| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1973 |
| Prevalence of Second Most Common Vertical Interval |
0.188 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.953 |
| Vertical Unisons |
0.0278 |
| Vertical Minor Seconds |
0.003539 |
| Vertical Thirds |
0.3286 |
| Vertical Tritones |
0.01312 |
| Vertical Perfect Fourths |
0.07448 |
| Vertical Perfect Fifths |
0.1973 |
| Vertical Sixths |
0.157 |
| Vertical Sevenths |
0.02452 |
| Vertical Octaves |
0.1602 |
| Perfect Vertical Intervals |
0.4597 |
| Vertical Dissonance Ratio |
0.05775 |
| Vertical Minor Third Prevalence |
0.3641 |
| Vertical Major Third Prevalence |
0.394 |
| Chord Duration |
2.391 |
| Partial Chords |
0.5495 |
| Standard Triads |
0.3305 |
| Diminished and Augmented Triads |
0.02805 |
| Dominant Seventh Chords |
0.005658 |
| Seventh Chords |
0.02122 |
| Non-Standard Chords |
0.09877 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6611 |
| Average Number of Simultaneous Pitch Classes |
2.341 |
| Variability of Number of Simultaneous Pitch Classes |
0.6931 |
| Average Number of Simultaneous Pitches |
2.818 |
| Variability of Number of Simultaneous Pitches |
0.9358 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.995 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
253.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1918 |
| Stepwise Motion |
0.66 |
| Melodic Thirds |
0.1828 |
| Melodic Perfect Fourths |
0.04558 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03799 |
| Melodic Sixths |
0.0004748 |
| Melodic Sevenths |
0.0009497 |
| Melodic Octaves |
0.008072 |
| Melodic Large Intervals |
0.0009497 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.692 |
| Melodic Embellishments |
0.02275 |
| Direction of Melodic Motion |
0.4678 |
| Average Length of Melodic Arcs |
2.007 |
| Average Interval Spanned by Melodic Arcs |
5.042 |
| Melodic Pitch Variety |
5.307 |
| Mean Melodic Interval |
2.362 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4682 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4097 |
| Amount of Arpeggiation |
0.293 |
| Repeated Notes |
0.06315 |
| Importance of Middle Register |
0.6009 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.86 |
| Mean Pitch Class |
4.891 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.09289 |
| Prevalence of Most Common Pitch Class |
0.1877 |
| Relative Prevalence of Top Pitches |
0.9184 |
| Relative Prevalence of Top Pitch Classes |
0.8611 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.668 |
| Pitch Class Variability |
3.416 |
| Pitch Class Variability After Folding |
4.053 |
| Pitch Skewness |
-0.208 |
| Pitch Class Skewness |
-0.09572 |
| Pitch Class Skewness After Folding |
0.8061 |
| Pitch Kurtosis |
5.088 |
| Pitch Class Kurtosis |
4.77 |
| Pitch Class Kurtosis After Folding |
5.022 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.3991 |
| Note Density per Quarter Note |
0.8983 |
| Note Density per Quarter Note per Voice |
0.2246 |
| Note Density per Quarter Note Variability |
0.437 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005687 |
| Prevalence of Medium Rhythmic Values |
0.4848 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8645 |
| Prevalence of Very Long Rhythmic Values |
0.09384 |
| Prevalence of Dotted Notes |
0.1156 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.195 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3493 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9946 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.979 |
| Rhythmic Value Skewness |
0.2959 |
| Rhythmic Value Kurtosis |
10.79 |
| Mean Rhythmic Value Run Length |
1.59 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.33 |
| Mean Rhythmic Value Offset |
0.03981 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7731 |
| Complete Rests Fraction |
0.0003793 |
| Partial Rests Fraction |
0.6318 |
| Average Rest Fraction Across Voices |
0.277 |
| Longest Complete Rest |
0.8909 |
| Longest Partial Rest |
440.5 |
| Mean Complete Rest Duration |
0.8909 |
| Mean Partial Rest Duration |
22.06 |
| Median Complete Rest Duration |
0.8909 |
| Median Partial Rest Duration |
3.594 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
61.51 |
| Variability Across Voices of Combined Rests |
359.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6038 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.21 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.875 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8138 |
| Rhythmic Variability - Tempo Standardized |
0.05218 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2110.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.567 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
6.154 |
| Average Note Duration |
0.6891 |
| Variability of Note Durations |
0.4978 |
| Amount of Staccato |
0.0009479 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
283.5 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3096 |
| Strength of Second Strongest Rhythmic Pulse |
0.2475 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.251 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5571 |
| Rhythmic Variability |
0.0367 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.96 |
| Duration in Seconds |
502.8 |
| Note Density |
4.196 |
| Note Density Variability |
1.6 |
| Average Time Between Attacks |
0.4347 |
| Average Time Between Attacks for Each Voice |
0.9596 |
| Variability of Time Between Attacks |
0.2433 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.2183 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.1213 |
| Relative Note Durations of Lowest Line |
0.9925 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9365 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.04377 |
| Average Number of Independent Voices |
2.907 |
| Similar Motion |
0.1615 |
| Contrary Motion |
0.214 |
| Oblique Motion |
0.5807 |
| Parallel Fifths |
0.003405 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9497 |
| Voice Equality - Number of Notes |
179.1 |
| Voice Equality - Note Duration |
76.86 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
15.0 |