| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1892 |
| Prevalence of Second Most Common Vertical Interval |
0.1884 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9953 |
| Vertical Unisons |
0.04037 |
| Vertical Minor Seconds |
0.004138 |
| Vertical Thirds |
0.3404 |
| Vertical Tritones |
0.01169 |
| Vertical Perfect Fourths |
0.0993 |
| Vertical Perfect Fifths |
0.1892 |
| Vertical Sixths |
0.1385 |
| Vertical Sevenths |
0.01588 |
| Vertical Octaves |
0.148 |
| Perfect Vertical Intervals |
0.4769 |
| Vertical Dissonance Ratio |
0.04619 |
| Vertical Minor Third Prevalence |
0.6003 |
| Vertical Major Third Prevalence |
0.5117 |
| Chord Duration |
2.626 |
| Partial Chords |
0.3068 |
| Standard Triads |
0.5558 |
| Diminished and Augmented Triads |
0.03187 |
| Dominant Seventh Chords |
0.002628 |
| Seventh Chords |
0.01577 |
| Non-Standard Chords |
0.1216 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.503 |
| Average Number of Simultaneous Pitch Classes |
2.71 |
| Variability of Number of Simultaneous Pitch Classes |
0.5377 |
| Average Number of Simultaneous Pitches |
3.318 |
| Variability of Number of Simultaneous Pitches |
0.666 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.546 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
54.21 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1776 |
| Stepwise Motion |
0.5915 |
| Melodic Thirds |
0.171 |
| Melodic Perfect Fourths |
0.05655 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04059 |
| Melodic Sixths |
0.004657 |
| Melodic Sevenths |
0.0006653 |
| Melodic Octaves |
0.01131 |
| Melodic Large Intervals |
0.0006653 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.856 |
| Melodic Embellishments |
0.02123 |
| Direction of Melodic Motion |
0.4788 |
| Average Length of Melodic Arcs |
1.933 |
| Average Interval Spanned by Melodic Arcs |
5.119 |
| Melodic Pitch Variety |
5.128 |
| Mean Melodic Interval |
2.335 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4138 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4293 |
| Amount of Arpeggiation |
0.3466 |
| Repeated Notes |
0.1231 |
| Importance of Middle Register |
0.7007 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.6 |
| Mean Pitch Class |
5.445 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1194 |
| Prevalence of Most Common Pitch Class |
0.1958 |
| Relative Prevalence of Top Pitches |
0.8444 |
| Relative Prevalence of Top Pitch Classes |
0.7695 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.561 |
| Pitch Class Variability |
3.543 |
| Pitch Class Variability After Folding |
3.257 |
| Pitch Skewness |
0.3769 |
| Pitch Class Skewness |
0.3764 |
| Pitch Class Skewness After Folding |
0.4805 |
| Pitch Kurtosis |
5.457 |
| Pitch Class Kurtosis |
4.816 |
| Pitch Class Kurtosis After Folding |
6.765 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.2993 |
| Note Density per Quarter Note |
0.9805 |
| Note Density per Quarter Note per Voice |
0.2451 |
| Note Density per Quarter Note Variability |
0.4739 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003981 |
| Prevalence of Medium Rhythmic Values |
0.4326 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8693 |
| Prevalence of Very Long Rhythmic Values |
0.1473 |
| Prevalence of Dotted Notes |
0.1055 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.529 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3703 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8154 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.21 |
| Rhythmic Value Skewness |
-0.6395 |
| Rhythmic Value Kurtosis |
8.385 |
| Mean Rhythmic Value Run Length |
1.568 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9756 |
| Mean Rhythmic Value Offset |
0.03716 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5633 |
| Complete Rests Fraction |
0.0005785 |
| Partial Rests Fraction |
0.4597 |
| Average Rest Fraction Across Voices |
0.1256 |
| Longest Complete Rest |
0.8892 |
| Longest Partial Rest |
71.05 |
| Mean Complete Rest Duration |
0.8892 |
| Mean Partial Rest Duration |
7.284 |
| Median Complete Rest Duration |
0.8892 |
| Median Partial Rest Duration |
4.441 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.855 |
| Variability Across Voices of Combined Rests |
107.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5961 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2049 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.909 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.801 |
| Rhythmic Variability - Tempo Standardized |
0.05167 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1507.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.902 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.7651 |
| Variability of Note Durations |
0.5251 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
283.0 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3172 |
| Strength of Second Strongest Rhythmic Pulse |
0.2454 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.293 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5626 |
| Rhythmic Variability |
0.03678 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.98 |
| Duration in Seconds |
329.6 |
| Note Density |
4.572 |
| Note Density Variability |
1.44 |
| Average Time Between Attacks |
0.4626 |
| Average Time Between Attacks for Each Voice |
0.8867 |
| Variability of Time Between Attacks |
0.2827 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.4487 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.1725 |
| Relative Note Durations of Lowest Line |
1.12 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8381 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.0 |
| Parallel Motion |
0.06958 |
| Average Number of Independent Voices |
3.499 |
| Similar Motion |
0.1643 |
| Contrary Motion |
0.1808 |
| Oblique Motion |
0.5854 |
| Parallel Fifths |
0.007174 |
| Parallel Octaves |
0.002152 |
| Variability of Number of Independent Voices |
0.5774 |
| Voice Equality - Number of Notes |
54.21 |
| Voice Equality - Note Duration |
23.09 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.559 |
| Importance of Loudest Voice |
11.67 |