| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.224 |
| Prevalence of Second Most Common Vertical Interval |
0.1922 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8583 |
| Vertical Unisons |
0.05373 |
| Vertical Minor Seconds |
0.00266 |
| Vertical Thirds |
0.3269 |
| Vertical Tritones |
0.006933 |
| Vertical Perfect Fourths |
0.0624 |
| Vertical Perfect Fifths |
0.1848 |
| Vertical Sixths |
0.1576 |
| Vertical Sevenths |
0.01766 |
| Vertical Octaves |
0.1702 |
| Perfect Vertical Intervals |
0.4711 |
| Vertical Dissonance Ratio |
0.04633 |
| Vertical Minor Third Prevalence |
0.3323 |
| Vertical Major Third Prevalence |
0.4281 |
| Chord Duration |
2.353 |
| Partial Chords |
0.5899 |
| Standard Triads |
0.3259 |
| Diminished and Augmented Triads |
0.01217 |
| Dominant Seventh Chords |
0.00291 |
| Seventh Chords |
0.0127 |
| Non-Standard Chords |
0.07143 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5815 |
| Average Number of Simultaneous Pitch Classes |
2.31 |
| Variability of Number of Simultaneous Pitch Classes |
0.6605 |
| Average Number of Simultaneous Pitches |
2.813 |
| Variability of Number of Simultaneous Pitches |
0.8487 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
5.0 |
| Variation of Dynamics |
2.481 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
176.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1993 |
| Stepwise Motion |
0.6438 |
| Melodic Thirds |
0.1761 |
| Melodic Perfect Fourths |
0.08628 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03582 |
| Melodic Sixths |
0.002018 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004036 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.958 |
| Melodic Embellishments |
0.02367 |
| Direction of Melodic Motion |
0.4838 |
| Average Length of Melodic Arcs |
1.796 |
| Average Interval Spanned by Melodic Arcs |
4.574 |
| Melodic Pitch Variety |
5.23 |
| Mean Melodic Interval |
2.423 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4445 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4484 |
| Amount of Arpeggiation |
0.2679 |
| Repeated Notes |
0.05197 |
| Importance of Middle Register |
0.8434 |
| Importance of High Register |
0.02417 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
60.84 |
| Mean Pitch Class |
5.006 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1128 |
| Prevalence of Most Common Pitch Class |
0.1818 |
| Relative Prevalence of Top Pitches |
0.9286 |
| Relative Prevalence of Top Pitch Classes |
0.8892 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.442 |
| Pitch Class Variability |
3.488 |
| Pitch Class Variability After Folding |
3.756 |
| Pitch Skewness |
-0.2125 |
| Pitch Class Skewness |
0.005196 |
| Pitch Class Skewness After Folding |
0.6129 |
| Pitch Kurtosis |
5.556 |
| Pitch Class Kurtosis |
4.823 |
| Pitch Class Kurtosis After Folding |
5.635 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
35.0 |
| Importance of Bass Register |
0.1324 |
| Note Density per Quarter Note |
0.958 |
| Note Density per Quarter Note per Voice |
0.2395 |
| Note Density per Quarter Note Variability |
0.5029 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02518 |
| Prevalence of Medium Rhythmic Values |
0.5242 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8792 |
| Prevalence of Very Long Rhythmic Values |
0.0715 |
| Prevalence of Dotted Notes |
0.09768 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.067 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4033 |
| Relative Prevalence of Most Common Rhythmic Values |
0.834 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.917 |
| Rhythmic Value Skewness |
1.67 |
| Rhythmic Value Kurtosis |
12.33 |
| Mean Rhythmic Value Run Length |
1.582 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9714 |
| Mean Rhythmic Value Offset |
0.05035 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8039 |
| Complete Rests Fraction |
0.000433 |
| Partial Rests Fraction |
0.6121 |
| Average Rest Fraction Across Voices |
0.2512 |
| Longest Complete Rest |
0.8976 |
| Longest Partial Rest |
398.3 |
| Mean Complete Rest Duration |
0.8976 |
| Mean Partial Rest Duration |
13.89 |
| Median Complete Rest Duration |
0.8976 |
| Median Partial Rest Duration |
2.241 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
42.37 |
| Variability Across Voices of Combined Rests |
177.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6661 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1658 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.017 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8319 |
| Rhythmic Variability - Tempo Standardized |
0.05525 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1986.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.517 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
8.571 |
| Average Note Duration |
0.6642 |
| Variability of Note Durations |
0.5119 |
| Amount of Staccato |
0.01007 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
285.6 |
| Strongest Rhythmic Pulse |
71.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.479 |
| Strength of Strongest Rhythmic Pulse |
0.2901 |
| Strength of Second Strongest Rhythmic Pulse |
0.2669 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.087 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.557 |
| Rhythmic Variability |
0.03701 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.78 |
| Duration in Seconds |
440.4 |
| Note Density |
4.509 |
| Note Density Variability |
1.968 |
| Average Time Between Attacks |
0.4221 |
| Average Time Between Attacks for Each Voice |
0.8999 |
| Variability of Time Between Attacks |
0.2821 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4571 |
| Relative Range Isolation of Loudest Voice |
0.3869 |
| Relative Range of Highest Line |
0.4571 |
| Relative Note Density of Highest Line |
0.137 |
| Relative Note Durations of Lowest Line |
1.014 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8862 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.464 |
| Parallel Motion |
0.04545 |
| Average Number of Independent Voices |
2.988 |
| Similar Motion |
0.1544 |
| Contrary Motion |
0.2136 |
| Oblique Motion |
0.5866 |
| Parallel Fifths |
0.004981 |
| Parallel Octaves |
0.001868 |
| Variability of Number of Independent Voices |
0.895 |
| Voice Equality - Number of Notes |
76.91 |
| Voice Equality - Note Duration |
37.67 |
| Voice Equality - Dynamics |
2.887 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.887 |
| Importance of Loudest Voice |
3.333 |