| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2159 |
| Prevalence of Second Most Common Vertical Interval |
0.1973 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9138 |
| Vertical Unisons |
0.04704 |
| Vertical Minor Seconds |
0.003597 |
| Vertical Thirds |
0.3168 |
| Vertical Tritones |
0.01502 |
| Vertical Perfect Fourths |
0.08256 |
| Vertical Perfect Fifths |
0.1741 |
| Vertical Sixths |
0.1575 |
| Vertical Sevenths |
0.02078 |
| Vertical Octaves |
0.1689 |
| Perfect Vertical Intervals |
0.4725 |
| Vertical Dissonance Ratio |
0.05623 |
| Vertical Minor Third Prevalence |
0.4855 |
| Vertical Major Third Prevalence |
0.3349 |
| Chord Duration |
2.782 |
| Partial Chords |
0.4731 |
| Standard Triads |
0.406 |
| Diminished and Augmented Triads |
0.0339 |
| Dominant Seventh Chords |
0.005158 |
| Seventh Chords |
0.01769 |
| Non-Standard Chords |
0.1032 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.355 |
| Average Number of Simultaneous Pitch Classes |
2.389 |
| Variability of Number of Simultaneous Pitch Classes |
0.7106 |
| Average Number of Simultaneous Pitches |
2.953 |
| Variability of Number of Simultaneous Pitches |
0.8835 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.576 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
229.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1457 |
| Stepwise Motion |
0.5871 |
| Melodic Thirds |
0.2279 |
| Melodic Perfect Fourths |
0.07864 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03664 |
| Melodic Sixths |
0.001787 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008937 |
| Melodic Large Intervals |
0.0008937 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.833 |
| Melodic Embellishments |
0.03651 |
| Direction of Melodic Motion |
0.5038 |
| Average Length of Melodic Arcs |
1.899 |
| Average Interval Spanned by Melodic Arcs |
5.166 |
| Melodic Pitch Variety |
5.278 |
| Mean Melodic Interval |
2.577 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4415 |
| Relative Prevalence of Most Common Melodic Intervals |
0.334 |
| Amount of Arpeggiation |
0.3315 |
| Repeated Notes |
0.05809 |
| Importance of Middle Register |
0.7391 |
| Importance of High Register |
0.009795 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.74 |
| Mean Pitch Class |
5.427 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1167 |
| Prevalence of Most Common Pitch Class |
0.2021 |
| Relative Prevalence of Top Pitches |
0.7786 |
| Relative Prevalence of Top Pitch Classes |
0.8282 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.927 |
| Pitch Class Variability |
3.563 |
| Pitch Class Variability After Folding |
3.077 |
| Pitch Skewness |
0.07173 |
| Pitch Class Skewness |
0.3599 |
| Pitch Class Skewness After Folding |
0.4029 |
| Pitch Kurtosis |
5.335 |
| Pitch Class Kurtosis |
4.771 |
| Pitch Class Kurtosis After Folding |
7.266 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2511 |
| Note Density per Quarter Note |
0.7383 |
| Note Density per Quarter Note per Voice |
0.1846 |
| Note Density per Quarter Note Variability |
0.372 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3678 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9038 |
| Prevalence of Very Long Rhythmic Values |
0.228 |
| Prevalence of Dotted Notes |
0.1487 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.118 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.358 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7587 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.701 |
| Rhythmic Value Skewness |
0.1306 |
| Rhythmic Value Kurtosis |
7.347 |
| Mean Rhythmic Value Run Length |
1.487 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9708 |
| Mean Rhythmic Value Offset |
0.1104 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9564 |
| Complete Rests Fraction |
0.0005724 |
| Partial Rests Fraction |
0.5632 |
| Average Rest Fraction Across Voices |
0.2216 |
| Longest Complete Rest |
0.8706 |
| Longest Partial Rest |
169.6 |
| Mean Complete Rest Duration |
0.8706 |
| Mean Partial Rest Duration |
15.86 |
| Median Complete Rest Duration |
0.8706 |
| Median Partial Rest Duration |
4.348 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
34.32 |
| Variability Across Voices of Combined Rests |
159.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6646 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1726 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.851 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8372 |
| Rhythmic Variability - Tempo Standardized |
0.05544 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1123.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.072 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.9237 |
| Variability of Note Durations |
0.7161 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
277.0 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3792 |
| Strength of Second Strongest Rhythmic Pulse |
0.245 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.548 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6242 |
| Rhythmic Variability |
0.03974 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.58 |
| Duration in Seconds |
333.2 |
| Note Density |
3.371 |
| Note Density Variability |
1.24 |
| Average Time Between Attacks |
0.5251 |
| Average Time Between Attacks for Each Voice |
1.3 |
| Variability of Time Between Attacks |
0.3252 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6774 |
| Relative Range Isolation of Loudest Voice |
0.3333 |
| Relative Range of Highest Line |
0.6774 |
| Relative Note Density of Highest Line |
0.2351 |
| Relative Note Durations of Lowest Line |
1.854 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8727 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.0 |
| Parallel Motion |
0.04324 |
| Average Number of Independent Voices |
3.124 |
| Similar Motion |
0.1315 |
| Contrary Motion |
0.1613 |
| Oblique Motion |
0.664 |
| Parallel Fifths |
0.001802 |
| Parallel Octaves |
0.0009009 |
| Variability of Number of Independent Voices |
0.8724 |
| Voice Equality - Number of Notes |
114.4 |
| Voice Equality - Note Duration |
34.93 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.862 |
| Importance of Loudest Voice |
20.0 |