| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2264 |
| Prevalence of Second Most Common Vertical Interval |
0.2102 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9286 |
| Vertical Unisons |
0.0168 |
| Vertical Minor Seconds |
0.001707 |
| Vertical Thirds |
0.353 |
| Vertical Tritones |
0.004438 |
| Vertical Perfect Fourths |
0.03685 |
| Vertical Perfect Fifths |
0.2031 |
| Vertical Sixths |
0.1504 |
| Vertical Sevenths |
0.02936 |
| Vertical Octaves |
0.1934 |
| Perfect Vertical Intervals |
0.4502 |
| Vertical Dissonance Ratio |
0.04869 |
| Vertical Minor Third Prevalence |
0.3946 |
| Vertical Major Third Prevalence |
0.2446 |
| Chord Duration |
3.174 |
| Partial Chords |
0.7002 |
| Standard Triads |
0.2173 |
| Diminished and Augmented Triads |
0.008048 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.08249 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
3.0 |
| Average Number of Simultaneous Pitch Classes |
2.154 |
| Variability of Number of Simultaneous Pitch Classes |
0.5958 |
| Average Number of Simultaneous Pitches |
2.536 |
| Variability of Number of Simultaneous Pitches |
0.5128 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.458 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
29.84 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2301 |
| Stepwise Motion |
0.6564 |
| Melodic Thirds |
0.1564 |
| Melodic Perfect Fourths |
0.04601 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0184 |
| Melodic Sixths |
0.003067 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01227 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.188 |
| Melodic Embellishments |
0.02432 |
| Direction of Melodic Motion |
0.4261 |
| Average Length of Melodic Arcs |
2.347 |
| Average Interval Spanned by Melodic Arcs |
5.492 |
| Melodic Pitch Variety |
5.329 |
| Mean Melodic Interval |
2.135 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4264 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5396 |
| Amount of Arpeggiation |
0.2945 |
| Repeated Notes |
0.1074 |
| Importance of Middle Register |
0.7964 |
| Importance of High Register |
0.06383 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.43 |
| Mean Pitch Class |
5.216 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1185 |
| Prevalence of Most Common Pitch Class |
0.2097 |
| Relative Prevalence of Top Pitches |
0.8974 |
| Relative Prevalence of Top Pitch Classes |
0.8116 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.521 |
| Pitch Class Variability |
3.548 |
| Pitch Class Variability After Folding |
3.433 |
| Pitch Skewness |
-0.3298 |
| Pitch Class Skewness |
0.1825 |
| Pitch Class Skewness After Folding |
0.757 |
| Pitch Kurtosis |
5.937 |
| Pitch Class Kurtosis |
4.781 |
| Pitch Class Kurtosis After Folding |
6.196 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1398 |
| Note Density per Quarter Note |
0.5865 |
| Note Density per Quarter Note per Voice |
0.1955 |
| Note Density per Quarter Note Variability |
0.2346 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2918 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8815 |
| Prevalence of Very Long Rhythmic Values |
0.2675 |
| Prevalence of Dotted Notes |
0.1307 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.267 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4255 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4071 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.465 |
| Rhythmic Value Skewness |
0.3256 |
| Rhythmic Value Kurtosis |
6.776 |
| Mean Rhythmic Value Run Length |
1.705 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.362 |
| Mean Rhythmic Value Offset |
0.1094 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.006 |
| Complete Rests Fraction |
0.001768 |
| Partial Rests Fraction |
0.4296 |
| Average Rest Fraction Across Voices |
0.1444 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
72.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
13.5 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
19.48 |
| Variability Across Voices of Combined Rests |
60.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6405 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2333 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.745 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8738 |
| Rhythmic Variability - Tempo Standardized |
0.05445 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
329.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.047 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
4.615 |
| Average Note Duration |
0.8417 |
| Variability of Note Durations |
0.57 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4568 |
| Strength of Second Strongest Rhythmic Pulse |
0.221 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.067 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6778 |
| Rhythmic Variability |
0.04277 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.000000000504 |
| Duration in Seconds |
107.9 |
| Note Density |
3.05 |
| Note Density Variability |
0.7059 |
| Average Time Between Attacks |
0.5571 |
| Average Time Between Attacks for Each Voice |
0.9708 |
| Variability of Time Between Attacks |
0.2813 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.6292 |
| Relative Note Durations of Lowest Line |
1.196 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.8146 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
4.243 |
| Parallel Motion |
0.04626 |
| Average Number of Independent Voices |
2.571 |
| Similar Motion |
0.1779 |
| Contrary Motion |
0.1459 |
| Oblique Motion |
0.6299 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4949 |
| Voice Equality - Number of Notes |
29.84 |
| Voice Equality - Note Duration |
11.62 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
12.5 |