| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2063 |
| Prevalence of Second Most Common Vertical Interval |
0.1633 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7915 |
| Vertical Unisons |
0.03228 |
| Vertical Minor Seconds |
0.004965 |
| Vertical Thirds |
0.3157 |
| Vertical Tritones |
0.01335 |
| Vertical Perfect Fourths |
0.07121 |
| Vertical Perfect Fifths |
0.1617 |
| Vertical Sixths |
0.1875 |
| Vertical Sevenths |
0.02104 |
| Vertical Octaves |
0.174 |
| Perfect Vertical Intervals |
0.4392 |
| Vertical Dissonance Ratio |
0.06114 |
| Vertical Minor Third Prevalence |
0.4387 |
| Vertical Major Third Prevalence |
0.4575 |
| Chord Duration |
2.857 |
| Partial Chords |
0.415 |
| Standard Triads |
0.4102 |
| Diminished and Augmented Triads |
0.03641 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.03155 |
| Non-Standard Chords |
0.1432 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9882 |
| Average Number of Simultaneous Pitch Classes |
2.606 |
| Variability of Number of Simultaneous Pitch Classes |
0.6538 |
| Average Number of Simultaneous Pitches |
3.278 |
| Variability of Number of Simultaneous Pitches |
0.7604 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.346 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
11.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2331 |
| Stepwise Motion |
0.681 |
| Melodic Thirds |
0.1227 |
| Melodic Perfect Fourths |
0.09202 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03374 |
| Melodic Sixths |
0.003067 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.667 |
| Melodic Embellishments |
0.009091 |
| Direction of Melodic Motion |
0.477 |
| Average Length of Melodic Arcs |
2.054 |
| Average Interval Spanned by Melodic Arcs |
4.845 |
| Melodic Pitch Variety |
4.91 |
| Mean Melodic Interval |
2.264 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4479 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5205 |
| Amount of Arpeggiation |
0.2239 |
| Repeated Notes |
0.06748 |
| Importance of Middle Register |
0.5273 |
| Importance of High Register |
0.1818 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.94 |
| Mean Pitch Class |
5.439 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09394 |
| Prevalence of Most Common Pitch Class |
0.1879 |
| Relative Prevalence of Top Pitches |
0.7742 |
| Relative Prevalence of Top Pitch Classes |
0.8548 |
| Interval Between Most Prevalent Pitches |
19.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
10.47 |
| Pitch Class Variability |
3.537 |
| Pitch Class Variability After Folding |
3.357 |
| Pitch Skewness |
-0.749 |
| Pitch Class Skewness |
0.3727 |
| Pitch Class Skewness After Folding |
0.6038 |
| Pitch Kurtosis |
4.739 |
| Pitch Class Kurtosis |
4.797 |
| Pitch Class Kurtosis After Folding |
6.382 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2909 |
| Note Density per Quarter Note |
0.7765 |
| Note Density per Quarter Note per Voice |
0.1941 |
| Note Density per Quarter Note Variability |
0.4065 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.303 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8879 |
| Prevalence of Very Long Rhythmic Values |
0.2939 |
| Prevalence of Dotted Notes |
0.1333 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.339 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3818 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.516 |
| Rhythmic Value Skewness |
0.4047 |
| Rhythmic Value Kurtosis |
6.245 |
| Mean Rhythmic Value Run Length |
1.65 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9912 |
| Mean Rhythmic Value Offset |
0.04848 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4384 |
| Complete Rests Fraction |
0.002333 |
| Partial Rests Fraction |
0.4729 |
| Average Rest Fraction Across Voices |
0.1482 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
56.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
10.96 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.19 |
| Variability Across Voices of Combined Rests |
44.57 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6634 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1806 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.672 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.844 |
| Rhythmic Variability - Tempo Standardized |
0.05539 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
330.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.015 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.8438 |
| Variability of Note Durations |
0.5184 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3923 |
| Strength of Second Strongest Rhythmic Pulse |
0.2459 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.595 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6381 |
| Rhythmic Variability |
0.04015 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003855 |
| Duration in Seconds |
81.73 |
| Note Density |
4.038 |
| Note Density Variability |
1.533 |
| Average Time Between Attacks |
0.5213 |
| Average Time Between Attacks for Each Voice |
0.9837 |
| Variability of Time Between Attacks |
0.3193 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3333 |
| Relative Range Isolation of Loudest Voice |
0.3913 |
| Relative Range of Highest Line |
0.3333 |
| Relative Note Density of Highest Line |
0.8848 |
| Relative Note Durations of Lowest Line |
1.015 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.7576 |
| Voice Separation |
8.333 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.05495 |
| Average Number of Independent Voices |
3.415 |
| Similar Motion |
0.1566 |
| Contrary Motion |
0.2033 |
| Oblique Motion |
0.5852 |
| Parallel Fifths |
0.002747 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.685 |
| Voice Equality - Number of Notes |
11.9 |
| Voice Equality - Note Duration |
8.572 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
11.67 |