| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.1923 |
| Prevalence of Second Most Common Vertical Interval |
0.1868 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9714 |
| Vertical Unisons |
0.02183 |
| Vertical Minor Seconds |
0.0007899 |
| Vertical Thirds |
0.3791 |
| Vertical Tritones |
0.004062 |
| Vertical Perfect Fourths |
0.07239 |
| Vertical Perfect Fifths |
0.1843 |
| Vertical Sixths |
0.1521 |
| Vertical Sevenths |
0.01688 |
| Vertical Octaves |
0.1621 |
| Perfect Vertical Intervals |
0.4407 |
| Vertical Dissonance Ratio |
0.02893 |
| Vertical Minor Third Prevalence |
0.3734 |
| Vertical Major Third Prevalence |
0.3594 |
| Chord Duration |
3.55 |
| Partial Chords |
0.6258 |
| Standard Triads |
0.3442 |
| Diminished and Augmented Triads |
0.007509 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.005006 |
| Non-Standard Chords |
0.02503 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.007 |
| Average Number of Simultaneous Pitch Classes |
2.183 |
| Variability of Number of Simultaneous Pitch Classes |
0.6678 |
| Average Number of Simultaneous Pitches |
2.608 |
| Variability of Number of Simultaneous Pitches |
0.9871 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.879 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
72.17 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1874 |
| Stepwise Motion |
0.5659 |
| Melodic Thirds |
0.2226 |
| Melodic Perfect Fourths |
0.05751 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0334 |
| Melodic Sixths |
0.001855 |
| Melodic Sevenths |
0.003711 |
| Melodic Octaves |
0.007421 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.791 |
| Melodic Embellishments |
0.03663 |
| Direction of Melodic Motion |
0.4761 |
| Average Length of Melodic Arcs |
1.775 |
| Average Interval Spanned by Melodic Arcs |
4.631 |
| Melodic Pitch Variety |
5.139 |
| Mean Melodic Interval |
2.354 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3785 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4951 |
| Amount of Arpeggiation |
0.3748 |
| Repeated Notes |
0.1076 |
| Importance of Middle Register |
0.6447 |
| Importance of High Register |
0.001832 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
57.96 |
| Mean Pitch Class |
5.473 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09158 |
| Prevalence of Most Common Pitch Class |
0.207 |
| Relative Prevalence of Top Pitches |
0.96 |
| Relative Prevalence of Top Pitch Classes |
0.7965 |
| Interval Between Most Prevalent Pitches |
16.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.709 |
| Pitch Class Variability |
3.406 |
| Pitch Class Variability After Folding |
3.621 |
| Pitch Skewness |
0.1711 |
| Pitch Class Skewness |
0.4162 |
| Pitch Class Skewness After Folding |
0.7921 |
| Pitch Kurtosis |
4.917 |
| Pitch Class Kurtosis |
4.919 |
| Pitch Class Kurtosis After Folding |
5.826 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3535 |
| Note Density per Quarter Note |
0.5778 |
| Note Density per Quarter Note per Voice |
0.1444 |
| Note Density per Quarter Note Variability |
0.3915 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003663 |
| Prevalence of Medium Rhythmic Values |
0.3919 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9231 |
| Prevalence of Very Long Rhythmic Values |
0.2289 |
| Prevalence of Dotted Notes |
0.1612 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.209 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3297 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9556 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.932 |
| Rhythmic Value Skewness |
0.2137 |
| Rhythmic Value Kurtosis |
7.185 |
| Mean Rhythmic Value Run Length |
1.611 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.17 |
| Mean Rhythmic Value Offset |
0.3443 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.739 |
| Complete Rests Fraction |
0.01338 |
| Partial Rests Fraction |
0.692 |
| Average Rest Fraction Across Voices |
0.3451 |
| Longest Complete Rest |
7.254 |
| Longest Partial Rest |
203.1 |
| Mean Complete Rest Duration |
4.215 |
| Mean Partial Rest Duration |
33.45 |
| Median Complete Rest Duration |
4.491 |
| Median Partial Rest Duration |
4.491 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
3.187 |
| Variability of Partial Rest Durations |
49.69 |
| Variability Across Voices of Combined Rests |
41.67 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7197 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1509 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.769 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8706 |
| Rhythmic Variability - Tempo Standardized |
0.05864 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
546.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.498 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
6.154 |
| Average Note Duration |
0.9678 |
| Variability of Note Durations |
0.804 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
286.1 |
| Strongest Rhythmic Pulse |
71.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.479 |
| Strength of Strongest Rhythmic Pulse |
0.3237 |
| Strength of Second Strongest Rhythmic Pulse |
0.2813 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.151 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.605 |
| Rhythmic Variability |
0.03919 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.72 |
| Duration in Seconds |
200.4 |
| Note Density |
2.724 |
| Note Density Variability |
1.239 |
| Average Time Between Attacks |
0.6269 |
| Average Time Between Attacks for Each Voice |
1.439 |
| Variability of Time Between Attacks |
0.5346 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.2015 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.4908 |
| Relative Note Durations of Lowest Line |
1.051 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.9505 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.512 |
| Parallel Motion |
0.04324 |
| Average Number of Independent Voices |
2.65 |
| Similar Motion |
0.1595 |
| Contrary Motion |
0.2324 |
| Oblique Motion |
0.5649 |
| Parallel Fifths |
0.005405 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9539 |
| Voice Equality - Number of Notes |
9.883 |
| Voice Equality - Note Duration |
8.838 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.944 |
| Importance of Loudest Voice |
15.0 |