| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2155 |
| Prevalence of Second Most Common Vertical Interval |
0.1986 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9216 |
| Vertical Unisons |
0.03651 |
| Vertical Minor Seconds |
0.001235 |
| Vertical Thirds |
0.3479 |
| Vertical Tritones |
0.01214 |
| Vertical Perfect Fourths |
0.09149 |
| Vertical Perfect Fifths |
0.172 |
| Vertical Sixths |
0.1521 |
| Vertical Sevenths |
0.0152 |
| Vertical Octaves |
0.1621 |
| Perfect Vertical Intervals |
0.4621 |
| Vertical Dissonance Ratio |
0.0394 |
| Vertical Minor Third Prevalence |
0.6283 |
| Vertical Major Third Prevalence |
0.4243 |
| Chord Duration |
2.735 |
| Partial Chords |
0.3659 |
| Standard Triads |
0.5159 |
| Diminished and Augmented Triads |
0.03636 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01818 |
| Non-Standard Chords |
0.1 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.11 |
| Average Number of Simultaneous Pitch Classes |
2.616 |
| Variability of Number of Simultaneous Pitch Classes |
0.621 |
| Average Number of Simultaneous Pitches |
3.221 |
| Variability of Number of Simultaneous Pitches |
0.7789 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.326 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
8.042 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1897 |
| Stepwise Motion |
0.6138 |
| Melodic Thirds |
0.192 |
| Melodic Perfect Fourths |
0.07366 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04018 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004464 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.071 |
| Melodic Embellishments |
0.0354 |
| Direction of Melodic Motion |
0.4976 |
| Average Length of Melodic Arcs |
1.704 |
| Average Interval Spanned by Melodic Arcs |
4.358 |
| Melodic Pitch Variety |
4.783 |
| Mean Melodic Interval |
2.379 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4241 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4474 |
| Amount of Arpeggiation |
0.3125 |
| Repeated Notes |
0.07589 |
| Importance of Middle Register |
0.5575 |
| Importance of High Register |
0.006637 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
54.95 |
| Mean Pitch Class |
5.334 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1217 |
| Prevalence of Most Common Pitch Class |
0.2035 |
| Relative Prevalence of Top Pitches |
0.9091 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.942 |
| Pitch Class Variability |
3.265 |
| Pitch Class Variability After Folding |
3.838 |
| Pitch Skewness |
0.2208 |
| Pitch Class Skewness |
0.3069 |
| Pitch Class Skewness After Folding |
1.62 |
| Pitch Kurtosis |
5.53 |
| Pitch Class Kurtosis |
4.775 |
| Pitch Class Kurtosis After Folding |
5.212 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.4358 |
| Note Density per Quarter Note |
0.9891 |
| Note Density per Quarter Note per Voice |
0.2473 |
| Note Density per Quarter Note Variability |
0.5446 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00885 |
| Prevalence of Medium Rhythmic Values |
0.4535 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9336 |
| Prevalence of Very Long Rhythmic Values |
0.1173 |
| Prevalence of Dotted Notes |
0.09735 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.407 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3872 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9943 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.944 |
| Rhythmic Value Skewness |
-0.9151 |
| Rhythmic Value Kurtosis |
9.77 |
| Mean Rhythmic Value Run Length |
1.693 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.273 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.001973 |
| Partial Rests Fraction |
0.4724 |
| Average Rest Fraction Across Voices |
0.1558 |
| Longest Complete Rest |
0.9015 |
| Longest Partial Rest |
94.54 |
| Mean Complete Rest Duration |
0.9015 |
| Mean Partial Rest Duration |
9.818 |
| Median Complete Rest Duration |
0.9015 |
| Median Partial Rest Duration |
2.251 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
19.72 |
| Variability Across Voices of Combined Rests |
40.29 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7551 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1295 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.829 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8847 |
| Rhythmic Variability - Tempo Standardized |
0.06083 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
452.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.054 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.7223 |
| Variability of Note Durations |
0.4107 |
| Amount of Staccato |
0.004425 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
286.8 |
| Strongest Rhythmic Pulse |
71.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.479 |
| Strength of Strongest Rhythmic Pulse |
0.3257 |
| Strength of Second Strongest Rhythmic Pulse |
0.2811 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.158 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6068 |
| Rhythmic Variability |
0.03945 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.61 |
| Duration in Seconds |
96.67 |
| Note Density |
4.675 |
| Note Density Variability |
1.819 |
| Average Time Between Attacks |
0.4706 |
| Average Time Between Attacks for Each Voice |
0.8206 |
| Variability of Time Between Attacks |
0.2887 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.2079 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.5664 |
| Relative Note Durations of Lowest Line |
0.9777 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8363 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.06972 |
| Average Number of Independent Voices |
3.377 |
| Similar Motion |
0.1656 |
| Contrary Motion |
0.2723 |
| Oblique Motion |
0.4924 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.002179 |
| Variability of Number of Independent Voices |
0.7302 |
| Voice Equality - Number of Notes |
8.042 |
| Voice Equality - Note Duration |
8.523 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.109 |
| Importance of Loudest Voice |
11.67 |