| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.2159 |
| Prevalence of Second Most Common Vertical Interval |
0.1769 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8194 |
| Vertical Unisons |
0.03192 |
| Vertical Minor Seconds |
0.002989 |
| Vertical Thirds |
0.3928 |
| Vertical Tritones |
0.01386 |
| Vertical Perfect Fourths |
0.09539 |
| Vertical Perfect Fifths |
0.1618 |
| Vertical Sixths |
0.1407 |
| Vertical Sevenths |
0.02055 |
| Vertical Octaves |
0.1265 |
| Perfect Vertical Intervals |
0.4156 |
| Vertical Dissonance Ratio |
0.05357 |
| Vertical Minor Third Prevalence |
0.407 |
| Vertical Major Third Prevalence |
0.4875 |
| Chord Duration |
2.543 |
| Partial Chords |
0.4861 |
| Standard Triads |
0.4052 |
| Diminished and Augmented Triads |
0.02087 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1087 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.017 |
| Average Number of Simultaneous Pitch Classes |
2.446 |
| Variability of Number of Simultaneous Pitch Classes |
0.5803 |
| Average Number of Simultaneous Pitches |
2.787 |
| Variability of Number of Simultaneous Pitches |
0.441 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.53 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
9.018 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1935 |
| Stepwise Motion |
0.6421 |
| Melodic Thirds |
0.1452 |
| Melodic Perfect Fourths |
0.06452 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04234 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009073 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.88 |
| Melodic Embellishments |
0.03015 |
| Direction of Melodic Motion |
0.5045 |
| Average Length of Melodic Arcs |
1.915 |
| Average Interval Spanned by Melodic Arcs |
4.865 |
| Melodic Pitch Variety |
4.776 |
| Mean Melodic Interval |
2.304 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4486 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4315 |
| Amount of Arpeggiation |
0.2933 |
| Repeated Notes |
0.09677 |
| Importance of Middle Register |
0.7206 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.08 |
| Mean Pitch Class |
5.09 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1246 |
| Prevalence of Most Common Pitch Class |
0.191 |
| Relative Prevalence of Top Pitches |
0.8871 |
| Relative Prevalence of Top Pitch Classes |
0.8211 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.192 |
| Pitch Class Variability |
3.603 |
| Pitch Class Variability After Folding |
3.129 |
| Pitch Skewness |
0.4548 |
| Pitch Class Skewness |
0.07531 |
| Pitch Class Skewness After Folding |
0.2062 |
| Pitch Kurtosis |
5.484 |
| Pitch Class Kurtosis |
4.843 |
| Pitch Class Kurtosis After Folding |
7.326 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2794 |
| Note Density per Quarter Note |
0.8149 |
| Note Density per Quarter Note per Voice |
0.2716 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00402 |
| Prevalence of Medium Rhythmic Values |
0.4372 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9085 |
| Prevalence of Very Long Rhythmic Values |
0.1367 |
| Prevalence of Dotted Notes |
0.1226 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.471 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3789 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9125 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.044 |
| Rhythmic Value Skewness |
-0.7759 |
| Rhythmic Value Kurtosis |
9.542 |
| Mean Rhythmic Value Run Length |
1.438 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8475 |
| Mean Rhythmic Value Offset |
0.00804 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1792 |
| Complete Rests Fraction |
0.01392 |
| Partial Rests Fraction |
0.1302 |
| Average Rest Fraction Across Voices |
0.05487 |
| Longest Complete Rest |
8.0 |
| Longest Partial Rest |
12.0 |
| Mean Complete Rest Duration |
5.664 |
| Mean Partial Rest Duration |
4.187 |
| Median Complete Rest Duration |
8.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
4.046 |
| Variability of Partial Rest Durations |
2.499 |
| Variability Across Voices of Combined Rests |
16.37 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6997 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1537 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.551 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8534 |
| Rhythmic Variability - Tempo Standardized |
0.05745 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
995.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5824 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
3.81 |
| Average Note Duration |
0.8284 |
| Variability of Note Durations |
0.4964 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3397 |
| Strength of Second Strongest Rhythmic Pulse |
0.2981 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.14 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6378 |
| Rhythmic Variability |
0.04089 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000005365 |
| Duration in Seconds |
290.7 |
| Note Density |
3.423 |
| Note Density Variability |
1.141 |
| Average Time Between Attacks |
0.5923 |
| Average Time Between Attacks for Each Voice |
0.8683 |
| Variability of Time Between Attacks |
0.3978 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.176 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.1899 |
| Relative Note Durations of Lowest Line |
1.019 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.9357 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
4.243 |
| Parallel Motion |
0.04801 |
| Average Number of Independent Voices |
2.875 |
| Similar Motion |
0.1803 |
| Contrary Motion |
0.2681 |
| Oblique Motion |
0.5035 |
| Parallel Fifths |
0.002342 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3498 |
| Voice Equality - Number of Notes |
9.018 |
| Voice Equality - Note Duration |
3.898 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.887 |
| Importance of Loudest Voice |
12.5 |