| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2101 |
| Prevalence of Second Most Common Vertical Interval |
0.2082 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9908 |
| Vertical Unisons |
0.04037 |
| Vertical Minor Seconds |
0.00576 |
| Vertical Thirds |
0.3175 |
| Vertical Tritones |
0.009111 |
| Vertical Perfect Fourths |
0.02846 |
| Vertical Perfect Fifths |
0.2101 |
| Vertical Sixths |
0.178 |
| Vertical Sevenths |
0.02397 |
| Vertical Octaves |
0.1679 |
| Perfect Vertical Intervals |
0.4468 |
| Vertical Dissonance Ratio |
0.06127 |
| Vertical Minor Third Prevalence |
0.3653 |
| Vertical Major Third Prevalence |
0.2866 |
| Chord Duration |
2.266 |
| Partial Chords |
0.6372 |
| Standard Triads |
0.2649 |
| Diminished and Augmented Triads |
0.02148 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.09785 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.337 |
| Average Number of Simultaneous Pitch Classes |
2.231 |
| Variability of Number of Simultaneous Pitch Classes |
0.6094 |
| Average Number of Simultaneous Pitches |
2.612 |
| Variability of Number of Simultaneous Pitches |
0.5047 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.565 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
6.506 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2521 |
| Stepwise Motion |
0.626 |
| Melodic Thirds |
0.1468 |
| Melodic Perfect Fourths |
0.09141 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04986 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02216 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.417 |
| Melodic Embellishments |
0.03297 |
| Direction of Melodic Motion |
0.4645 |
| Average Length of Melodic Arcs |
1.943 |
| Average Interval Spanned by Melodic Arcs |
5.155 |
| Melodic Pitch Variety |
4.939 |
| Mean Melodic Interval |
2.546 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.374 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6741 |
| Amount of Arpeggiation |
0.2825 |
| Repeated Notes |
0.06371 |
| Importance of Middle Register |
0.6786 |
| Importance of High Register |
0.01099 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.97 |
| Mean Pitch Class |
5.464 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.08516 |
| Prevalence of Most Common Pitch Class |
0.1786 |
| Relative Prevalence of Top Pitches |
0.9032 |
| Relative Prevalence of Top Pitch Classes |
0.9692 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
8.0 |
| Pitch Variability |
8.28 |
| Pitch Class Variability |
3.434 |
| Pitch Class Variability After Folding |
4.106 |
| Pitch Skewness |
0.1483 |
| Pitch Class Skewness |
0.4056 |
| Pitch Class Skewness After Folding |
1.186 |
| Pitch Kurtosis |
5.19 |
| Pitch Class Kurtosis |
4.722 |
| Pitch Class Kurtosis After Folding |
4.643 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.3104 |
| Note Density per Quarter Note |
0.7828 |
| Note Density per Quarter Note per Voice |
0.2609 |
| Note Density per Quarter Note Variability |
0.3714 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01099 |
| Prevalence of Medium Rhythmic Values |
0.4341 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8324 |
| Prevalence of Very Long Rhythmic Values |
0.1374 |
| Prevalence of Dotted Notes |
0.1374 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.401 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3599 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7405 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.167 |
| Rhythmic Value Skewness |
0.5553 |
| Rhythmic Value Kurtosis |
9.049 |
| Mean Rhythmic Value Run Length |
1.536 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9935 |
| Mean Rhythmic Value Offset |
0.05495 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6941 |
| Complete Rests Fraction |
0.002133 |
| Partial Rests Fraction |
0.2903 |
| Average Rest Fraction Across Voices |
0.09819 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
56.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.523 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.32 |
| Variability Across Voices of Combined Rests |
29.96 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5677 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2179 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.606 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7856 |
| Rhythmic Variability - Tempo Standardized |
0.05039 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
364.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6041 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
4.615 |
| Average Note Duration |
0.6646 |
| Variability of Note Durations |
0.4759 |
| Amount of Staccato |
0.01099 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2927 |
| Strength of Second Strongest Rhythmic Pulse |
0.2528 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.158 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5455 |
| Rhythmic Variability |
0.03579 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004276 |
| Duration in Seconds |
89.42 |
| Note Density |
4.071 |
| Note Density Variability |
1.387 |
| Average Time Between Attacks |
0.412 |
| Average Time Between Attacks for Each Voice |
0.6941 |
| Variability of Time Between Attacks |
0.2484 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4722 |
| Relative Range Isolation of Loudest Voice |
0.3984 |
| Relative Range of Highest Line |
0.4722 |
| Relative Note Density of Highest Line |
0.544 |
| Relative Note Durations of Lowest Line |
1.077 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.794 |
| Voice Separation |
8.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.0436 |
| Average Number of Independent Voices |
2.711 |
| Similar Motion |
0.1221 |
| Contrary Motion |
0.186 |
| Oblique Motion |
0.6483 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4532 |
| Voice Equality - Number of Notes |
6.506 |
| Voice Equality - Note Duration |
5.761 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.082 |
| Importance of Loudest Voice |
12.5 |