| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2231 |
| Prevalence of Second Most Common Vertical Interval |
0.2159 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9676 |
| Vertical Unisons |
0.02078 |
| Vertical Minor Seconds |
0.001983 |
| Vertical Thirds |
0.3958 |
| Vertical Tritones |
0.00505 |
| Vertical Perfect Fourths |
0.05401 |
| Vertical Perfect Fifths |
0.2159 |
| Vertical Sixths |
0.1281 |
| Vertical Sevenths |
0.01199 |
| Vertical Octaves |
0.1546 |
| Perfect Vertical Intervals |
0.4452 |
| Vertical Dissonance Ratio |
0.03181 |
| Vertical Minor Third Prevalence |
0.4215 |
| Vertical Major Third Prevalence |
0.5186 |
| Chord Duration |
2.418 |
| Partial Chords |
0.5195 |
| Standard Triads |
0.4192 |
| Diminished and Augmented Triads |
0.01114 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.06128 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.627 |
| Average Number of Simultaneous Pitch Classes |
2.414 |
| Variability of Number of Simultaneous Pitch Classes |
0.577 |
| Average Number of Simultaneous Pitches |
2.83 |
| Variability of Number of Simultaneous Pitches |
0.3758 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.11 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
16.82 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.18 |
| Stepwise Motion |
0.5867 |
| Melodic Thirds |
0.19 |
| Melodic Perfect Fourths |
0.05333 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07 |
| Melodic Sixths |
0.006667 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.03 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.714 |
| Melodic Embellishments |
0.0429 |
| Direction of Melodic Motion |
0.4306 |
| Average Length of Melodic Arcs |
1.861 |
| Average Interval Spanned by Melodic Arcs |
5.55 |
| Melodic Pitch Variety |
5.441 |
| Mean Melodic Interval |
2.81 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4067 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4426 |
| Amount of Arpeggiation |
0.3533 |
| Repeated Notes |
0.06333 |
| Importance of Middle Register |
0.7591 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.95 |
| Mean Pitch Class |
5.152 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1089 |
| Prevalence of Most Common Pitch Class |
0.2013 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.7869 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.443 |
| Pitch Class Variability |
3.414 |
| Pitch Class Variability After Folding |
4.352 |
| Pitch Skewness |
-0.2013 |
| Pitch Class Skewness |
0.1334 |
| Pitch Class Skewness After Folding |
1.333 |
| Pitch Kurtosis |
5.161 |
| Pitch Class Kurtosis |
4.782 |
| Pitch Class Kurtosis After Folding |
4.456 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.2409 |
| Note Density per Quarter Note |
0.787 |
| Note Density per Quarter Note per Voice |
0.2623 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0297 |
| Prevalence of Medium Rhythmic Values |
0.462 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8218 |
| Prevalence of Very Long Rhythmic Values |
0.165 |
| Prevalence of Dotted Notes |
0.1617 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.518 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3003 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9451 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.545 |
| Rhythmic Value Skewness |
0.6108 |
| Rhythmic Value Kurtosis |
8.68 |
| Mean Rhythmic Value Run Length |
1.377 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.6881 |
| Mean Rhythmic Value Offset |
0.06601 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7605 |
| Complete Rests Fraction |
0.02336 |
| Partial Rests Fraction |
0.1324 |
| Average Rest Fraction Across Voices |
0.05972 |
| Longest Complete Rest |
8.0 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
4.496 |
| Mean Partial Rest Duration |
3.449 |
| Median Complete Rest Duration |
8.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
4.956 |
| Variability of Partial Rest Durations |
2.26 |
| Variability Across Voices of Combined Rests |
8.718 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5476 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.23 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.381 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7775 |
| Rhythmic Variability - Tempo Standardized |
0.04911 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
303.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6875 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.8534 |
| Variability of Note Durations |
0.6809 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2926 |
| Strength of Second Strongest Rhythmic Pulse |
0.2745 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.066 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5671 |
| Rhythmic Variability |
0.03748 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001044 |
| Duration in Seconds |
91.66 |
| Note Density |
3.306 |
| Note Density Variability |
1.085 |
| Average Time Between Attacks |
0.5265 |
| Average Time Between Attacks for Each Voice |
0.8829 |
| Variability of Time Between Attacks |
0.3994 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5385 |
| Relative Range Isolation of Loudest Voice |
0.4825 |
| Relative Range of Highest Line |
0.5385 |
| Relative Note Density of Highest Line |
0.6436 |
| Relative Note Durations of Lowest Line |
0.9366 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.8185 |
| Voice Separation |
5.5 |
| Variability of Voice Separation |
3.536 |
| Parallel Motion |
0.0318 |
| Average Number of Independent Voices |
2.888 |
| Similar Motion |
0.1484 |
| Contrary Motion |
0.2297 |
| Oblique Motion |
0.5901 |
| Parallel Fifths |
0.007067 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.315 |
| Voice Equality - Number of Notes |
16.82 |
| Voice Equality - Note Duration |
2.076 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.887 |
| Importance of Loudest Voice |
12.5 |