| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2215 |
| Prevalence of Second Most Common Vertical Interval |
0.1836 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8287 |
| Vertical Unisons |
0.05906 |
| Vertical Minor Seconds |
0.003906 |
| Vertical Thirds |
0.3576 |
| Vertical Tritones |
0.01713 |
| Vertical Perfect Fourths |
0.06347 |
| Vertical Perfect Fifths |
0.165 |
| Vertical Sixths |
0.1434 |
| Vertical Sevenths |
0.015 |
| Vertical Octaves |
0.1625 |
| Perfect Vertical Intervals |
0.45 |
| Vertical Dissonance Ratio |
0.05159 |
| Vertical Minor Third Prevalence |
0.5026 |
| Vertical Major Third Prevalence |
0.46 |
| Chord Duration |
2.463 |
| Partial Chords |
0.4837 |
| Standard Triads |
0.3953 |
| Diminished and Augmented Triads |
0.04661 |
| Dominant Seventh Chords |
0.003329 |
| Seventh Chords |
0.0112 |
| Non-Standard Chords |
0.1099 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8711 |
| Average Number of Simultaneous Pitch Classes |
2.48 |
| Variability of Number of Simultaneous Pitch Classes |
0.6217 |
| Average Number of Simultaneous Pitches |
3.055 |
| Variability of Number of Simultaneous Pitches |
0.7844 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
5.0 |
| Variation of Dynamics |
2.499 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
48.79 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1826 |
| Stepwise Motion |
0.639 |
| Melodic Thirds |
0.182 |
| Melodic Perfect Fourths |
0.06846 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05383 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.001755 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.019 |
| Melodic Embellishments |
0.02218 |
| Direction of Melodic Motion |
0.5009 |
| Average Length of Melodic Arcs |
1.811 |
| Average Interval Spanned by Melodic Arcs |
4.661 |
| Melodic Pitch Variety |
5.063 |
| Mean Melodic Interval |
2.442 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4564 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4 |
| Amount of Arpeggiation |
0.2926 |
| Repeated Notes |
0.055 |
| Importance of Middle Register |
0.8225 |
| Importance of High Register |
0.0181 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
60.48 |
| Mean Pitch Class |
5.149 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1092 |
| Prevalence of Most Common Pitch Class |
0.1705 |
| Relative Prevalence of Top Pitches |
0.8824 |
| Relative Prevalence of Top Pitch Classes |
0.9966 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.411 |
| Pitch Class Variability |
3.425 |
| Pitch Class Variability After Folding |
4.132 |
| Pitch Skewness |
-0.4376 |
| Pitch Class Skewness |
0.1304 |
| Pitch Class Skewness After Folding |
0.955 |
| Pitch Kurtosis |
5.38 |
| Pitch Class Kurtosis |
4.816 |
| Pitch Class Kurtosis After Folding |
4.849 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.1594 |
| Note Density per Quarter Note |
0.993 |
| Note Density per Quarter Note per Voice |
0.2483 |
| Note Density per Quarter Note Variability |
0.4182 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007005 |
| Prevalence of Medium Rhythmic Values |
0.4641 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8978 |
| Prevalence of Very Long Rhythmic Values |
0.09165 |
| Prevalence of Dotted Notes |
0.08815 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.281 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.39 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9281 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.921 |
| Rhythmic Value Skewness |
0.4385 |
| Rhythmic Value Kurtosis |
10.49 |
| Mean Rhythmic Value Run Length |
1.684 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.29 |
| Mean Rhythmic Value Offset |
0.02569 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3978 |
| Complete Rests Fraction |
0.0005221 |
| Partial Rests Fraction |
0.4918 |
| Average Rest Fraction Across Voices |
0.1717 |
| Longest Complete Rest |
0.9007 |
| Longest Partial Rest |
130.8 |
| Mean Complete Rest Duration |
0.9007 |
| Mean Partial Rest Duration |
8.228 |
| Median Complete Rest Duration |
0.9007 |
| Median Partial Rest Duration |
2.249 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
19.59 |
| Variability Across Voices of Combined Rests |
96.87 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7049 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1512 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.662 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8561 |
| Rhythmic Variability - Tempo Standardized |
0.05772 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1713.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.405 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.7064 |
| Variability of Note Durations |
0.4633 |
| Amount of Staccato |
0.00467 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
286.5 |
| Strongest Rhythmic Pulse |
71.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.479 |
| Strength of Strongest Rhythmic Pulse |
0.3224 |
| Strength of Second Strongest Rhythmic Pulse |
0.2629 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.226 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5853 |
| Rhythmic Variability |
0.03848 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.65 |
| Duration in Seconds |
365.2 |
| Note Density |
4.69 |
| Note Density Variability |
1.601 |
| Average Time Between Attacks |
0.431 |
| Average Time Between Attacks for Each Voice |
0.8513 |
| Variability of Time Between Attacks |
0.2456 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5278 |
| Relative Range Isolation of Loudest Voice |
0.06951 |
| Relative Range of Highest Line |
0.5278 |
| Relative Note Density of Highest Line |
0.1588 |
| Relative Note Durations of Lowest Line |
1.008 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9761 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.06122 |
| Average Number of Independent Voices |
3.285 |
| Similar Motion |
0.161 |
| Contrary Motion |
0.2003 |
| Oblique Motion |
0.5775 |
| Parallel Fifths |
0.005291 |
| Parallel Octaves |
0.003779 |
| Variability of Number of Independent Voices |
0.7986 |
| Voice Equality - Number of Notes |
41.44 |
| Voice Equality - Note Duration |
20.51 |
| Voice Equality - Dynamics |
2.887 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
3.333 |