| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1839 |
| Prevalence of Second Most Common Vertical Interval |
0.1716 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.933 |
| Vertical Unisons |
0.03556 |
| Vertical Minor Seconds |
0.001062 |
| Vertical Thirds |
0.3022 |
| Vertical Tritones |
0.01304 |
| Vertical Perfect Fourths |
0.1417 |
| Vertical Perfect Fifths |
0.1679 |
| Vertical Sixths |
0.1606 |
| Vertical Sevenths |
0.01901 |
| Vertical Octaves |
0.1484 |
| Perfect Vertical Intervals |
0.4936 |
| Vertical Dissonance Ratio |
0.04562 |
| Vertical Minor Third Prevalence |
0.4369 |
| Vertical Major Third Prevalence |
0.3446 |
| Chord Duration |
2.97 |
| Partial Chords |
0.4511 |
| Standard Triads |
0.4426 |
| Diminished and Augmented Triads |
0.02842 |
| Dominant Seventh Chords |
0.001754 |
| Seventh Chords |
0.004912 |
| Non-Standard Chords |
0.1014 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.69 |
| Average Number of Simultaneous Pitch Classes |
2.435 |
| Variability of Number of Simultaneous Pitch Classes |
0.6507 |
| Average Number of Simultaneous Pitches |
2.892 |
| Variability of Number of Simultaneous Pitches |
0.8297 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.67 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
121.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2246 |
| Stepwise Motion |
0.6564 |
| Melodic Thirds |
0.1707 |
| Melodic Perfect Fourths |
0.07111 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0262 |
| Melodic Sixths |
0.002994 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007485 |
| Melodic Large Intervals |
0.0007485 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.257 |
| Melodic Embellishments |
0.01939 |
| Direction of Melodic Motion |
0.4808 |
| Average Length of Melodic Arcs |
1.86 |
| Average Interval Spanned by Melodic Arcs |
4.574 |
| Melodic Pitch Variety |
4.96 |
| Mean Melodic Interval |
2.317 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4319 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5199 |
| Amount of Arpeggiation |
0.2687 |
| Repeated Notes |
0.06437 |
| Importance of Middle Register |
0.5913 |
| Importance of High Register |
0.002237 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.43 |
| Mean Pitch Class |
5.08 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1119 |
| Prevalence of Most Common Pitch Class |
0.2088 |
| Relative Prevalence of Top Pitches |
0.9333 |
| Relative Prevalence of Top Pitch Classes |
0.8536 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.448 |
| Pitch Class Variability |
3.476 |
| Pitch Class Variability After Folding |
3.33 |
| Pitch Skewness |
-0.4625 |
| Pitch Class Skewness |
0.06886 |
| Pitch Class Skewness After Folding |
0.608 |
| Pitch Kurtosis |
5.257 |
| Pitch Class Kurtosis |
4.773 |
| Pitch Class Kurtosis After Folding |
6.445 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
62.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.4064 |
| Note Density per Quarter Note |
0.6494 |
| Note Density per Quarter Note per Voice |
0.1299 |
| Note Density per Quarter Note Variability |
0.4079 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3057 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9292 |
| Prevalence of Very Long Rhythmic Values |
0.2714 |
| Prevalence of Dotted Notes |
0.1223 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.481 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3893 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6034 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.719 |
| Rhythmic Value Skewness |
0.5303 |
| Rhythmic Value Kurtosis |
6.486 |
| Mean Rhythmic Value Run Length |
1.62 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.106 |
| Mean Rhythmic Value Offset |
0.1632 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.093 |
| Complete Rests Fraction |
0.0004576 |
| Partial Rests Fraction |
1.0 |
| Average Rest Fraction Across Voices |
0.395 |
| Longest Complete Rest |
0.9448 |
| Longest Partial Rest |
1858.0 |
| Mean Complete Rest Duration |
0.9448 |
| Mean Partial Rest Duration |
50.98 |
| Median Complete Rest Duration |
0.9448 |
| Median Partial Rest Duration |
3.775 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
217.9 |
| Variability Across Voices of Combined Rests |
614.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.709 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1325 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.35 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8415 |
| Rhythmic Variability - Tempo Standardized |
0.05756 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
6.0 |
| Total Number of Notes |
1341.0 |
| Initial Tempo |
315.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.782 |
| Minimum Note Duration |
0.1818 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.9401 |
| Variability of Note Durations |
0.6712 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
300.5 |
| Strongest Rhythmic Pulse |
75.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4242 |
| Strength of Second Strongest Rhythmic Pulse |
0.2308 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.838 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.655 |
| Rhythmic Variability |
0.04156 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.89 |
| Duration in Seconds |
416.8 |
| Note Density |
3.217 |
| Note Density Variability |
1.407 |
| Average Time Between Attacks |
0.6033 |
| Average Time Between Attacks for Each Voice |
1.202 |
| Variability of Time Between Attacks |
0.4233 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6774 |
| Relative Range Isolation of Loudest Voice |
0.03016 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.2349 |
| Relative Note Durations of Lowest Line |
1.061 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
| Voice Overlap |
0.9903 |
| Voice Separation |
3.75 |
| Variability of Voice Separation |
2.062 |
| Parallel Motion |
0.09358 |
| Average Number of Independent Voices |
3.012 |
| Similar Motion |
0.1872 |
| Contrary Motion |
0.2111 |
| Oblique Motion |
0.5081 |
| Parallel Fifths |
0.00464 |
| Parallel Octaves |
0.001547 |
| Variability of Number of Independent Voices |
0.8037 |
| Voice Equality - Number of Notes |
147.3 |
| Voice Equality - Note Duration |
124.0 |
| Voice Equality - Dynamics |
8.216 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
3.493 |
| Importance of Loudest Voice |
7.5 |