| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2103 |
| Prevalence of Second Most Common Vertical Interval |
0.1948 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9263 |
| Vertical Unisons |
0.02747 |
| Vertical Minor Seconds |
0.0007102 |
| Vertical Thirds |
0.3625 |
| Vertical Tritones |
0.01291 |
| Vertical Perfect Fourths |
0.04857 |
| Vertical Perfect Fifths |
0.1942 |
| Vertical Sixths |
0.1586 |
| Vertical Sevenths |
0.01985 |
| Vertical Octaves |
0.1673 |
| Perfect Vertical Intervals |
0.4376 |
| Vertical Dissonance Ratio |
0.04313 |
| Vertical Minor Third Prevalence |
0.4224 |
| Vertical Major Third Prevalence |
0.3466 |
| Chord Duration |
3.411 |
| Partial Chords |
0.6164 |
| Standard Triads |
0.3378 |
| Diminished and Augmented Triads |
0.01509 |
| Dominant Seventh Chords |
0.003482 |
| Seventh Chords |
0.004643 |
| Non-Standard Chords |
0.04121 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.384 |
| Average Number of Simultaneous Pitch Classes |
2.178 |
| Variability of Number of Simultaneous Pitch Classes |
0.6897 |
| Average Number of Simultaneous Pitches |
2.629 |
| Variability of Number of Simultaneous Pitches |
0.999 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.986 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
94.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1721 |
| Stepwise Motion |
0.5515 |
| Melodic Thirds |
0.1775 |
| Melodic Perfect Fourths |
0.06504 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02439 |
| Melodic Sixths |
0.00271 |
| Melodic Sevenths |
0.00271 |
| Melodic Octaves |
0.006775 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.673 |
| Melodic Embellishments |
0.02423 |
| Direction of Melodic Motion |
0.4763 |
| Average Length of Melodic Arcs |
1.99 |
| Average Interval Spanned by Melodic Arcs |
5.101 |
| Melodic Pitch Variety |
4.83 |
| Mean Melodic Interval |
2.156 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3794 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4536 |
| Amount of Arpeggiation |
0.3808 |
| Repeated Notes |
0.1694 |
| Importance of Middle Register |
0.6151 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.53 |
| Mean Pitch Class |
5.067 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09825 |
| Prevalence of Most Common Pitch Class |
0.2086 |
| Relative Prevalence of Top Pitches |
0.9863 |
| Relative Prevalence of Top Pitch Classes |
0.7935 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.533 |
| Pitch Class Variability |
3.357 |
| Pitch Class Variability After Folding |
3.553 |
| Pitch Skewness |
0.4277 |
| Pitch Class Skewness |
0.06014 |
| Pitch Class Skewness After Folding |
0.7568 |
| Pitch Kurtosis |
4.873 |
| Pitch Class Kurtosis |
4.883 |
| Pitch Class Kurtosis After Folding |
6.028 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.3849 |
| Note Density per Quarter Note |
0.7249 |
| Note Density per Quarter Note per Voice |
0.1812 |
| Note Density per Quarter Note Variability |
0.516 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006729 |
| Prevalence of Medium Rhythmic Values |
0.3917 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9166 |
| Prevalence of Very Long Rhythmic Values |
0.1642 |
| Prevalence of Dotted Notes |
0.1036 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.712 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4038 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7633 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.177 |
| Rhythmic Value Skewness |
-0.3969 |
| Rhythmic Value Kurtosis |
8.103 |
| Mean Rhythmic Value Run Length |
1.708 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.409 |
| Mean Rhythmic Value Offset |
0.008075 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1516 |
| Complete Rests Fraction |
0.004471 |
| Partial Rests Fraction |
0.6544 |
| Average Rest Fraction Across Voices |
0.3317 |
| Longest Complete Rest |
3.672 |
| Longest Partial Rest |
110.2 |
| Mean Complete Rest Duration |
2.291 |
| Mean Partial Rest Duration |
26.66 |
| Median Complete Rest Duration |
3.672 |
| Median Partial Rest Duration |
18.19 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.953 |
| Variability of Partial Rest Durations |
28.93 |
| Variability Across Voices of Combined Rests |
31.07 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6739 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1578 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.27 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8318 |
| Rhythmic Variability - Tempo Standardized |
0.05561 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
743.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.142 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7735 |
| Variability of Note Durations |
0.4246 |
| Amount of Staccato |
0.002692 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
289.5 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.357 |
| Strength of Second Strongest Rhythmic Pulse |
0.2519 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.418 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6089 |
| Rhythmic Variability |
0.03909 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.04 |
| Duration in Seconds |
214.7 |
| Note Density |
3.461 |
| Note Density Variability |
1.702 |
| Average Time Between Attacks |
0.5519 |
| Average Time Between Attacks for Each Voice |
1.123 |
| Variability of Time Between Attacks |
0.3255 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.1238 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.3553 |
| Relative Note Durations of Lowest Line |
1.115 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.9664 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.512 |
| Parallel Motion |
0.07394 |
| Average Number of Independent Voices |
2.702 |
| Similar Motion |
0.1682 |
| Contrary Motion |
0.2495 |
| Oblique Motion |
0.5083 |
| Parallel Fifths |
0.003697 |
| Parallel Octaves |
0.007394 |
| Variability of Number of Independent Voices |
0.9928 |
| Voice Equality - Number of Notes |
11.59 |
| Voice Equality - Note Duration |
6.508 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
15.0 |