| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2092 |
| Prevalence of Second Most Common Vertical Interval |
0.2007 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9596 |
| Vertical Unisons |
0.04458 |
| Vertical Minor Seconds |
0.002735 |
| Vertical Thirds |
0.3284 |
| Vertical Tritones |
0.01721 |
| Vertical Perfect Fourths |
0.08207 |
| Vertical Perfect Fifths |
0.1785 |
| Vertical Sixths |
0.1556 |
| Vertical Sevenths |
0.0148 |
| Vertical Octaves |
0.1646 |
| Perfect Vertical Intervals |
0.4698 |
| Vertical Dissonance Ratio |
0.0485 |
| Vertical Minor Third Prevalence |
0.4995 |
| Vertical Major Third Prevalence |
0.3385 |
| Chord Duration |
3.13 |
| Partial Chords |
0.5213 |
| Standard Triads |
0.3736 |
| Diminished and Augmented Triads |
0.0446 |
| Dominant Seventh Chords |
0.0009911 |
| Seventh Chords |
0.008424 |
| Non-Standard Chords |
0.09663 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.173 |
| Average Number of Simultaneous Pitch Classes |
2.404 |
| Variability of Number of Simultaneous Pitch Classes |
0.633 |
| Average Number of Simultaneous Pitches |
2.961 |
| Variability of Number of Simultaneous Pitches |
0.8908 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.609 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
289.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1551 |
| Stepwise Motion |
0.5925 |
| Melodic Thirds |
0.2102 |
| Melodic Perfect Fourths |
0.102 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02993 |
| Melodic Sixths |
0.003401 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008844 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.735 |
| Melodic Embellishments |
0.0251 |
| Direction of Melodic Motion |
0.4749 |
| Average Length of Melodic Arcs |
1.803 |
| Average Interval Spanned by Melodic Arcs |
4.92 |
| Melodic Pitch Variety |
5.341 |
| Mean Melodic Interval |
2.593 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4374 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3546 |
| Amount of Arpeggiation |
0.302 |
| Repeated Notes |
0.05306 |
| Importance of Middle Register |
0.7809 |
| Importance of High Register |
0.004071 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.24 |
| Mean Pitch Class |
5.362 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1269 |
| Prevalence of Most Common Pitch Class |
0.1995 |
| Relative Prevalence of Top Pitches |
0.7487 |
| Relative Prevalence of Top Pitch Classes |
0.8605 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.744 |
| Pitch Class Variability |
3.504 |
| Pitch Class Variability After Folding |
3.138 |
| Pitch Skewness |
-0.1388 |
| Pitch Class Skewness |
0.3102 |
| Pitch Class Skewness After Folding |
0.4371 |
| Pitch Kurtosis |
5.372 |
| Pitch Class Kurtosis |
4.804 |
| Pitch Class Kurtosis After Folding |
7.142 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2151 |
| Note Density per Quarter Note |
0.6821 |
| Note Density per Quarter Note per Voice |
0.1705 |
| Note Density per Quarter Note Variability |
0.3596 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002714 |
| Prevalence of Medium Rhythmic Values |
0.3012 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9342 |
| Prevalence of Very Long Rhythmic Values |
0.2666 |
| Prevalence of Dotted Notes |
0.1248 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.464 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4003 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5881 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.714 |
| Rhythmic Value Skewness |
0.513 |
| Rhythmic Value Kurtosis |
6.696 |
| Mean Rhythmic Value Run Length |
1.565 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.119 |
| Mean Rhythmic Value Offset |
0.09769 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8789 |
| Complete Rests Fraction |
0.003701 |
| Partial Rests Fraction |
0.546 |
| Average Rest Fraction Across Voices |
0.2247 |
| Longest Complete Rest |
7.116 |
| Longest Partial Rest |
237.9 |
| Mean Complete Rest Duration |
3.999 |
| Mean Partial Rest Duration |
18.15 |
| Median Complete Rest Duration |
7.116 |
| Median Partial Rest Duration |
4.405 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
4.408 |
| Variability of Partial Rest Durations |
43.5 |
| Variability Across Voices of Combined Rests |
259.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7124 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1455 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.896 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8579 |
| Rhythmic Variability - Tempo Standardized |
0.05818 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1474.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.289 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.983 |
| Variability of Note Durations |
0.6775 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
280.7 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.4324 |
| Strength of Second Strongest Rhythmic Pulse |
0.2371 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.824 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6695 |
| Rhythmic Variability |
0.04221 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.97 |
| Duration in Seconds |
467.2 |
| Note Density |
3.155 |
| Note Density Variability |
1.04 |
| Average Time Between Attacks |
0.5693 |
| Average Time Between Attacks for Each Voice |
1.347 |
| Variability of Time Between Attacks |
0.3214 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.1297 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.1764 |
| Relative Note Durations of Lowest Line |
1.632 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9457 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.05188 |
| Average Number of Independent Voices |
3.125 |
| Similar Motion |
0.1181 |
| Contrary Motion |
0.1708 |
| Oblique Motion |
0.6592 |
| Parallel Fifths |
0.004789 |
| Parallel Octaves |
0.004789 |
| Variability of Number of Independent Voices |
0.8999 |
| Voice Equality - Number of Notes |
143.0 |
| Voice Equality - Note Duration |
56.16 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.697 |
| Importance of Loudest Voice |
20.0 |