Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2018 |
Prevalence of Second Most Common Vertical Interval |
0.1765 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8749 |
Vertical Unisons |
0.06241 |
Vertical Minor Seconds |
0.003984 |
Vertical Thirds |
0.3 |
Vertical Tritones |
0.01426 |
Vertical Perfect Fourths |
0.102 |
Vertical Perfect Fifths |
0.1765 |
Vertical Sixths |
0.1225 |
Vertical Sevenths |
0.04612 |
Vertical Octaves |
0.1393 |
Perfect Vertical Intervals |
0.4803 |
Vertical Dissonance Ratio |
0.1077 |
Vertical Minor Third Prevalence |
0.4705 |
Vertical Major Third Prevalence |
0.3591 |
Chord Duration |
1.832 |
Partial Chords |
0.3831 |
Standard Triads |
0.3422 |
Diminished and Augmented Triads |
0.03855 |
Dominant Seventh Chords |
0.004819 |
Seventh Chords |
0.03855 |
Non-Standard Chords |
0.2361 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.254 |
Average Number of Simultaneous Pitch Classes |
2.6 |
Variability of Number of Simultaneous Pitch Classes |
0.7097 |
Average Number of Simultaneous Pitches |
3.091 |
Variability of Number of Simultaneous Pitches |
0.7663 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
4.0 |
Variation of Dynamics |
1.844 |
Variation of Dynamics In Each Voice |
1.849 |
Average Note to Note Change in Dynamics |
2.04 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1802 |
Stepwise Motion |
0.7105 |
Melodic Thirds |
0.09717 |
Melodic Perfect Fourths |
0.04251 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04049 |
Melodic Sixths |
0.008097 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.02227 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.824 |
Melodic Embellishments |
0.04819 |
Direction of Melodic Motion |
0.4615 |
Average Length of Melodic Arcs |
2.209 |
Average Interval Spanned by Melodic Arcs |
5.704 |
Melodic Pitch Variety |
5.232 |
Mean Melodic Interval |
2.399 |
Number of Common Melodic Intervals |
2.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.5304 |
Relative Prevalence of Most Common Melodic Intervals |
0.3397 |
Amount of Arpeggiation |
0.2389 |
Repeated Notes |
0.07895 |
Importance of Middle Register |
0.8414 |
Importance of High Register |
0.0261 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
61.12 |
Mean Pitch Class |
5.11 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1245 |
Prevalence of Most Common Pitch Class |
0.1948 |
Relative Prevalence of Top Pitches |
0.871 |
Relative Prevalence of Top Pitch Classes |
0.9485 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.452 |
Pitch Class Variability |
3.348 |
Pitch Class Variability After Folding |
3.891 |
Pitch Skewness |
-0.2231 |
Pitch Class Skewness |
0.09896 |
Pitch Class Skewness After Folding |
1.46 |
Pitch Kurtosis |
5.428 |
Pitch Class Kurtosis |
4.769 |
Pitch Class Kurtosis After Folding |
5.334 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
20.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
9.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
30.0 |
Importance of Bass Register |
0.1325 |
Note Density per Quarter Note |
1.132 |
Note Density per Quarter Note per Voice |
0.283 |
Note Density per Quarter Note Variability |
0.4138 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.5763 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7791 |
Prevalence of Very Long Rhythmic Values |
0.09438 |
Prevalence of Dotted Notes |
0.1767 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.851 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3554 |
Relative Prevalence of Most Common Rhythmic Values |
0.6215 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.961 |
Rhythmic Value Skewness |
1.303 |
Rhythmic Value Kurtosis |
11.95 |
Mean Rhythmic Value Run Length |
1.448 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
0.81 |
Mean Rhythmic Value Offset |
0.09639 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
1.102 |
Complete Rests Fraction |
0.000002367 |
Partial Rests Fraction |
0.4955 |
Average Rest Fraction Across Voices |
0.1659 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
40.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
8.848 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
9.152 |
Variability Across Voices of Combined Rests |
46.8 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5256 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2507 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.097 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7763 |
Rhythmic Variability - Tempo Standardized |
0.04892 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
498.0 |
Initial Tempo |
320.0 |
Average Variability of Time Between Attacks for Each Voice |
0.7664 |
Minimum Note Duration |
0.1875 |
Maximum Note Duration |
6.0 |
Average Note Duration |
0.5527 |
Variability of Note Durations |
0.4899 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
7.0 |
Number of Relatively Strong Rhythmic Pulses |
7.0 |
Mean Tempo |
320.0 |
Strongest Rhythmic Pulse |
80.0 |
Second Strongest Rhythmic Pulse |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.2042 |
Strength of Second Strongest Rhythmic Pulse |
0.1998 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.022 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.404 |
Rhythmic Variability |
0.03154 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.4286 |
Tempo Variability |
0.0 |
Duration in Seconds |
82.5 |
Note Density |
6.036 |
Note Density Variability |
1.644 |
Average Time Between Attacks |
0.3032 |
Average Time Between Attacks for Each Voice |
0.6685 |
Variability of Time Between Attacks |
0.1286 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4667 |
Relative Range Isolation of Loudest Voice |
0.3289 |
Relative Range of Highest Line |
0.4667 |
Relative Note Density of Highest Line |
0.5462 |
Relative Note Durations of Lowest Line |
1.313 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.8996 |
Voice Separation |
4.667 |
Variability of Voice Separation |
3.512 |
Parallel Motion |
0.06876 |
Average Number of Independent Voices |
3.336 |
Similar Motion |
0.112 |
Contrary Motion |
0.1336 |
Oblique Motion |
0.6857 |
Parallel Fifths |
0.007859 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.7778 |
Voice Equality - Number of Notes |
41.33 |
Voice Equality - Note Duration |
8.776 |
Voice Equality - Dynamics |
0.5 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
3.109 |
Importance of Loudest Voice |
0.3333 |