| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.226 |
| Prevalence of Second Most Common Vertical Interval |
0.1886 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8346 |
| Vertical Unisons |
0.04178 |
| Vertical Minor Seconds |
0.003186 |
| Vertical Thirds |
0.3655 |
| Vertical Tritones |
0.006302 |
| Vertical Perfect Fourths |
0.08917 |
| Vertical Perfect Fifths |
0.1886 |
| Vertical Sixths |
0.1334 |
| Vertical Sevenths |
0.0206 |
| Vertical Octaves |
0.1386 |
| Perfect Vertical Intervals |
0.4582 |
| Vertical Dissonance Ratio |
0.04483 |
| Vertical Minor Third Prevalence |
0.6436 |
| Vertical Major Third Prevalence |
0.4747 |
| Chord Duration |
2.84 |
| Partial Chords |
0.3172 |
| Standard Triads |
0.5578 |
| Diminished and Augmented Triads |
0.01075 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.005376 |
| Non-Standard Chords |
0.1196 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
3.15 |
| Average Number of Simultaneous Pitch Classes |
2.686 |
| Variability of Number of Simultaneous Pitch Classes |
0.5284 |
| Average Number of Simultaneous Pitches |
3.245 |
| Variability of Number of Simultaneous Pitches |
0.7024 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.032 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
25.87 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.211 |
| Stepwise Motion |
0.6331 |
| Melodic Thirds |
0.1429 |
| Melodic Perfect Fourths |
0.02273 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06169 |
| Melodic Sixths |
0.003247 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003247 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.444 |
| Melodic Embellishments |
0.01282 |
| Direction of Melodic Motion |
0.4382 |
| Average Length of Melodic Arcs |
2.07 |
| Average Interval Spanned by Melodic Arcs |
5.054 |
| Melodic Pitch Variety |
4.421 |
| Mean Melodic Interval |
2.156 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4221 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5 |
| Amount of Arpeggiation |
0.3409 |
| Repeated Notes |
0.1331 |
| Importance of Middle Register |
0.7404 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.77 |
| Mean Pitch Class |
5.295 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1314 |
| Prevalence of Most Common Pitch Class |
0.2179 |
| Relative Prevalence of Top Pitches |
0.9512 |
| Relative Prevalence of Top Pitch Classes |
0.9118 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.63 |
| Pitch Class Variability |
3.317 |
| Pitch Class Variability After Folding |
3.258 |
| Pitch Skewness |
-0.005801 |
| Pitch Class Skewness |
0.2667 |
| Pitch Class Skewness After Folding |
0.6965 |
| Pitch Kurtosis |
5.279 |
| Pitch Class Kurtosis |
4.912 |
| Pitch Class Kurtosis After Folding |
6.654 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.2596 |
| Note Density per Quarter Note |
0.8276 |
| Note Density per Quarter Note per Voice |
0.2069 |
| Note Density per Quarter Note Variability |
0.3498 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00641 |
| Prevalence of Medium Rhythmic Values |
0.2404 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9038 |
| Prevalence of Very Long Rhythmic Values |
0.2019 |
| Prevalence of Dotted Notes |
0.08013 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.115 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.5288 |
| Relative Prevalence of Most Common Rhythmic Values |
0.2848 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.074 |
| Rhythmic Value Skewness |
0.1669 |
| Rhythmic Value Kurtosis |
6.336 |
| Mean Rhythmic Value Run Length |
1.95 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.557 |
| Mean Rhythmic Value Offset |
0.01282 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2265 |
| Complete Rests Fraction |
0.00263 |
| Partial Rests Fraction |
0.4801 |
| Average Rest Fraction Across Voices |
0.1459 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
8.46 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.58 |
| Variability Across Voices of Combined Rests |
24.98 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6498 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1893 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.433 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.839 |
| Rhythmic Variability - Tempo Standardized |
0.05459 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
312.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7212 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7939 |
| Variability of Note Durations |
0.4104 |
| Amount of Staccato |
0.00641 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4521 |
| Strength of Second Strongest Rhythmic Pulse |
0.2143 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.11 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6664 |
| Rhythmic Variability |
0.04222 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003233 |
| Duration in Seconds |
72.5 |
| Note Density |
4.304 |
| Note Density Variability |
1.145 |
| Average Time Between Attacks |
0.4702 |
| Average Time Between Attacks for Each Voice |
0.9165 |
| Variability of Time Between Attacks |
0.2361 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5926 |
| Relative Range Isolation of Loudest Voice |
0.2661 |
| Relative Range of Highest Line |
0.5926 |
| Relative Note Density of Highest Line |
0.8333 |
| Relative Note Durations of Lowest Line |
1.164 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8397 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.04762 |
| Average Number of Independent Voices |
3.426 |
| Similar Motion |
0.1395 |
| Contrary Motion |
0.1905 |
| Oblique Motion |
0.6224 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6603 |
| Voice Equality - Number of Notes |
21.59 |
| Voice Equality - Note Duration |
4.804 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.582 |
| Importance of Loudest Voice |
15.0 |