| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.212 |
| Prevalence of Second Most Common Vertical Interval |
0.1917 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.904 |
| Vertical Unisons |
0.02835 |
| Vertical Minor Seconds |
0.002514 |
| Vertical Thirds |
0.3349 |
| Vertical Tritones |
0.00821 |
| Vertical Perfect Fourths |
0.09903 |
| Vertical Perfect Fifths |
0.1668 |
| Vertical Sixths |
0.1529 |
| Vertical Sevenths |
0.01436 |
| Vertical Octaves |
0.1837 |
| Perfect Vertical Intervals |
0.4778 |
| Vertical Dissonance Ratio |
0.03565 |
| Vertical Minor Third Prevalence |
0.7087 |
| Vertical Major Third Prevalence |
0.5723 |
| Chord Duration |
2.543 |
| Partial Chords |
0.2145 |
| Standard Triads |
0.6462 |
| Diminished and Augmented Triads |
0.0246 |
| Dominant Seventh Chords |
0.001809 |
| Seventh Chords |
0.02822 |
| Non-Standard Chords |
0.1111 |
| Complex Chords |
0.002533 |
| Minor Major Triad Ratio |
1.338 |
| Average Number of Simultaneous Pitch Classes |
2.817 |
| Variability of Number of Simultaneous Pitch Classes |
0.5517 |
| Average Number of Simultaneous Pitches |
3.859 |
| Variability of Number of Simultaneous Pitches |
0.9291 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.024 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
244.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1922 |
| Stepwise Motion |
0.5981 |
| Melodic Thirds |
0.1838 |
| Melodic Perfect Fourths |
0.06127 |
| Melodic Tritones |
0.0005621 |
| Melodic Perfect Fifths |
0.04441 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003935 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.175 |
| Melodic Embellishments |
0.03025 |
| Direction of Melodic Motion |
0.4833 |
| Average Length of Melodic Arcs |
1.752 |
| Average Interval Spanned by Melodic Arcs |
4.459 |
| Melodic Pitch Variety |
4.794 |
| Mean Melodic Interval |
2.281 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4058 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4737 |
| Amount of Arpeggiation |
0.3401 |
| Repeated Notes |
0.1079 |
| Importance of Middle Register |
0.5098 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
53.51 |
| Mean Pitch Class |
5.412 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.08796 |
| Prevalence of Most Common Pitch Class |
0.1714 |
| Relative Prevalence of Top Pitches |
0.8854 |
| Relative Prevalence of Top Pitch Classes |
0.8922 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.51 |
| Pitch Class Variability |
3.538 |
| Pitch Class Variability After Folding |
3.106 |
| Pitch Skewness |
-0.4033 |
| Pitch Class Skewness |
0.3496 |
| Pitch Class Skewness After Folding |
0.4178 |
| Pitch Kurtosis |
5.197 |
| Pitch Class Kurtosis |
4.83 |
| Pitch Class Kurtosis After Folding |
7.138 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.4902 |
| Note Density per Quarter Note |
1.27 |
| Note Density per Quarter Note per Voice |
0.2541 |
| Note Density per Quarter Note Variability |
0.6468 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01401 |
| Prevalence of Medium Rhythmic Values |
0.5092 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.888 |
| Prevalence of Very Long Rhythmic Values |
0.09244 |
| Prevalence of Dotted Notes |
0.1003 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.145 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3972 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8463 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.867 |
| Rhythmic Value Skewness |
1.84 |
| Rhythmic Value Kurtosis |
10.02 |
| Mean Rhythmic Value Run Length |
1.659 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.31 |
| Mean Rhythmic Value Offset |
0.03361 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5905 |
| Complete Rests Fraction |
0.0006262 |
| Partial Rests Fraction |
0.618 |
| Average Rest Fraction Across Voices |
0.191 |
| Longest Complete Rest |
0.8798 |
| Longest Partial Rest |
101.3 |
| Mean Complete Rest Duration |
0.8798 |
| Mean Partial Rest Duration |
12.19 |
| Median Complete Rest Duration |
0.8798 |
| Median Partial Rest Duration |
3.549 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
19.61 |
| Variability Across Voices of Combined Rests |
123.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6488 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1807 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.591 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8295 |
| Rhythmic Variability - Tempo Standardized |
0.05425 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1785.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.281 |
| Minimum Note Duration |
0.09091 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.6537 |
| Variability of Note Durations |
0.442 |
| Amount of Staccato |
0.007283 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
296.8 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.51 |
| Strength of Strongest Rhythmic Pulse |
0.309 |
| Strength of Second Strongest Rhythmic Pulse |
0.2542 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.215 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5632 |
| Rhythmic Variability |
0.03696 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
33.71 |
| Duration in Seconds |
287.9 |
| Note Density |
6.2 |
| Note Density Variability |
2.443 |
| Average Time Between Attacks |
0.4092 |
| Average Time Between Attacks for Each Voice |
0.8095 |
| Variability of Time Between Attacks |
0.2515 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.256 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.1765 |
| Relative Note Durations of Lowest Line |
1.096 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
| Voice Overlap |
0.9137 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.06692 |
| Average Number of Independent Voices |
4.033 |
| Similar Motion |
0.1716 |
| Contrary Motion |
0.2078 |
| Oblique Motion |
0.5537 |
| Parallel Fifths |
0.005936 |
| Parallel Octaves |
0.003238 |
| Variability of Number of Independent Voices |
0.8941 |
| Voice Equality - Number of Notes |
56.9 |
| Voice Equality - Note Duration |
25.29 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
1.817 |
| Importance of Loudest Voice |
13.75 |