| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2314 |
| Prevalence of Second Most Common Vertical Interval |
0.2086 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9012 |
| Vertical Unisons |
0.09143 |
| Vertical Minor Seconds |
0.01286 |
| Vertical Thirds |
0.3743 |
| Vertical Tritones |
0.005714 |
| Vertical Perfect Fourths |
0.03571 |
| Vertical Perfect Fifths |
0.1057 |
| Vertical Sixths |
0.1543 |
| Vertical Sevenths |
0.04286 |
| Vertical Octaves |
0.14 |
| Perfect Vertical Intervals |
0.3729 |
| Vertical Dissonance Ratio |
0.1094 |
| Vertical Minor Third Prevalence |
0.1825 |
| Vertical Major Third Prevalence |
0.145 |
| Chord Duration |
1.906 |
| Partial Chords |
1.0 |
| Standard Triads |
0.0 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.673 |
| Variability of Number of Simultaneous Pitch Classes |
0.4693 |
| Average Number of Simultaneous Pitches |
1.795 |
| Variability of Number of Simultaneous Pitches |
0.4037 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2381 |
| Stepwise Motion |
0.7238 |
| Melodic Thirds |
0.1143 |
| Melodic Perfect Fourths |
0.03492 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01905 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0127 |
| Melodic Octaves |
0.009524 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.5 |
| Melodic Embellishments |
0.01893 |
| Direction of Melodic Motion |
0.4097 |
| Average Length of Melodic Arcs |
2.323 |
| Average Interval Spanned by Melodic Arcs |
5.379 |
| Melodic Pitch Variety |
5.319 |
| Mean Melodic Interval |
2.127 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4857 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4902 |
| Amount of Arpeggiation |
0.2413 |
| Repeated Notes |
0.08571 |
| Importance of Middle Register |
0.9905 |
| Importance of High Register |
0.0 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.46 |
| Mean Pitch Class |
5.628 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1735 |
| Prevalence of Most Common Pitch Class |
0.2397 |
| Relative Prevalence of Top Pitches |
0.8182 |
| Relative Prevalence of Top Pitch Classes |
0.6053 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
4.391 |
| Pitch Class Variability |
3.047 |
| Pitch Class Variability After Folding |
3.91 |
| Pitch Skewness |
-0.5431 |
| Pitch Class Skewness |
-0.3665 |
| Pitch Class Skewness After Folding |
0.9705 |
| Pitch Kurtosis |
5.454 |
| Pitch Class Kurtosis |
5.093 |
| Pitch Class Kurtosis After Folding |
5.054 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
22.0 |
| Importance of Bass Register |
0.009464 |
| Note Density per Quarter Note |
0.7905 |
| Note Density per Quarter Note per Voice |
0.3953 |
| Note Density per Quarter Note Variability |
0.2758 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01262 |
| Prevalence of Medium Rhythmic Values |
0.6719 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7224 |
| Prevalence of Very Long Rhythmic Values |
0.02208 |
| Prevalence of Dotted Notes |
0.08202 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.366 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3943 |
| Relative Prevalence of Most Common Rhythmic Values |
0.672 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.313 |
| Rhythmic Value Skewness |
0.8363 |
| Rhythmic Value Kurtosis |
8.027 |
| Mean Rhythmic Value Run Length |
1.585 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9837 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002473 |
| Partial Rests Fraction |
0.1272 |
| Average Rest Fraction Across Voices |
0.06482 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
1.999 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
0.4913 |
| Variability Across Voices of Combined Rests |
1.414 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5147 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.238 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.162 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7527 |
| Rhythmic Variability - Tempo Standardized |
0.04804 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
317.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.2825 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
1.538 |
| Average Note Duration |
0.455 |
| Variability of Note Durations |
0.2524 |
| Amount of Staccato |
0.01262 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
52.0 |
| Second Strongest Rhythmic Pulse |
78.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2379 |
| Strength of Second Strongest Rhythmic Pulse |
0.2333 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.02 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4712 |
| Rhythmic Variability |
0.03371 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000003562 |
| Duration in Seconds |
77.11 |
| Note Density |
4.111 |
| Note Density Variability |
0.8878 |
| Average Time Between Attacks |
0.3395 |
| Average Time Between Attacks for Each Voice |
0.4801 |
| Variability of Time Between Attacks |
0.1607 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
1.0 |
| Relative Range Isolation of Loudest Voice |
0.01754 |
| Relative Range of Highest Line |
0.7727 |
| Relative Note Density of Highest Line |
0.3975 |
| Relative Note Durations of Lowest Line |
0.9334 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9905 |
| Voice Separation |
1.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.04895 |
| Average Number of Independent Voices |
1.875 |
| Similar Motion |
0.1399 |
| Contrary Motion |
0.2308 |
| Oblique Motion |
0.5804 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3307 |
| Voice Equality - Number of Notes |
17.68 |
| Voice Equality - Note Duration |
0.272 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.536 |
| Importance of Loudest Voice |
0.0 |