| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2164 |
| Prevalence of Second Most Common Vertical Interval |
0.1944 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8983 |
| Vertical Unisons |
0.03765 |
| Vertical Minor Seconds |
0.001881 |
| Vertical Thirds |
0.3003 |
| Vertical Tritones |
0.008026 |
| Vertical Perfect Fourths |
0.08876 |
| Vertical Perfect Fifths |
0.1944 |
| Vertical Sixths |
0.1581 |
| Vertical Sevenths |
0.01839 |
| Vertical Octaves |
0.1788 |
| Perfect Vertical Intervals |
0.4996 |
| Vertical Dissonance Ratio |
0.0438 |
| Vertical Minor Third Prevalence |
0.3956 |
| Vertical Major Third Prevalence |
0.3191 |
| Chord Duration |
2.448 |
| Partial Chords |
0.5647 |
| Standard Triads |
0.3452 |
| Diminished and Augmented Triads |
0.01907 |
| Dominant Seventh Chords |
0.001845 |
| Seventh Chords |
0.01661 |
| Non-Standard Chords |
0.07349 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.503 |
| Average Number of Simultaneous Pitch Classes |
2.28 |
| Variability of Number of Simultaneous Pitch Classes |
0.7093 |
| Average Number of Simultaneous Pitches |
2.764 |
| Variability of Number of Simultaneous Pitches |
0.8979 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.784 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
113.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1869 |
| Stepwise Motion |
0.6293 |
| Melodic Thirds |
0.1808 |
| Melodic Perfect Fourths |
0.06162 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05657 |
| Melodic Sixths |
0.00404 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005051 |
| Melodic Large Intervals |
0.00101 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.887 |
| Melodic Embellishments |
0.02515 |
| Direction of Melodic Motion |
0.4779 |
| Average Length of Melodic Arcs |
1.919 |
| Average Interval Spanned by Melodic Arcs |
5.058 |
| Melodic Pitch Variety |
5.175 |
| Mean Melodic Interval |
2.495 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4424 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4224 |
| Amount of Arpeggiation |
0.304 |
| Repeated Notes |
0.06162 |
| Importance of Middle Register |
0.7032 |
| Importance of High Register |
0.0 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.5 |
| Mean Pitch Class |
5.323 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1137 |
| Prevalence of Most Common Pitch Class |
0.2002 |
| Relative Prevalence of Top Pitches |
0.823 |
| Relative Prevalence of Top Pitch Classes |
0.8693 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.885 |
| Pitch Class Variability |
3.454 |
| Pitch Class Variability After Folding |
3.641 |
| Pitch Skewness |
-0.01271 |
| Pitch Class Skewness |
0.2805 |
| Pitch Class Skewness After Folding |
1.4 |
| Pitch Kurtosis |
5.343 |
| Pitch Class Kurtosis |
4.804 |
| Pitch Class Kurtosis After Folding |
5.75 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2968 |
| Note Density per Quarter Note |
0.801 |
| Note Density per Quarter Note per Voice |
0.2002 |
| Note Density per Quarter Note Variability |
0.4438 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01006 |
| Prevalence of Medium Rhythmic Values |
0.5171 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8179 |
| Prevalence of Very Long Rhythmic Values |
0.165 |
| Prevalence of Dotted Notes |
0.1338 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.435 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.335 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7568 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.562 |
| Rhythmic Value Skewness |
1.68 |
| Rhythmic Value Kurtosis |
8.389 |
| Mean Rhythmic Value Run Length |
1.551 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.039 |
| Mean Rhythmic Value Offset |
0.1579 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.011 |
| Complete Rests Fraction |
0.0007226 |
| Partial Rests Fraction |
0.7126 |
| Average Rest Fraction Across Voices |
0.2841 |
| Longest Complete Rest |
0.8967 |
| Longest Partial Rest |
309.0 |
| Mean Complete Rest Duration |
0.8967 |
| Mean Partial Rest Duration |
27.12 |
| Median Complete Rest Duration |
0.8967 |
| Median Partial Rest Duration |
4.478 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
52.18 |
| Variability Across Voices of Combined Rests |
182.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.548 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2308 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.374 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7788 |
| Rhythmic Variability - Tempo Standardized |
0.0493 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
994.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.497 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.7604 |
| Variability of Note Durations |
0.6614 |
| Amount of Staccato |
0.002012 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
285.3 |
| Strongest Rhythmic Pulse |
71.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.511 |
| Strength of Strongest Rhythmic Pulse |
0.2759 |
| Strength of Second Strongest Rhythmic Pulse |
0.2377 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.161 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5136 |
| Rhythmic Variability |
0.03488 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
29.82 |
| Duration in Seconds |
263.9 |
| Note Density |
3.766 |
| Note Density Variability |
1.469 |
| Average Time Between Attacks |
0.4359 |
| Average Time Between Attacks for Each Voice |
1.389 |
| Variability of Time Between Attacks |
0.2722 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.2857 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.2616 |
| Relative Note Durations of Lowest Line |
2.146 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9125 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.887 |
| Parallel Motion |
0.04473 |
| Average Number of Independent Voices |
2.878 |
| Similar Motion |
0.1246 |
| Contrary Motion |
0.1874 |
| Oblique Motion |
0.6432 |
| Parallel Fifths |
0.005325 |
| Parallel Octaves |
0.00213 |
| Variability of Number of Independent Voices |
0.8635 |
| Voice Equality - Number of Notes |
113.8 |
| Voice Equality - Note Duration |
38.74 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.517 |
| Importance of Loudest Voice |
11.67 |