| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.202 |
| Prevalence of Second Most Common Vertical Interval |
0.193 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9558 |
| Vertical Unisons |
0.0274 |
| Vertical Minor Seconds |
0.00105 |
| Vertical Thirds |
0.3625 |
| Vertical Tritones |
0.02577 |
| Vertical Perfect Fourths |
0.06928 |
| Vertical Perfect Fifths |
0.1613 |
| Vertical Sixths |
0.1579 |
| Vertical Sevenths |
0.01597 |
| Vertical Octaves |
0.1656 |
| Perfect Vertical Intervals |
0.4236 |
| Vertical Dissonance Ratio |
0.05932 |
| Vertical Minor Third Prevalence |
0.433 |
| Vertical Major Third Prevalence |
0.5028 |
| Chord Duration |
2.304 |
| Partial Chords |
0.4145 |
| Standard Triads |
0.4575 |
| Diminished and Augmented Triads |
0.04657 |
| Dominant Seventh Chords |
0.003071 |
| Seventh Chords |
0.005118 |
| Non-Standard Chords |
0.1228 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4537 |
| Average Number of Simultaneous Pitch Classes |
2.477 |
| Variability of Number of Simultaneous Pitch Classes |
0.6612 |
| Average Number of Simultaneous Pitches |
3.031 |
| Variability of Number of Simultaneous Pitches |
0.8138 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.67 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
72.92 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2397 |
| Stepwise Motion |
0.6538 |
| Melodic Thirds |
0.1974 |
| Melodic Perfect Fourths |
0.05326 |
| Melodic Tritones |
0.0009183 |
| Melodic Perfect Fifths |
0.03306 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0009183 |
| Melodic Octaves |
0.008264 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.9907 |
| Melodic Embellishments |
0.01921 |
| Direction of Melodic Motion |
0.4893 |
| Average Length of Melodic Arcs |
1.752 |
| Average Interval Spanned by Melodic Arcs |
4.362 |
| Melodic Pitch Variety |
4.935 |
| Mean Melodic Interval |
2.372 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4141 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5787 |
| Amount of Arpeggiation |
0.292 |
| Repeated Notes |
0.05234 |
| Importance of Middle Register |
0.7246 |
| Importance of High Register |
0.01555 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.53 |
| Mean Pitch Class |
5.511 |
| Most Common Pitch |
58.0 |
| Most Common Pitch Class |
10.0 |
| Prevalence of Most Common Pitch |
0.1134 |
| Prevalence of Most Common Pitch Class |
0.1985 |
| Relative Prevalence of Top Pitches |
0.8226 |
| Relative Prevalence of Top Pitch Classes |
0.9171 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.963 |
| Pitch Class Variability |
3.462 |
| Pitch Class Variability After Folding |
4.301 |
| Pitch Skewness |
0.4876 |
| Pitch Class Skewness |
0.4424 |
| Pitch Class Skewness After Folding |
1.663 |
| Pitch Kurtosis |
5.404 |
| Pitch Class Kurtosis |
4.701 |
| Pitch Class Kurtosis After Folding |
4.304 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
46.0 |
| Last Pitch Class |
10.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2598 |
| Note Density per Quarter Note |
1.03 |
| Note Density per Quarter Note per Voice |
0.2575 |
| Note Density per Quarter Note Variability |
0.4935 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01738 |
| Prevalence of Medium Rhythmic Values |
0.5489 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8463 |
| Prevalence of Very Long Rhythmic Values |
0.08783 |
| Prevalence of Dotted Notes |
0.1043 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.025 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3952 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7569 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.949 |
| Rhythmic Value Skewness |
1.577 |
| Rhythmic Value Kurtosis |
10.94 |
| Mean Rhythmic Value Run Length |
1.605 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.156 |
| Mean Rhythmic Value Offset |
0.01098 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2094 |
| Complete Rests Fraction |
0.0008584 |
| Partial Rests Fraction |
0.6405 |
| Average Rest Fraction Across Voices |
0.2186 |
| Longest Complete Rest |
0.9107 |
| Longest Partial Rest |
309.5 |
| Mean Complete Rest Duration |
0.9107 |
| Mean Partial Rest Duration |
15.73 |
| Median Complete Rest Duration |
0.9107 |
| Median Partial Rest Duration |
3.674 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
44.83 |
| Variability Across Voices of Combined Rests |
195.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6074 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2028 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.995 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8102 |
| Rhythmic Variability - Tempo Standardized |
0.052 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1093.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.272 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
3.81 |
| Average Note Duration |
0.6353 |
| Variability of Note Durations |
0.4158 |
| Amount of Staccato |
0.01189 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
289.6 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2817 |
| Strength of Second Strongest Rhythmic Pulse |
0.2482 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.135 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5299 |
| Rhythmic Variability |
0.03563 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.02 |
| Duration in Seconds |
222.2 |
| Note Density |
4.92 |
| Note Density Variability |
1.566 |
| Average Time Between Attacks |
0.402 |
| Average Time Between Attacks for Each Voice |
0.7511 |
| Variability of Time Between Attacks |
0.2419 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.2921 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.2415 |
| Relative Note Durations of Lowest Line |
1.037 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8646 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.05608 |
| Average Number of Independent Voices |
3.13 |
| Similar Motion |
0.1717 |
| Contrary Motion |
0.2476 |
| Oblique Motion |
0.5246 |
| Parallel Fifths |
0.0008628 |
| Parallel Octaves |
0.001726 |
| Variability of Number of Independent Voices |
0.7648 |
| Voice Equality - Number of Notes |
72.92 |
| Voice Equality - Note Duration |
40.84 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.517 |
| Importance of Loudest Voice |
11.67 |