| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1999 |
| Prevalence of Second Most Common Vertical Interval |
0.1953 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9768 |
| Vertical Unisons |
0.03204 |
| Vertical Minor Seconds |
0.006162 |
| Vertical Thirds |
0.3079 |
| Vertical Tritones |
0.01904 |
| Vertical Perfect Fourths |
0.07905 |
| Vertical Perfect Fifths |
0.1885 |
| Vertical Sixths |
0.1802 |
| Vertical Sevenths |
0.01596 |
| Vertical Octaves |
0.1632 |
| Perfect Vertical Intervals |
0.4628 |
| Vertical Dissonance Ratio |
0.05159 |
| Vertical Minor Third Prevalence |
0.5237 |
| Vertical Major Third Prevalence |
0.3006 |
| Chord Duration |
2.505 |
| Partial Chords |
0.4628 |
| Standard Triads |
0.3885 |
| Diminished and Augmented Triads |
0.06419 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01182 |
| Non-Standard Chords |
0.1368 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.966 |
| Average Number of Simultaneous Pitch Classes |
2.464 |
| Variability of Number of Simultaneous Pitch Classes |
0.6502 |
| Average Number of Simultaneous Pitches |
2.981 |
| Variability of Number of Simultaneous Pitches |
0.7914 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.605 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
31.85 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2319 |
| Stepwise Motion |
0.6667 |
| Melodic Thirds |
0.1848 |
| Melodic Perfect Fourths |
0.05797 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02536 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.684 |
| Melodic Embellishments |
0.03214 |
| Direction of Melodic Motion |
0.469 |
| Average Length of Melodic Arcs |
1.94 |
| Average Interval Spanned by Melodic Arcs |
4.459 |
| Melodic Pitch Variety |
4.518 |
| Mean Melodic Interval |
2.192 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4348 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5333 |
| Amount of Arpeggiation |
0.2754 |
| Repeated Notes |
0.06522 |
| Importance of Middle Register |
0.7357 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.69 |
| Mean Pitch Class |
5.725 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1071 |
| Prevalence of Most Common Pitch Class |
0.2071 |
| Relative Prevalence of Top Pitches |
0.9667 |
| Relative Prevalence of Top Pitch Classes |
0.8966 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.024 |
| Pitch Class Variability |
3.157 |
| Pitch Class Variability After Folding |
4.052 |
| Pitch Skewness |
0.151 |
| Pitch Class Skewness |
-0.2614 |
| Pitch Class Skewness After Folding |
1.208 |
| Pitch Kurtosis |
5.615 |
| Pitch Class Kurtosis |
4.901 |
| Pitch Class Kurtosis After Folding |
4.72 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.2643 |
| Note Density per Quarter Note |
0.8833 |
| Note Density per Quarter Note per Voice |
0.2208 |
| Note Density per Quarter Note Variability |
0.5765 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01429 |
| Prevalence of Medium Rhythmic Values |
0.5214 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.825 |
| Prevalence of Very Long Rhythmic Values |
0.1643 |
| Prevalence of Dotted Notes |
0.15 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.421 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3464 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6907 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.577 |
| Rhythmic Value Skewness |
1.655 |
| Rhythmic Value Kurtosis |
8.666 |
| Mean Rhythmic Value Run Length |
1.393 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8543 |
| Mean Rhythmic Value Offset |
0.07143 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.791 |
| Complete Rests Fraction |
0.00341 |
| Partial Rests Fraction |
0.6329 |
| Average Rest Fraction Across Voices |
0.2288 |
| Longest Complete Rest |
1.081 |
| Longest Partial Rest |
77.47 |
| Mean Complete Rest Duration |
1.081 |
| Mean Partial Rest Duration |
17.06 |
| Median Complete Rest Duration |
1.081 |
| Median Partial Rest Duration |
2.18 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
24.4 |
| Variability Across Voices of Combined Rests |
90.22 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.507 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2502 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.026 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7572 |
| Rhythmic Variability - Tempo Standardized |
0.04766 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
280.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.774 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
4.615 |
| Average Note Duration |
0.763 |
| Variability of Note Durations |
0.5942 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
277.7 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2669 |
| Strength of Second Strongest Rhythmic Pulse |
0.2321 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.15 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.499 |
| Rhythmic Variability |
0.03404 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
29.7 |
| Duration in Seconds |
69.25 |
| Note Density |
4.043 |
| Note Density Variability |
1.702 |
| Average Time Between Attacks |
0.4774 |
| Average Time Between Attacks for Each Voice |
1.144 |
| Variability of Time Between Attacks |
0.3491 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.4742 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.9286 |
| Relative Note Durations of Lowest Line |
1.223 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.7893 |
| Voice Separation |
6.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.05047 |
| Average Number of Independent Voices |
3.095 |
| Similar Motion |
0.1356 |
| Contrary Motion |
0.2429 |
| Oblique Motion |
0.571 |
| Parallel Fifths |
0.006309 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8018 |
| Voice Equality - Number of Notes |
31.85 |
| Voice Equality - Note Duration |
19.71 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
3.862 |
| Importance of Loudest Voice |
11.67 |