| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.2141 |
| Prevalence of Second Most Common Vertical Interval |
0.1882 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8789 |
| Vertical Unisons |
0.02533 |
| Vertical Minor Seconds |
0.001961 |
| Vertical Thirds |
0.4023 |
| Vertical Tritones |
0.01141 |
| Vertical Perfect Fourths |
0.0654 |
| Vertical Perfect Fifths |
0.1774 |
| Vertical Sixths |
0.1585 |
| Vertical Sevenths |
0.01795 |
| Vertical Octaves |
0.1329 |
| Perfect Vertical Intervals |
0.401 |
| Vertical Dissonance Ratio |
0.03968 |
| Vertical Minor Third Prevalence |
0.5528 |
| Vertical Major Third Prevalence |
0.4278 |
| Chord Duration |
2.967 |
| Partial Chords |
0.5028 |
| Standard Triads |
0.4073 |
| Diminished and Augmented Triads |
0.0309 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.08989 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.5 |
| Average Number of Simultaneous Pitch Classes |
2.481 |
| Variability of Number of Simultaneous Pitch Classes |
0.5214 |
| Average Number of Simultaneous Pitches |
2.839 |
| Variability of Number of Simultaneous Pitches |
0.3676 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.285 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
7.371 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2105 |
| Stepwise Motion |
0.6478 |
| Melodic Thirds |
0.1498 |
| Melodic Perfect Fourths |
0.06478 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03644 |
| Melodic Sixths |
0.01215 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01215 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.7 |
| Melodic Embellishments |
0.008 |
| Direction of Melodic Motion |
0.4386 |
| Average Length of Melodic Arcs |
1.916 |
| Average Interval Spanned by Melodic Arcs |
4.84 |
| Melodic Pitch Variety |
4.64 |
| Mean Melodic Interval |
2.397 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4372 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4815 |
| Amount of Arpeggiation |
0.2753 |
| Repeated Notes |
0.07692 |
| Importance of Middle Register |
0.78 |
| Importance of High Register |
0.024 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.43 |
| Mean Pitch Class |
5.7 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.128 |
| Prevalence of Most Common Pitch Class |
0.188 |
| Relative Prevalence of Top Pitches |
0.9375 |
| Relative Prevalence of Top Pitch Classes |
0.9574 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.741 |
| Pitch Class Variability |
3.463 |
| Pitch Class Variability After Folding |
4.138 |
| Pitch Skewness |
0.7993 |
| Pitch Class Skewness |
-1.126 |
| Pitch Class Skewness After Folding |
1.105 |
| Pitch Kurtosis |
5.315 |
| Pitch Class Kurtosis |
4.778 |
| Pitch Class Kurtosis After Folding |
4.677 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.196 |
| Note Density per Quarter Note |
0.6925 |
| Note Density per Quarter Note per Voice |
0.2308 |
| Note Density per Quarter Note Variability |
0.2807 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.296 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.92 |
| Prevalence of Very Long Rhythmic Values |
0.24 |
| Prevalence of Dotted Notes |
0.076 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.176 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.448 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4821 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.225 |
| Rhythmic Value Skewness |
0.2373 |
| Rhythmic Value Kurtosis |
5.855 |
| Mean Rhythmic Value Run Length |
1.553 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.006 |
| Mean Rhythmic Value Offset |
0.016 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.253 |
| Complete Rests Fraction |
0.002747 |
| Partial Rests Fraction |
0.09139 |
| Average Rest Fraction Across Voices |
0.0323 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.886 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.716 |
| Variability Across Voices of Combined Rests |
10.07 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7357 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1584 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.645 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8941 |
| Rhythmic Variability - Tempo Standardized |
0.05976 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
250.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5035 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.8062 |
| Variability of Note Durations |
0.4412 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4145 |
| Strength of Second Strongest Rhythmic Pulse |
0.2593 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.599 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6738 |
| Rhythmic Variability |
0.04191 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002988 |
| Duration in Seconds |
69.42 |
| Note Density |
3.601 |
| Note Density Variability |
0.8402 |
| Average Time Between Attacks |
0.5272 |
| Average Time Between Attacks for Each Voice |
0.8252 |
| Variability of Time Between Attacks |
0.2554 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5714 |
| Relative Range Isolation of Loudest Voice |
0.6628 |
| Relative Range of Highest Line |
0.5714 |
| Relative Note Density of Highest Line |
0.804 |
| Relative Note Durations of Lowest Line |
0.927 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.76 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
7.071 |
| Parallel Motion |
0.04622 |
| Average Number of Independent Voices |
2.911 |
| Similar Motion |
0.1681 |
| Contrary Motion |
0.2059 |
| Oblique Motion |
0.5798 |
| Parallel Fifths |
0.004202 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.2846 |
| Voice Equality - Number of Notes |
7.371 |
| Voice Equality - Note Duration |
1.936 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.5774 |
| Importance of Loudest Voice |
12.5 |