| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2228 |
| Prevalence of Second Most Common Vertical Interval |
0.1934 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8684 |
| Vertical Unisons |
0.06547 |
| Vertical Minor Seconds |
0.002077 |
| Vertical Thirds |
0.2918 |
| Vertical Tritones |
0.01358 |
| Vertical Perfect Fourths |
0.1111 |
| Vertical Perfect Fifths |
0.1934 |
| Vertical Sixths |
0.1255 |
| Vertical Sevenths |
0.01715 |
| Vertical Octaves |
0.1573 |
| Perfect Vertical Intervals |
0.5273 |
| Vertical Dissonance Ratio |
0.05862 |
| Vertical Minor Third Prevalence |
0.6167 |
| Vertical Major Third Prevalence |
0.5792 |
| Chord Duration |
1.948 |
| Partial Chords |
0.2346 |
| Standard Triads |
0.5632 |
| Diminished and Augmented Triads |
0.02949 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01404 |
| Non-Standard Chords |
0.1882 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.278 |
| Average Number of Simultaneous Pitch Classes |
2.817 |
| Variability of Number of Simultaneous Pitch Classes |
0.56 |
| Average Number of Simultaneous Pitches |
3.638 |
| Variability of Number of Simultaneous Pitches |
0.6774 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.821 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
142.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.181 |
| Stepwise Motion |
0.5857 |
| Melodic Thirds |
0.1976 |
| Melodic Perfect Fourths |
0.05952 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04286 |
| Melodic Sixths |
0.002381 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009524 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.964 |
| Melodic Embellishments |
0.04471 |
| Direction of Melodic Motion |
0.4828 |
| Average Length of Melodic Arcs |
1.923 |
| Average Interval Spanned by Melodic Arcs |
4.98 |
| Melodic Pitch Variety |
5.085 |
| Mean Melodic Interval |
2.383 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4048 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4471 |
| Amount of Arpeggiation |
0.3524 |
| Repeated Notes |
0.1024 |
| Importance of Middle Register |
0.68 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.58 |
| Mean Pitch Class |
4.984 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1271 |
| Prevalence of Most Common Pitch Class |
0.2071 |
| Relative Prevalence of Top Pitches |
0.9074 |
| Relative Prevalence of Top Pitch Classes |
0.8295 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
5.711 |
| Pitch Class Variability |
3.398 |
| Pitch Class Variability After Folding |
3.439 |
| Pitch Skewness |
0.08528 |
| Pitch Class Skewness |
-0.01454 |
| Pitch Class Skewness After Folding |
0.6465 |
| Pitch Kurtosis |
5.481 |
| Pitch Class Kurtosis |
4.9 |
| Pitch Class Kurtosis After Folding |
6.329 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.32 |
| Note Density per Quarter Note |
1.177 |
| Note Density per Quarter Note per Voice |
0.2355 |
| Note Density per Quarter Note Variability |
0.4189 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02588 |
| Prevalence of Medium Rhythmic Values |
0.4376 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8235 |
| Prevalence of Very Long Rhythmic Values |
0.1247 |
| Prevalence of Dotted Notes |
0.1224 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.374 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3576 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7303 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.217 |
| Rhythmic Value Skewness |
0.5063 |
| Rhythmic Value Kurtosis |
8.856 |
| Mean Rhythmic Value Run Length |
1.441 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.015 |
| Mean Rhythmic Value Offset |
0.05647 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8222 |
| Complete Rests Fraction |
0.002747 |
| Partial Rests Fraction |
0.7784 |
| Average Rest Fraction Across Voices |
0.1922 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
60.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
8.069 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.87 |
| Variability Across Voices of Combined Rests |
57.87 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5349 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2443 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.19 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7791 |
| Rhythmic Variability - Tempo Standardized |
0.04886 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
425.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9688 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.8168 |
| Variability of Note Durations |
0.6101 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3181 |
| Strength of Second Strongest Rhythmic Pulse |
0.2555 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.245 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5736 |
| Rhythmic Variability |
0.03744 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.00000000006239 |
| Duration in Seconds |
85.95 |
| Note Density |
4.945 |
| Note Density Variability |
1.82 |
| Average Time Between Attacks |
0.4049 |
| Average Time Between Attacks for Each Voice |
1.107 |
| Variability of Time Between Attacks |
0.2006 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.1875 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.7412 |
| Relative Note Durations of Lowest Line |
1.054 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9176 |
| Voice Separation |
3.25 |
| Variability of Voice Separation |
2.363 |
| Parallel Motion |
0.04494 |
| Average Number of Independent Voices |
4.05 |
| Similar Motion |
0.09888 |
| Contrary Motion |
0.1483 |
| Oblique Motion |
0.7079 |
| Parallel Fifths |
0.01573 |
| Parallel Octaves |
0.004494 |
| Variability of Number of Independent Voices |
0.6772 |
| Voice Equality - Number of Notes |
40.12 |
| Voice Equality - Note Duration |
13.78 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.7071 |
| Voice Equality - Range |
4.359 |
| Importance of Loudest Voice |
20.0 |