Distance Between Two Most Common Vertical Intervals |
4.0 |
Prevalence of Most Common Vertical Interval |
0.2184 |
Prevalence of Second Most Common Vertical Interval |
0.1779 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8144 |
Vertical Unisons |
0.03793 |
Vertical Minor Seconds |
0.002204 |
Vertical Thirds |
0.3162 |
Vertical Tritones |
0.009202 |
Vertical Perfect Fourths |
0.08788 |
Vertical Perfect Fifths |
0.1756 |
Vertical Sixths |
0.1587 |
Vertical Sevenths |
0.01852 |
Vertical Octaves |
0.1805 |
Perfect Vertical Intervals |
0.4819 |
Vertical Dissonance Ratio |
0.04517 |
Vertical Minor Third Prevalence |
0.4028 |
Vertical Major Third Prevalence |
0.4809 |
Chord Duration |
2.727 |
Partial Chords |
0.4371 |
Standard Triads |
0.45 |
Diminished and Augmented Triads |
0.02571 |
Dominant Seventh Chords |
0.001837 |
Seventh Chords |
0.01561 |
Non-Standard Chords |
0.09734 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.5961 |
Average Number of Simultaneous Pitch Classes |
2.439 |
Variability of Number of Simultaneous Pitch Classes |
0.6992 |
Average Number of Simultaneous Pitches |
3.06 |
Variability of Number of Simultaneous Pitches |
0.9057 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
4.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
7.454 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
42.38 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.199 |
Stepwise Motion |
0.6429 |
Melodic Thirds |
0.1829 |
Melodic Perfect Fourths |
0.06571 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04762 |
Melodic Sixths |
0.00381 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.006667 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.097 |
Melodic Embellishments |
0.02846 |
Direction of Melodic Motion |
0.4794 |
Average Length of Melodic Arcs |
1.867 |
Average Interval Spanned by Melodic Arcs |
4.82 |
Melodic Pitch Variety |
5.068 |
Mean Melodic Interval |
2.469 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4438 |
Relative Prevalence of Most Common Melodic Intervals |
0.4485 |
Amount of Arpeggiation |
0.2876 |
Repeated Notes |
0.05048 |
Importance of Middle Register |
0.7647 |
Importance of High Register |
0.1176 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
63.17 |
Mean Pitch Class |
4.897 |
Most Common Pitch |
67.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1015 |
Prevalence of Most Common Pitch Class |
0.1907 |
Relative Prevalence of Top Pitches |
0.8972 |
Relative Prevalence of Top Pitch Classes |
0.99 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.668 |
Pitch Class Variability |
3.483 |
Pitch Class Variability After Folding |
3.376 |
Pitch Skewness |
-0.1837 |
Pitch Class Skewness |
-0.08908 |
Pitch Class Skewness After Folding |
1.142 |
Pitch Kurtosis |
5.338 |
Pitch Class Kurtosis |
4.934 |
Pitch Class Kurtosis After Folding |
6.736 |
Major or Minor |
0.0 |
First Pitch |
60.0 |
First Pitch Class |
0.0 |
Last Pitch |
48.0 |
Last Pitch Class |
0.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
25.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
9.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
34.0 |
Importance of Bass Register |
0.1176 |
Note Density per Quarter Note |
0.8747 |
Note Density per Quarter Note per Voice |
0.2187 |
Note Density per Quarter Note Variability |
0.4378 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.003795 |
Prevalence of Medium Rhythmic Values |
0.4061 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.9023 |
Prevalence of Very Long Rhythmic Values |
0.1584 |
Prevalence of Dotted Notes |
0.09583 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.657 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.3947 |
Relative Prevalence of Most Common Rhythmic Values |
0.7812 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.187 |
Rhythmic Value Skewness |
-0.4712 |
Rhythmic Value Kurtosis |
8.046 |
Mean Rhythmic Value Run Length |
1.575 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.128 |
Mean Rhythmic Value Offset |
0.005693 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.1377 |
Complete Rests Fraction |
0.0004961 |
Partial Rests Fraction |
0.527 |
Average Rest Fraction Across Voices |
0.2118 |
Longest Complete Rest |
0.5978 |
Longest Partial Rest |
173.4 |
Mean Complete Rest Duration |
0.5978 |
Mean Partial Rest Duration |
13.61 |
Median Complete Rest Duration |
0.5978 |
Median Partial Rest Duration |
3.686 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
29.27 |
Variability Across Voices of Combined Rests |
120.6 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
1.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7273 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.143 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.087 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8703 |
Rhythmic Variability - Tempo Standardized |
0.05912 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
1054.0 |
Initial Tempo |
252.0 |
Average Variability of Time Between Attacks for Each Voice |
1.331 |
Minimum Note Duration |
0.119 |
Maximum Note Duration |
3.077 |
Average Note Duration |
0.7522 |
Variability of Note Durations |
0.4276 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
299.1 |
Strongest Rhythmic Pulse |
72.0 |
Second Strongest Rhythmic Pulse |
48.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.3538 |
Strength of Second Strongest Rhythmic Pulse |
0.2731 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.295 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.6268 |
Rhythmic Variability |
0.04001 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
68.58 |
Duration in Seconds |
251.5 |
Note Density |
4.192 |
Note Density Variability |
1.418 |
Average Time Between Attacks |
0.4669 |
Average Time Between Attacks for Each Voice |
0.902 |
Variability of Time Between Attacks |
0.237 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5588 |
Relative Range Isolation of Loudest Voice |
0.2283 |
Relative Range of Highest Line |
0.5588 |
Relative Note Density of Highest Line |
0.2694 |
Relative Note Durations of Lowest Line |
1.089 |
Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
Voice Overlap |
0.8529 |
Voice Separation |
6.0 |
Variability of Voice Separation |
1.0 |
Parallel Motion |
0.06821 |
Average Number of Independent Voices |
3.206 |
Similar Motion |
0.1385 |
Contrary Motion |
0.2246 |
Oblique Motion |
0.5687 |
Parallel Fifths |
0.005247 |
Parallel Octaves |
0.002099 |
Variability of Number of Independent Voices |
0.8934 |
Voice Equality - Number of Notes |
42.38 |
Voice Equality - Note Duration |
25.16 |
Voice Equality - Dynamics |
8.539 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
1.5 |
Importance of Loudest Voice |
11.67 |