| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1909 |
| Prevalence of Second Most Common Vertical Interval |
0.1874 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9819 |
| Vertical Unisons |
0.03406 |
| Vertical Minor Seconds |
0.002671 |
| Vertical Thirds |
0.2963 |
| Vertical Tritones |
0.01675 |
| Vertical Perfect Fourths |
0.09335 |
| Vertical Perfect Fifths |
0.1909 |
| Vertical Sixths |
0.1721 |
| Vertical Sevenths |
0.02957 |
| Vertical Octaves |
0.1534 |
| Perfect Vertical Intervals |
0.4717 |
| Vertical Dissonance Ratio |
0.0637 |
| Vertical Minor Third Prevalence |
0.3256 |
| Vertical Major Third Prevalence |
0.3416 |
| Chord Duration |
2.681 |
| Partial Chords |
0.5752 |
| Standard Triads |
0.31 |
| Diminished and Augmented Triads |
0.03846 |
| Dominant Seventh Chords |
0.001748 |
| Seventh Chords |
0.009324 |
| Non-Standard Chords |
0.1055 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8667 |
| Average Number of Simultaneous Pitch Classes |
2.303 |
| Variability of Number of Simultaneous Pitch Classes |
0.6682 |
| Average Number of Simultaneous Pitches |
2.697 |
| Variability of Number of Simultaneous Pitches |
0.8037 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.758 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
182.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1632 |
| Stepwise Motion |
0.612 |
| Melodic Thirds |
0.2023 |
| Melodic Perfect Fourths |
0.07218 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0406 |
| Melodic Sixths |
0.002256 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009774 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.587 |
| Melodic Embellishments |
0.02474 |
| Direction of Melodic Motion |
0.474 |
| Average Length of Melodic Arcs |
1.939 |
| Average Interval Spanned by Melodic Arcs |
5.191 |
| Melodic Pitch Variety |
5.295 |
| Mean Melodic Interval |
2.529 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4489 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3635 |
| Amount of Arpeggiation |
0.3135 |
| Repeated Notes |
0.0609 |
| Importance of Middle Register |
0.8463 |
| Importance of High Register |
0.04273 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.96 |
| Mean Pitch Class |
5.358 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1147 |
| Prevalence of Most Common Pitch Class |
0.2046 |
| Relative Prevalence of Top Pitches |
0.9673 |
| Relative Prevalence of Top Pitch Classes |
0.8608 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.747 |
| Pitch Class Variability |
3.593 |
| Pitch Class Variability After Folding |
3.088 |
| Pitch Skewness |
0.197 |
| Pitch Class Skewness |
0.2986 |
| Pitch Class Skewness After Folding |
1.143 |
| Pitch Kurtosis |
5.518 |
| Pitch Class Kurtosis |
4.805 |
| Pitch Class Kurtosis After Folding |
7.394 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
35.0 |
| Importance of Bass Register |
0.1109 |
| Note Density per Quarter Note |
0.7003 |
| Note Density per Quarter Note per Voice |
0.1751 |
| Note Density per Quarter Note Variability |
0.4221 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005997 |
| Prevalence of Medium Rhythmic Values |
0.4325 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8853 |
| Prevalence of Very Long Rhythmic Values |
0.1919 |
| Prevalence of Dotted Notes |
0.1574 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.786 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3208 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9907 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.605 |
| Rhythmic Value Skewness |
-0.2469 |
| Rhythmic Value Kurtosis |
8.206 |
| Mean Rhythmic Value Run Length |
1.519 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9898 |
| Mean Rhythmic Value Offset |
0.2039 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.551 |
| Complete Rests Fraction |
0.0005663 |
| Partial Rests Fraction |
0.7712 |
| Average Rest Fraction Across Voices |
0.3036 |
| Longest Complete Rest |
1.079 |
| Longest Partial Rest |
366.5 |
| Mean Complete Rest Duration |
1.079 |
| Mean Partial Rest Duration |
25.14 |
| Median Complete Rest Duration |
1.079 |
| Median Partial Rest Duration |
3.515 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
65.45 |
| Variability Across Voices of Combined Rests |
463.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6382 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1877 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.401 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8258 |
| Rhythmic Variability - Tempo Standardized |
0.05388 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1334.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.1 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
8.571 |
| Average Note Duration |
0.8707 |
| Variability of Note Durations |
0.7752 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
277.2 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3113 |
| Strength of Second Strongest Rhythmic Pulse |
0.2604 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.196 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5717 |
| Rhythmic Variability |
0.03748 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.61 |
| Duration in Seconds |
416.9 |
| Note Density |
3.2 |
| Note Density Variability |
1.313 |
| Average Time Between Attacks |
0.511 |
| Average Time Between Attacks for Each Voice |
1.679 |
| Variability of Time Between Attacks |
0.3037 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5429 |
| Relative Range Isolation of Loudest Voice |
0.3776 |
| Relative Range of Highest Line |
0.5429 |
| Relative Note Density of Highest Line |
0.2039 |
| Relative Note Durations of Lowest Line |
1.961 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8396 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.04232 |
| Average Number of Independent Voices |
2.795 |
| Similar Motion |
0.1309 |
| Contrary Motion |
0.1403 |
| Oblique Motion |
0.6865 |
| Parallel Fifths |
0.004702 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8129 |
| Voice Equality - Number of Notes |
182.9 |
| Voice Equality - Note Duration |
101.5 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.317 |
| Importance of Loudest Voice |
11.67 |