| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.186 |
| Prevalence of Second Most Common Vertical Interval |
0.174 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9356 |
| Vertical Unisons |
0.03861 |
| Vertical Minor Seconds |
0.007841 |
| Vertical Thirds |
0.36 |
| Vertical Tritones |
0.02558 |
| Vertical Perfect Fourths |
0.1077 |
| Vertical Perfect Fifths |
0.1572 |
| Vertical Sixths |
0.1441 |
| Vertical Sevenths |
0.01929 |
| Vertical Octaves |
0.1251 |
| Perfect Vertical Intervals |
0.4285 |
| Vertical Dissonance Ratio |
0.07228 |
| Vertical Minor Third Prevalence |
0.3974 |
| Vertical Major Third Prevalence |
0.3321 |
| Chord Duration |
4.762 |
| Partial Chords |
0.5974 |
| Standard Triads |
0.2922 |
| Diminished and Augmented Triads |
0.04329 |
| Dominant Seventh Chords |
0.002886 |
| Seventh Chords |
0.005772 |
| Non-Standard Chords |
0.1046 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.025 |
| Average Number of Simultaneous Pitch Classes |
2.251 |
| Variability of Number of Simultaneous Pitch Classes |
0.6492 |
| Average Number of Simultaneous Pitches |
2.554 |
| Variability of Number of Simultaneous Pitches |
0.8139 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.764 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
160.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2289 |
| Stepwise Motion |
0.6592 |
| Melodic Thirds |
0.1687 |
| Melodic Perfect Fourths |
0.04647 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03442 |
| Melodic Sixths |
0.001721 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02582 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.8 |
| Melodic Embellishments |
0.03242 |
| Direction of Melodic Motion |
0.4798 |
| Average Length of Melodic Arcs |
1.832 |
| Average Interval Spanned by Melodic Arcs |
4.751 |
| Melodic Pitch Variety |
4.885 |
| Mean Melodic Interval |
2.453 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4303 |
| Relative Prevalence of Most Common Melodic Intervals |
0.532 |
| Amount of Arpeggiation |
0.2926 |
| Repeated Notes |
0.06368 |
| Importance of Middle Register |
0.8549 |
| Importance of High Register |
0.005119 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
61.58 |
| Mean Pitch Class |
5.355 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1399 |
| Prevalence of Most Common Pitch Class |
0.198 |
| Relative Prevalence of Top Pitches |
0.939 |
| Relative Prevalence of Top Pitch Classes |
0.9138 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.224 |
| Pitch Class Variability |
3.193 |
| Pitch Class Variability After Folding |
4.114 |
| Pitch Skewness |
-0.9459 |
| Pitch Class Skewness |
0.3335 |
| Pitch Class Skewness After Folding |
1.015 |
| Pitch Kurtosis |
5.55 |
| Pitch Class Kurtosis |
5.022 |
| Pitch Class Kurtosis After Folding |
4.862 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.1399 |
| Note Density per Quarter Note |
0.3754 |
| Note Density per Quarter Note per Voice |
0.07508 |
| Note Density per Quarter Note Variability |
0.1925 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.09556 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9642 |
| Prevalence of Very Long Rhythmic Values |
0.5836 |
| Prevalence of Dotted Notes |
0.1843 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
6.416 |
| Most Common Rhythmic Value |
8.0 |
| Prevalence of Most Common Rhythmic Value |
0.401 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7957 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.94 |
| Rhythmic Value Skewness |
-1.616 |
| Rhythmic Value Kurtosis |
5.409 |
| Mean Rhythmic Value Run Length |
1.484 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9298 |
| Mean Rhythmic Value Offset |
0.6075 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.735 |
| Complete Rests Fraction |
0.0006353 |
| Partial Rests Fraction |
1.0 |
| Average Rest Fraction Across Voices |
0.4726 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
1368.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
97.08 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
227.3 |
| Variability Across Voices of Combined Rests |
486.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7545 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2295 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.288 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.984 |
| Rhythmic Variability - Tempo Standardized |
0.06205 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
586.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.67 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
9.231 |
| Average Note Duration |
1.351 |
| Variability of Note Durations |
0.9207 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.6479 |
| Strength of Second Strongest Rhythmic Pulse |
0.1728 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.749 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8207 |
| Rhythmic Variability |
0.05373 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.000000000845 |
| Duration in Seconds |
300.2 |
| Note Density |
1.952 |
| Note Density Variability |
0.6411 |
| Average Time Between Attacks |
0.892 |
| Average Time Between Attacks for Each Voice |
2.092 |
| Variability of Time Between Attacks |
0.5343 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.5631 |
| Relative Note Durations of Lowest Line |
1.575 |
| Relative Size of Melodic Intervals in Lowest Line |
0.4167 |
| Voice Overlap |
1.0 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
3.367 |
| Parallel Motion |
0.07438 |
| Average Number of Independent Voices |
2.638 |
| Similar Motion |
0.188 |
| Contrary Motion |
0.1446 |
| Oblique Motion |
0.593 |
| Parallel Fifths |
0.0124 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7162 |
| Voice Equality - Number of Notes |
69.41 |
| Voice Equality - Note Duration |
93.58 |
| Voice Equality - Dynamics |
10.25 |
| Voice Equality - Melodic Leaps |
1.14 |
| Voice Equality - Range |
2.168 |
| Importance of Loudest Voice |
11.25 |