| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2121 |
| Prevalence of Second Most Common Vertical Interval |
0.2007 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9459 |
| Vertical Unisons |
0.04541 |
| Vertical Minor Seconds |
0.001611 |
| Vertical Thirds |
0.3257 |
| Vertical Tritones |
0.01751 |
| Vertical Perfect Fourths |
0.08186 |
| Vertical Perfect Fifths |
0.1737 |
| Vertical Sixths |
0.1582 |
| Vertical Sevenths |
0.01361 |
| Vertical Octaves |
0.1667 |
| Perfect Vertical Intervals |
0.4677 |
| Vertical Dissonance Ratio |
0.05089 |
| Vertical Minor Third Prevalence |
0.4938 |
| Vertical Major Third Prevalence |
0.3341 |
| Chord Duration |
3.15 |
| Partial Chords |
0.5276 |
| Standard Triads |
0.3603 |
| Diminished and Augmented Triads |
0.04465 |
| Dominant Seventh Chords |
0.001786 |
| Seventh Chords |
0.005805 |
| Non-Standard Chords |
0.1063 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.135 |
| Average Number of Simultaneous Pitch Classes |
2.374 |
| Variability of Number of Simultaneous Pitch Classes |
0.654 |
| Average Number of Simultaneous Pitches |
2.935 |
| Variability of Number of Simultaneous Pitches |
0.9018 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.47 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
380.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1507 |
| Stepwise Motion |
0.602 |
| Melodic Thirds |
0.2155 |
| Melodic Perfect Fourths |
0.08043 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03241 |
| Melodic Sixths |
0.002401 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009004 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.872 |
| Melodic Embellishments |
0.03293 |
| Direction of Melodic Motion |
0.4888 |
| Average Length of Melodic Arcs |
1.842 |
| Average Interval Spanned by Melodic Arcs |
4.935 |
| Melodic Pitch Variety |
5.401 |
| Mean Melodic Interval |
2.533 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4514 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3338 |
| Amount of Arpeggiation |
0.3151 |
| Repeated Notes |
0.05822 |
| Importance of Middle Register |
0.7946 |
| Importance of High Register |
0.003593 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.24 |
| Mean Pitch Class |
5.345 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1293 |
| Prevalence of Most Common Pitch Class |
0.1982 |
| Relative Prevalence of Top Pitches |
0.7685 |
| Relative Prevalence of Top Pitch Classes |
0.8459 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.384 |
| Pitch Class Variability |
3.549 |
| Pitch Class Variability After Folding |
3.094 |
| Pitch Skewness |
-0.1964 |
| Pitch Class Skewness |
0.2916 |
| Pitch Class Skewness After Folding |
0.4273 |
| Pitch Kurtosis |
5.538 |
| Pitch Class Kurtosis |
4.79 |
| Pitch Class Kurtosis After Folding |
7.253 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2018 |
| Note Density per Quarter Note |
0.683 |
| Note Density per Quarter Note per Voice |
0.1708 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003593 |
| Prevalence of Medium Rhythmic Values |
0.324 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9299 |
| Prevalence of Very Long Rhythmic Values |
0.2611 |
| Prevalence of Dotted Notes |
0.1287 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.382 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3766 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6741 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.723 |
| Rhythmic Value Skewness |
0.4209 |
| Rhythmic Value Kurtosis |
6.709 |
| Mean Rhythmic Value Run Length |
1.503 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9613 |
| Mean Rhythmic Value Offset |
0.1317 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.212 |
| Complete Rests Fraction |
0.005822 |
| Partial Rests Fraction |
0.5622 |
| Average Rest Fraction Across Voices |
0.2272 |
| Longest Complete Rest |
13.34 |
| Longest Partial Rest |
344.9 |
| Mean Complete Rest Duration |
7.118 |
| Mean Partial Rest Duration |
20.39 |
| Median Complete Rest Duration |
13.34 |
| Median Partial Rest Duration |
4.448 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
8.806 |
| Variability of Partial Rest Durations |
57.36 |
| Variability Across Voices of Combined Rests |
355.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6879 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1563 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.401 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8442 |
| Rhythmic Variability - Tempo Standardized |
0.0567 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1670.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.051 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
8.571 |
| Average Note Duration |
0.9689 |
| Variability of Note Durations |
0.7278 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
283.4 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3999 |
| Strength of Second Strongest Rhythmic Pulse |
0.2437 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.641 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6436 |
| Rhythmic Variability |
0.04069 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.97 |
| Duration in Seconds |
523.5 |
| Note Density |
3.19 |
| Note Density Variability |
1.104 |
| Average Time Between Attacks |
0.5709 |
| Average Time Between Attacks for Each Voice |
1.39 |
| Variability of Time Between Attacks |
0.3507 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.106 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.1557 |
| Relative Note Durations of Lowest Line |
1.679 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9575 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.0565 |
| Average Number of Independent Voices |
3.1 |
| Similar Motion |
0.1307 |
| Contrary Motion |
0.1675 |
| Oblique Motion |
0.6453 |
| Parallel Fifths |
0.002723 |
| Parallel Octaves |
0.004765 |
| Variability of Number of Independent Voices |
0.9046 |
| Voice Equality - Number of Notes |
182.2 |
| Voice Equality - Note Duration |
76.11 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
4.041 |
| Importance of Loudest Voice |
20.0 |