| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2286 |
| Prevalence of Second Most Common Vertical Interval |
0.1833 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8018 |
| Vertical Unisons |
0.02141 |
| Vertical Minor Seconds |
0.002798 |
| Vertical Thirds |
0.3086 |
| Vertical Tritones |
0.004398 |
| Vertical Perfect Fourths |
0.1049 |
| Vertical Perfect Fifths |
0.1833 |
| Vertical Sixths |
0.1411 |
| Vertical Sevenths |
0.01535 |
| Vertical Octaves |
0.2072 |
| Perfect Vertical Intervals |
0.5168 |
| Vertical Dissonance Ratio |
0.03465 |
| Vertical Minor Third Prevalence |
0.4618 |
| Vertical Major Third Prevalence |
0.5382 |
| Chord Duration |
2.363 |
| Partial Chords |
0.3239 |
| Standard Triads |
0.5656 |
| Diminished and Augmented Triads |
0.01566 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.001957 |
| Non-Standard Chords |
0.1086 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9527 |
| Average Number of Simultaneous Pitch Classes |
2.656 |
| Variability of Number of Simultaneous Pitch Classes |
0.5634 |
| Average Number of Simultaneous Pitches |
3.534 |
| Variability of Number of Simultaneous Pitches |
0.6215 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.277 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
88.22 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1758 |
| Stepwise Motion |
0.5684 |
| Melodic Thirds |
0.1989 |
| Melodic Perfect Fourths |
0.08881 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04618 |
| Melodic Sixths |
0.001776 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01776 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.394 |
| Melodic Embellishments |
0.02998 |
| Direction of Melodic Motion |
0.4759 |
| Average Length of Melodic Arcs |
1.747 |
| Average Interval Spanned by Melodic Arcs |
4.902 |
| Melodic Pitch Variety |
5.346 |
| Mean Melodic Interval |
2.611 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3925 |
| Relative Prevalence of Most Common Melodic Intervals |
0.448 |
| Amount of Arpeggiation |
0.341 |
| Repeated Notes |
0.07815 |
| Importance of Middle Register |
0.5044 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
53.89 |
| Mean Pitch Class |
5.272 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.08642 |
| Prevalence of Most Common Pitch Class |
0.1852 |
| Relative Prevalence of Top Pitches |
0.9184 |
| Relative Prevalence of Top Pitch Classes |
0.8857 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
8.28 |
| Pitch Class Variability |
3.379 |
| Pitch Class Variability After Folding |
3.577 |
| Pitch Skewness |
-0.1968 |
| Pitch Class Skewness |
0.2411 |
| Pitch Class Skewness After Folding |
0.6893 |
| Pitch Kurtosis |
5.187 |
| Pitch Class Kurtosis |
4.863 |
| Pitch Class Kurtosis After Folding |
5.96 |
| Major or Minor |
0.0 |
| First Pitch |
38.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.4956 |
| Note Density per Quarter Note |
1.048 |
| Note Density per Quarter Note per Voice |
0.262 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003527 |
| Prevalence of Medium Rhythmic Values |
0.4921 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8959 |
| Prevalence of Very Long Rhythmic Values |
0.1182 |
| Prevalence of Dotted Notes |
0.1287 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.344 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.388 |
| Relative Prevalence of Most Common Rhythmic Values |
0.85 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.189 |
| Rhythmic Value Skewness |
0.4714 |
| Rhythmic Value Kurtosis |
10.89 |
| Mean Rhythmic Value Run Length |
1.383 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.7956 |
| Mean Rhythmic Value Offset |
0.02116 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.504 |
| Complete Rests Fraction |
0.03141 |
| Partial Rests Fraction |
0.3309 |
| Average Rest Fraction Across Voices |
0.1183 |
| Longest Complete Rest |
8.0 |
| Longest Partial Rest |
44.0 |
| Mean Complete Rest Duration |
5.664 |
| Mean Partial Rest Duration |
6.094 |
| Median Complete Rest Duration |
8.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
4.046 |
| Variability of Partial Rest Durations |
8.537 |
| Variability Across Voices of Combined Rests |
31.09 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6621 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1823 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.632 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8443 |
| Rhythmic Variability - Tempo Standardized |
0.05522 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
567.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.822 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.8012 |
| Variability of Note Durations |
0.5539 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3233 |
| Strength of Second Strongest Rhythmic Pulse |
0.2877 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.124 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.611 |
| Rhythmic Variability |
0.0399 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002864 |
| Duration in Seconds |
128.8 |
| Note Density |
4.402 |
| Note Density Variability |
1.503 |
| Average Time Between Attacks |
0.5136 |
| Average Time Between Attacks for Each Voice |
0.8636 |
| Variability of Time Between Attacks |
0.3803 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.7 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.4515 |
| Relative Note Durations of Lowest Line |
1.038 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.7072 |
| Voice Separation |
6.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.05008 |
| Average Number of Independent Voices |
3.641 |
| Similar Motion |
0.1753 |
| Contrary Motion |
0.2705 |
| Oblique Motion |
0.5042 |
| Parallel Fifths |
0.003339 |
| Parallel Octaves |
0.001669 |
| Variability of Number of Independent Voices |
0.5738 |
| Voice Equality - Number of Notes |
11.24 |
| Voice Equality - Note Duration |
7.403 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
10.0 |